Introduction:
Interplanetary travel is explored in 20th Century Fox’s Avatar and Warner Brother’s Interstellar. One tells the story of a conquest of an alien planet to gain their wealth, whereas Interstellar is set in a dystopian society where food is scarce, so they go elsewhere to look for a planet that could be inhabited by mankind. These two significantly different films, utilise their film trailers to express the grief, greed, and above all desperation that is experienced by primary characters in unique, yet similar ways. Through the use of cinematic techniques, exclusive to film trailers, the effectiveness of each trailer will be thoroughly explored.
Degree of Conformity:
The two trailers’ do conform to the conventions of a typical Hollywood
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At the beginning of the trailer for Avatar uplifting music plays as it introduces the character and then the setting of Pandora, which leaves the audience with a feeling of wonder and excitement as they take in the new world. However, as the main character, Jake Sully, starts to describe the mission at hand the music quickly changes tone to a more dramatic beat, which conveys feelings of urgency. During the transition between human to avatar the music once again changes, which compliments the build up to the reveal of the avatar, and holds the viewer’s attention. The music then once again takes on a dramatic turn, as Jake interacts with the Na’vi and action scenes are played, which builds tension as the audience gains more information with the new motives of the main character. During the final parts of the trailer, a montage is played over forbidding and dramatic music, as various images of a war plays out, this creates feelings of dread, tension, and uncertainty for what will happen next. Contrary to this, Interstellar plays quiet forbidding music as soon as the first scene plays, which grabs the audience’s attention from the beginning and sets the setting of the dystopian future well. As the main character, Cooper, leaves his family behind to go into space, the music changes tone to slow paced beats, which heightens the drama of the trailer, and creates a feeling of sadness in the audience as they see him make his descent into space. While Interstellar uses tension building and forbidding music effectively, Avatar uses different music to successfully draw the audience in during particular scenes and builds up the audience’s tension when
Have you ever seen Indiana Jones and Raiders of the Lost Ark? In that movie if you’re paying attention you can see a faithful reproduction of the biblical account of the Ark of the Covenant – the most sacred of all objects from the Bible. It is gilded with Gold, with fine woods and carvings – with the figures of two cherubs (keruvim – those who bring God close) on top – wings outstretched and barely touching at the point where God’s presence might one day descend and perhaps glow brightly like a metaphoric shining light of truth and knowledge.
The road movie embodies the human desire for travel and progression. The vehicle of journey is a contemporary metaphor of personal transformation that oftentimes mirrors socio-cultural desires and fears. Thomas Schatz believes that one “cannot consider either the filmmaking process or films themselves in isolation from their economic, technological, and industrial context.” This statement is especially applicable to the independent American films of the late sixties, a time of great political and social debate. Easy Rider (1969) was considered a new voice in film that was pitched against the mainstream. In the 1960s, there was a shift to highlight the outsiders or the anti-heros in film. This counter-cultural radicalism seems to have also influenced the 1991 film, Thelma & Louise. The characters of both films act as figures of anti-heroism by rebelling against the conventional and unintentionally discovering themselves at the same time. Despite their different backgrounds, the protagonists of Eas...
music to analyse—in fact, the music runs almost constantly throughout the film without very little
The Martian is a story that involves a visit to the mars, and after that, the astronauts come out of the Mars leaving behind Mark Watney who his real name is Matt Damon. The team assumed Mark was dead after a strong storm. He tried to survive with the remains of the supplier till he was able to launch his way back to the Earth (MacIsaac, 2015). The story is represented in the Novel, and a movie and these two platforms have some similarities and differences. The movie is the representation of what is happening in the book. Therefore, not everything that it is in the book is covered in the one and half film, therefore several scenarios are left out.
Donnie Darko and 2001: A Space Odyssey has central meanings that focus on science and religion. Richard Kelly's, Donnie Darko, introduces the protagonist as a teenage boy who is given the chance to live for twenty-eight more days after the mysterious jet engine crash that was intended to kill him. Donnie is plagued by visions of a giant sized evil-looking rabbit named Frank. Frank orders Donnie to commit acts of violence, warns of the impending end of the world, and is his guide throughout the movie. Donnie is portrayed as a Christ-like figure that will ultimately travel back in time not only to redeem his actions, but the actions of those he has affected. When Donnie dies he becomes a martyr and saves the world, like Christ. Stanley Kubrick's, 2001: A Space Odyssey portrays human evolution while being guided by a higher intelligence. Although this higher intelligence is anonymous throughout the movie, it has placed mysterious stone structures known as "monoliths" on the moon, Saturn, and Earth. These monoliths have purposively been around for over 4,000 years and are a symbol of evolution. At each new level of human achievement, the monolith is present. The scene in A Space Odyssey, where astronaut David Bowman lands on the enigmatic monolith, focuses on an evolutionary theme, whereas the montage scene in Donnie Darko shows the reverse of time followed by Donnie laughing in bed awaiting death, thus unraveling an underlying Christian theme in which Donnie is Christ-like for sacrificing himself to save the world.
