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Cultural influences on art
Chinese traditional artwork essay
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The American Museum of National History in Central Park, New York City was remarkable to explore. There were many interesting and valuable artifacts in the museum that are a precious treasure to the history of America and how the items relate to one another. The color, shape, and style demonstrated the significance of understanding where the artifacts came from and how they were created. I enjoyed looking at the antiques and heirlooms that gave purpose to its development of the Chinese history and culture. One of my favorite artifacts that was exquisite to see was the Incense Burner in the Shape of a Rooster. This special item was created in the Qing dynasty (1644-1911), 18th century with a Cloisonné enamel on copper. The rooster in Chinese culture is a symbol of diligence and fortune. The rooster is a particularly popular Chinese decorative motif. This incense burner has an ingenious design. The hollow body houses the burning incense and the detachable wings serve as the lid with several small openings on …show more content…
The political and cultural integration of the empire was successfully completed under the succeeding Han dynasty (206 B.C.-A.D. 220). The arts of the Han period demonstrate remarkable uniformity. There are local variations in style and technology, but the formation, themes, and underlying concepts of the decorations are common to work produced in all parts of the empire. In the Chinese garden, rocks are an important symbolic and compositional element. Monoliths set on end are called peaks (Feng); piled compositions such as the one in the corner are called artificial mountains (Jiashan). The rocks are eroded limestone boulders from Lake Tai, near Suzhou. One of the principles of the Chinese garden design is the use of walls and openings to create the illusion of space beyond space. The lattice of each window is a different geometric pattern to delight the eye through
The founder of the Qin dynasty was Qin Shi Huangdi, a title meaning “First Emperor.” He was a brutal ruler, but he brought about many changes. However, in addition to all the new, some old ideas were continued from the Zhou, such as the emphasis on the wheat and rice staple foods, and the philosophies, Confucianism and Daoism. The old continuities tended to have been deeply embraced by China, and, just as the Zhou did, the Qin would create some ideas that lasted, and some that did not. Qin Shi Huangdi enforced a tough autocratic rule and, as a result, opposed formal culture that could make people counter his rule. This meant that he burned many books and attacked Confucian ideas in order to keep the people from generating rebellious ideas. When the Qin dynasty fell, so too did the opposition towards education, because it took away from the civilization culturally. Despite the fact that the Qin dynasty was very short and had little time to fully develop its systems and ideas, it did pump out a vast quantity of new and lasting concepts, such as the Great Wall and a central government. One of the biggest contenders for the most well-known feature of the Qin dynasty is the Great Wall. This architectural masterpiece extends over 3,000 miles, and was mainly a
“Museum Notes: An Introduction to Hopi Pottery Design.” Northern Arizona Society of Science and Art, Inc., July 1937.
After Mao Zedong’s death and the collapse of the Cultural Revolution Weiwei enrolled in the Beijing Film Academy. Film did not hold him long and in 1978 Weiwei became a founding member of an avant-garde group of artist called ‘the stars’, and an obsession with democracy and a deep critique of the Chinese government began to manifest. In 1981 Weiwei moved to the United States to practice and study art. One of Weiwei’s most iconic early pieces, Dropping Han Dynasty Urn (1995) depicts Weiwei holding, dropping, and the subsequent smashing of a Han Dynasty Urn. The performative gesture of this work is entrenched in Weiwei’s personal history, the significance of smashing a valued Chinese artefact symbolises the ‘desecration of cultural heritage (Delaney, 2016 p.30)’ that occurred during the Cultural Revolution and Weiwei’s
Chinese Qin Terracotta Warriors and Horses is a significant sculpture that represented the armies of Qin Shi Huang (the first Emperor of China). It is also known as the eight wonders of the world. It described a strong personality and specific characteristics from that era. This amazing artwork not only shows the remarkable historical value, but also the great artistic achievement. Qin Terracotta art is a great success in both sculpture and architecture.
