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Antony and cleopatra a level literature ao5 critical analysis
Antony and cleopatra analysis
Representation of rome and egypt in antony and cleopatra
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Impressions of Egypt and Rome in First Two Scenes of Antony and Cleopatra In the first two scenes of Antony and Cleopatra, we are introduced to Egypt and Rome through the images and language used by the characters in the play. Although the contrast between the two countries is emphasised, we are also shown the way in which the two cultures are often merged by the presence of the Romans in the Egyptian environment. Egypt is predominantly presented to us as a liberal, hedonistic society, where precedence is given to banquets and pleasure-seeking, and it is full of female characteristics. On the other hand, Rome is an extremely masculine, military-based society. Importance is placed on discipline and physical strength, as opposed to the self-interest which they see so much of in the Egyptian court. Egypt is ruled by a Queen, which in itself is very significant as it demonstrates the female-domination of Egyptian society. Cleopatra occasionally mentions her dislike of the Roman ways, "A Roman thought hath struck him," which shows the distance between the two cultures, and suggest the Roman thoughts are violent and harsh. In fact, all the Egyptians we have so far been introduced to are female, with the exception of the Alexas, who is taunted by his female counterparts. "O, let him/marry a woman that cannot go," Charmian playfully prays that he will unable to consummate his marriage. We are also told of the eunuchs, who have been castrated, and so had their male identity removed. This suggests the sexual ambiguity in the court, and implies that masculinity is not important. The Egyptians are very sexually motivated and aware; they are... ... middle of paper ... ...enced by Cleopatra's patronising speech, and creates the typical Egyptian imagery in a Roman context. He also says, "Not a minute of our lives should stretch/Without some pleasure," which is a very hedonistic, Egyptian idea. Even Enobarbus is influenced in his cheerfully erotic comments to Antony, "I have seen her die twenty times on far poorer moment." All in all, the way in which Egyptand Rome are portrayed in the first two scenes of Antony and Cleopatra is designed to highlight the contrast between them, by describing the mutual contempt between them. The Romans dislike the self-interested, indulgent Egyptian society, whilst the Egyptians have no respect for the Roman self-imposed discipline. However, the two cultures do have an affect on each other, and it is interesting to see how they respond to this influence.
middle of his orchard on the morning of the ides of march the day that
In conclusion, The Aeneid’s lovers and Antony and Cleopatra are both tragic tales with many connections to each other. They share a common theme of a patriotic, heroic man having to choose between duty to his country and the passionate love of a beautiful, foreign and strong queen. Then on the otherside, they both depict a powerful and noble queen who is able to overcome the rampant patriarchy in their cities and rule with a firm loyal hand.
Roman depictions of Cleopatra have played quite an influential part on how Cleopatra has been depicted on TV and in film. The written accounts, in which we can learn about Cleopatra, have been taken from Roman resources and we do not have an Egyptian counterpart to use as comparison. However, the accounts themselves have been written after the actual events, so cannot be taken as history per say.
and indeed states that he is "a man who is the abstract of all faults
Enobarbus’ description of Cleopatra is very reminiscent of Philo’s description of her at the beginning of the play, such as ‘she makes hungry/Where most she satisfies’ and ‘the holy priests/Bless her when she is riggish’, yet Enobarbus seems to see these as positive traits rather than Philo who sees them as negative, calling her a ‘gypsy’ and a ‘strumpet’. This adds to Cleopatra’s enchanting nature as Enobarbus has spent a lot of time around her while Philo hasn’t which shows that it is very true that ‘the vilest things/Become themselves in her’, highlighting her enchanting and alluring
It would be a mistake to completely disregard the Roman view of Cleopatra. She manipulates Antony by taking advantage of his infatuation for her and using it for her own purposes. Cleopatra has manipulated strong Roman men in the past, such as Caesar and Pompey the Elder. The Romans were wise to be wary of her because in the battle at Actium, she leads to the demise of the Roman troops. The Roman people see Cleopatra as threatening primarily because of her beauty and open sexuality. Enobarbus captures the essence of
Our Minds was bright as Zeus lightning bolts, meaning our brains was huge and we was so full of ourselves. We decided to expose ourselves to sea-trading and trading culture. Becoming a dynamite culture in the process.