Also, even those music that are performed by the orchestra, it is more in atonal and really has very little harmonic and melodic effects. By creating music like this, it somehow creates the mystery feelings and that fits the whole concept since finding the Ark is a very mystery journey and everything is unpredictable and I think the music really captures
Being one of the world’s most popular art forms, it was inevitable that these archetypes would find their way into film as well. In this essay I will argue that the films Pulp Fiction, Taxi Driver, Watership Down, and Trainspotting are all versions of The Hero’s Journey, consequently demonstrating just how prevalent these archetypes have become in modern cinema. And that mythology and storytelling are important parts of each culture because they prevent the darkness in our hearts from spreading.
The music then starts to build up, by getting louder and faster. This starts to get the audience thinking, and wondering what will happen next. It builds up a lot of tension and suspense, and you seem, to know that danger is getting closer.
The trailer released for the film followed suit, flashing images of violence, guns, and heart-throb Leonardo DeCaprio, in order to grab the attention of the audience. In most cases, people do not realize that behind these scenes lies subliminally transmitted emotion. Through the instrumentation that guides the trailer, the audience’s perceptions of the juxtaposed images are altered. By changing this music, one can change the tone of the entire trailer.
Barsam, R. M., Monahan, D., & Gocsik, K. M. (2012). Looking at movies: an introduction to film (4th ed.). New York: W.W. Norton & Co..
In the opening scenes of the trailer, already the audience is exposed to the dystopian atmosphere of chaos, social anarchy and oppression. This is promoted by short fast paced montages and high angle shots of the swarmed streets, close angle shots of people in terror and military forces. This also conveys the magnitude of chaos this “dilemma” has caused. A short scene of the main protagonist Robert struggling through the crowd has also been visually constructed to enforce to the audience that he is the main character of this movie. The visual construction of this scene is utilised by a close up slow motion focused shot on Will Smith with the background blurred to completely draw the audience onto him. What is more unique is that this combination of effects acts as an inference that Will Smith is the solution or only hope in settling this anarchy as he swiftly makes his way through the congested street. The explosion of the bridge also informs the audience the narrative is set in New York implied by being a landmark of the city. Already in the exposition, the visual conventions have provided an engaging and well informed construction of dystopian qualities and information about the plot itself.
As an audience we are manipulated from the moment a film begins. In this essay I wish to explore how The Conversation’s use of sound design has directly controlled our perceptions and emotional responses as well as how it can change the meaning of the image. I would also like to discover how the soundtrack guides the audience’s attention with the use of diegetic and nondiegetic sounds.
Since the creation of films, their main goal was to appeal to mass audiences. However, once, the viewer looks past the appearance of films, the viewer realizes that the all-important purpose of films is to serve as a bridge connecting countries, cultures, and languages. This is because if you compare any two films that are from a foreign country or spoken in another language, there is the possibility of a connection between the two because of the fact that they have a universal understanding or interpretation. This is true for the French New Wave films Contempt and Breathless directed by Jean-Luc Godard, and contemporary Indian films Earth and Water directed by Deepa Mehta. All four films portray an individual’s role in society, using sound and editing.
...n, the use of sound in films is highly significant in the development of the plot and in turn the development of the theme. Although, the sound components play a very significant role individually, it is through the combination and manipulation of such components that the sound design of the sound track has a greater impact emotionally upon the audience. Moreover, the effectiveness of this emotional impact can be significantly increased through the implementation of an effective combination sound to the image. Such combination can be seen within Gravity which exhibits a soundscape that successfully assist in bringing the world of the film to life. Sound is important to films and is an essential feature, many a time an audience will not even self-consciously acknowledge the music or sound effects but if they weren’t there the viewing pleasure would not be as pleasing
The importance of music in movies is highly regarded for manipulating the viewer’s emotions and helping them immerse into the story. Music is one of the prime elements in cinema. Without it a movie would feel dull and unexciting. There are three elements in a movie: one is acting, the second is picture, and the third one is music. It is a holy trinity; if incomplete, there would be a lack of sensation and excitement. Both acting and picture can stand independently from one another, but music is the one that makes the movie memorable.