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
Secondly, Emperor Huizong was a patron of arts and in his painting academy he highlighted 3 aspects of painting: realism, systematic study, and poetic idea. (source dri buku yg foto di library) These 3 aspects were clearly shown in Cranes above Kaifeng: Auspicious Cranes which indicates the amount of control Emperor Huizong had on the visualization of auspicious events.
Making a cross sign behind the ear specifically for children using soot, making the eye image on their respective houses at the top part of their doors, are among the practices by these communities of Americans during the three-decade period in regards to evil protection. Misfortunes and predictions for success stand out in most of the cultural beliefs and traditions, for instance, the Greek Americans have a belief that when an individual reads a specific pattern of the coffee dregs, popularity follows the person. The three artifacts in the exhibition depicted the early days when the community was in immigration into the American boundaries, the importance that comes with these people upholding their culture despite moving into a new environment where there already exists a cultural belief and lifestyle that differs from theirs. The university museum is a modern establishment in the United States of America that historians and research analysts go to as a primary source of historical information concerning several cultures and beliefs that existed in the country in the early development days.
On the base of ink draft,this kind of painting was completed by arranging light ochre color.It was called as "Ink and Light Colors Landscape".The painters in the Yuan dynasty were talented in painting the kind of painting,especially Huang Gongwang.
Chang, Kwang-chih 1968 The Archeology of Ancient China Yale University Press, New Haven & London
Whistling Boy by Frank Duveneck will go out on loan to San Francisco for an exhibition celebrating the 100 anniversary of the Panama-Pacific Expo. The piece that will be replacing the Whistling Boy in the Icons gallery is an incense burner from China made during the Ming Dynasty (1368-1644). Whistling Boy will be gone through January 2016 and when it returns the painting will most likely be place in the Duveneck Gallery.
The Great Wall of China, one of the world’s eight wonders, is one of the most famous feats of human architecture in the history of the world. This ancient marvel is not only a great spectacle, but is also significant in the shaping and molding of the China everyone knows today. The Great Wall of China allowed China to possess some of the longest lived governmental structures in the world by providing a means of protection against hostile nomadic groups and other warlike peoples. This allowed the lifespans of the dynasties-- lines of hereditary rulers who rule over a country for a long period of time-- inside the wall to be prolonged. This massive structure is therefore a key part of China’s history, influencing nearly every dynasty that ruled the region, since the rise of the first emperor.
I had an opportunity to visit the oriental institute museum . During my visit to the museum I was made aware of its location and the importance of it to chicago. The museum housed many exhibits of historical value dating civilization back to the paleolithic period of 2,500,000-100,000 B.C. Below you'll find examples of mans rise through the use of tools and refined skills from cave living to structured living throughout evolution. This is an experience that has grounded me to a new interest in structures that we have devised to become the homes we use today for the rest of my life.
Finding out about antiques, relics, and customs through narrating has formed who I am. These three things have inhabited of all societies to realize who they are. Family customs demonstrate how individuals experience their lives and cooperate with others. They additionally indicate how individuals respond when a relative weds into a group of an alternate ethnic foundation. Relics are great cases of material things that can instruct about one 's family history. Antiquities show who individuals are. This is valid for every single ethnic foundation.
..., he acknowledges and reinterprets traditional Chinese art in his works. This is his mode of expression via shanshui tradition, and his ways of thinking, viewing and perceiving are infiltrated by the literati ethos. He works in the computer with his countless digital photographs, he creates virtual city landscape, combining the countless small format snapshots in a way that imitate the characteristic structure and composition of the classical shanshui. In his works, we can see that it always visualizes how China is developing and illustrates the consequences of modernization, globalization and the destruction of China’s ecological equilibrium caused by the speedy growth of its megacities over the past few decades. Yang said, “ The media… is not important, no matter what method you use to create, to maintain the creative spirit of the ancients is the most import.”1
Ho, Helen. The Rise & Rise of Chinese Art. N.p.: Dslcollection, 2010. Web. 15 Apr. 2014.