In Shakespeare's tragedy "Julius Caesar" the two speeches subsequent to Caesar's death were made by Brutus and Mark Antony. The first made by Brutus, in which he states "If then that friend demand why Brutus rose against Caesar, this my answer: not that I loved Caesar less, but that I loved Rome more" which implies that he's trying to make things up, to "make things right"; lessen the blow of Caesar's assassination by giving excuses as to why he did what he had done with the conspirators. In his speech, it wasn't much of an apology but just full of lies, and excuses to try to cover up their remorseless actions so they wouldn't get instantly attacked by the whole population of Rome. In Mark Antony's speech he isn't allowed to say anything against
Around 69 B.C, one of the most famous female rulers ever known was born, she was Cleopatra. She was the descendent of the Egyptian ruler, Ptolemy XII, and she would eventually became the queen of ancient Egypt herself. She was known for being extremely intelligent and very charming, and because of this many romans feared her and viewed her as a threat. When her father died the throne of Egypt was left to her and her brother, Ptolemy XIII, and rivalry formed between the two, making her even more determined to become the sole ruler of Egypt. Cleopatra had trained all her life to be the successor of Egypt and she hungered for power. Like her father, she tried to have peace with Rome and maybe even have power over them. She would gain her power by having Caesar one and only son, Caesarion, the loyalty of Marc Antony, a well-known general who was popular among the troops in Rome, and of course by using her intelligence and Egypt’s resources. Cleopatra was a successful ruler because she had a thirst for power.
Cleopatra was the only woman in all classical antiquity to rule independently, known for her charm and irresistible beauty, but also for being a ruthless and passionate leader who seduced Julius Caesar and Mark Antony. Depictions of Cleopatra, ranging from the propaganda of the time period, to portrayals in modern popular culture, as well as in historical written and archaeological sources, have differed for several reasons. The three primary reasons for these differences are gender bias and subjectivity, the social/historical context of the time period and varying political propaganda purposes.
Throughout Antony and Cleopatra there is a sharp contrast between the bawdy humour and entertainment of the east and the stern morality and politics of the West. This is best seen in Antony’s downfall; his death is caused by a romantic but illogical attempt at conquering Rome, and the battle of Actium shows the decadent Egypt destroyed and the sensible Rome victorious. In Rome Antony was at his best as a man a soldier and a statesmen, whereas as Antony says “in the East my pleasure lies”, as does his downfall.
During the play “Julius Caesar” by William Shakespeare two characters, Mark Anthony and Marcus Brutus gave speeches at the funeral of Julius Caesar. Both had great use of persuasive strategies and convinced the crowd to their point of view. Only ,one character was more persuasive than the other and had a better use of rhetorical devices. And that character was Mark Anthony. Although Brutus gave a great speech Anthony had a better use of logos, parallelism and ethos along with the blessing of going after
Antony. Shakespeare proves this play a tragedy by selecting characteristics of ill-fated lovers in Antony and Cleopatra. Poor Antony turns victim to Cleopatra's enslavement, and forgets his duties in Rome. Antony is a disgrace to his Roman self, and "loses" himself to dotage" of Cleopatra. He also forgets of his marriage to Caesars sister Octavia flees back to Egypt, to Cleopatra.
d disrupts intelligence and most of all where its pleasure before business. Therefore Egypt is a threat to the Roman way of life, even Antony who is probably one of the most understanding person of the Egyptian culture realises this, he thinks the Egyptian culture will destroy his Roman identity. “These strong Egyptian fetters I must break… Or lose myself in dotage” To conclude this essay it can be said that Shakespeare presents Egypt more intricately than that of the Roman people’s view on it, just as he does the same with Rome. Although Shakespeare uses characters to symbolize their own homelands respectively, the actual presentation of Rome and Egypt is much more intricate. Not only is Rome and Egypt presented through what the character’s say, it is also expressed by the feelings and actions of those characters.
What complicates the analysis even further is the fact that once Cleopatra finds out who he is, after initially addressing him with thee/thou, she switches to you. This switch occurs whilst she is saying that Antony told her that she could trust him. Her switch of pronoun, therefore, may indicate that she now regards him as an equal or as an inferior. Alternatively she could be creating distance between them as she is unsure of Caesar’s intentions for her.