In The Mood For Love Essay

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In the Mood for Love: Deconstructed The first few things I noticed when I began watching Wong Kar-Wai’s In the Mood for Love were the interesting mise en scène, the frequent use of off-screen space and the fact that almost every shot in the film is a frame within a frame. Using this internal framing is common in many films but I have never seen it used quite so extensively. Not only is it used more frequently than in most films, I also feel as though it blocks off more of the available space within the frame than we typically see. It took maybe ten minutes before I saw the first shot without an internal frame, and that was the scene where we meet Ah-Ping. It’s important to note that this is one of the few scenes that doesn’t feature one of the two main characters. As painful and heartbreaking as the subject matter is in this film, it manages to be unsentimental while also demonstrating a very painterly style, full of rich colors. The …show more content…

Instead of confronting the problem head-on, their primary goal seems to be learning to understand how it happened in the first place. They act out their spouses’ betrayal, as well as the act of confronting them for it. The film aggressively centers on the two main characters to the extent that we never even see the faces of their spouses. We know there are four people involved here, but it feels more like two real people and two phantoms. As they pretend to be the other couple, seducing their spouses while acting as the other’s spouse, we get the feeling that these characters are masochistic. But interestingly enough, by coaching eachother on how their spouse would act they are able to create a kind of fantasy where they are in control of their own betrayal. By never choosing to consummate their love they are deciding to stay in this fantasy, and delay seeing things for how they actually

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