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Sustainable Architecture
ESSAY ON sustainable architecture
Sustainable Architecture
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FLEXIBILITY IN DESIGN AND BIOMIMICRY
MIRANDA THOMAS
(First Semester M. Des, Indian Institute Of Technology, Delhi.)
Abstract: Many geometrical forms and structures found in nature are ignored which could be used as an alternative solution in design. The structural systems, the designs and the technologies and techniques applied in insects and animal shelters, plants and trees may possibly prove to be very useful both in the planning and the building level. The technologies, the materials and the spaces are yet to be explored and can be adopted to solve design problems.
INTRODUCTION: The nature has a way of minimizing its use of material; it uses valuable resources and energy. The strongest present day need is to find ways to provide
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Fractals, rectangles, spirals, mathematical computations etc are involved. There is reason why the rose petals open as they do, how a drop of water can hold the most volume before it explodes, cactus have spines, how lava cools, why even cracking occurs in shape., etc., how an ear of corn grows, how mountains clouds form and how spiders make their webs: how, in short, nature sees to it that things happen in much the same way again and again. Symmetry in nature brings the world into focus and define these design formations. The better understanding of the natural phenomenon can help in creating flexible design. These related values and ideas should be knotted to create new designs which treats the environment gently and uses our economic resources …show more content…
Processes like excavating and carving, piling up, moulding, wiling and folding, sticking together, weaving and sewing is dune, there is technology in all this.
MEANING IN HUMAN DESIGNS
In the years, the attention of designers has changed. We also have something to learn from the ecological adaptations .The Human art of design is oriented towards aesthetic part of it. It is to be changed and adopt methods of nature of flexibility and material usage.
CONCLUSION:
The correspondence between the relationships in nature and architecture is however restricted to those of physical features of forms. The relation between form, its function and its inherent characteristic nature, exhibiting a discrete unity of form, purpose and character is to properly understand flexibility of design.
The physical form should be primarily determined by the kind of functions it encloses and should express, in its built form the nature of the institution it is made to serve. The primary form giving idea or concept already pre- exists any actual conception of the form, and it is the designers’ job to discover
Man has destroyed nature, and for years now, man has not been living in nature. Instead, only little portions of nature are left in the world
“Form follows function.” Every great Modern architect thought, designed by and breathed these very words. Or at least, their design principles evolved from them. Modern architects Le Corbusier, Mies van der Rohe, Frank Lloyd Wright, Pierre Chareau, and Rudolf Schindler to name a few believed that the function determined the space whether the space was solely for a particular purpose or they overlapped to allow for multiple uses. Form didn’t just follow function, function defined the space. By focusing on the relationship between the architecture and the interior elements, Chareau’s Maison de Verre expanded the idea of functionalism to include not only the architecture but also the space it creates and how people function within that space.
Abstract: New forms in current world have been testimony to the contemporary style of postmodern architecture and are the strength of today’s generation for creating significant architectural standards. Post modernism has blurred the borders between contemporary and traditional construction classical concepts and simply in the field of art and literature. The architectural elements like domes, arches, and classical shapes have lost their identity but the post modernism tries to bridge between these historical forms and contemporary styles. The related architects not only struggled to achieve the image for the buildings but also rejected oversimplified diagrams for living. The post modernism here tries to achieve theoretical base for their designs that creates the excitement in the design program.
In Stadia II, Julie Mehretu uses various principles of design. For instance, there is an essence of chaos when observing the work. This is present because, the way in which the geometric shapes are placed out, an atmosphere that portrays commotion is created. The artist creates variety through the various shapes and colors that are used. And although the work demonstrates chaos, there is also an essence of balance. There is a spiral going upward through the chaos which brings an emphasis on the center of the piece, drawing attention to a focal point or toward an underlying purpose. Furthermore, he geometric shapes are not organized through pattern because they are not arranged in repeating organized vertical spacing. On the contrary, there are no patterns, but still a sense of rhythm. Unity, or gestalt, is depicted through this geometric rhythm. These geometric shapes create an outline, also seen as blueprints, under all of the ecstatic
The development of design in the trend of globalization is urging designer performing their works in the more standard and professional processes, but the variety of inspirations in the design world still playing their crucial roles. The globalization of design has created a more complicated situation for both domestic and international designer. The application of international design thinking also could help designer to trim their design method and design thinking to approach the more intricate market, to conquer the gaps of different cognizes that effected by different cultures or even the human nature.
From the early Greek temples of yesteryear, to the high-tech autonomous buildings of tomorrow, the question of whether the function of a building or its aesthetics qualities are more important has plagued the minds of architects around the world. Webster's II New College Dictionary (Please do not use the encyclopedia or the dictionary to open your essay--way too high school.) defines aesthetics as "The branch of philosophy that provides a theory of the beautiful and of the fine arts" (18). The definition of Functionalism is defined by Webster's as "The doctrine that the function of an object should determine its design and materials" (453). Now, if the function of an object decides the type of design and materials used how does one integrate aesthetics into design, and moreover, how important are aesthetics to an architect? Frank Lloyd Wright was one of the greatest and most renowned architects of the 19th and 20th centuries, and while his buildings where lauded for displaying great artistic design, the issue of function was compromised by the blatant fact that his roofs leaked. This is because he let the aesthetics of his buildings become the focus of the structure, and neglected to adequately address the function of the building allowing for this problem to take root in his designs (Palermo, 4 Mar. 1999). As is apparent from Frank Lloyd Wright, there is a certain balance that has to be attained between aesthetics and functionalism in order for a structure to be appreciated as a successful building.
Le Corbusier’s Vers Une Architecture (Towards a New Architecture) is focused on the architectural qualities of “the machine”. He states that “the house is a machine for living in,” where the principles of architects should be to make the house suited for its purpose, as if it was a machine. This restates the argument that functionalism is more important than appearance, and that progress comes from architects abandoning the concept of traditional styles and decorative effects. Le Corbusier understood that architecture has nothing to do with various styles because functionality will always come before the subjectivity of appearance; he saw the aesthetic, not as just another style but the substance of architecture. In which he drew parallels
The essence of modern architecture lays in a remarkable strives to reconcile the core principles of architectural design with rapid technological advancement and the modernization of society. However, it took “the form of numerous movements, schools of design, and architectural styles, some in tension with one another, and often equally defying such classification, to establish modernism as a distinctive architectural movement” (Robinson and Foell). Although, the narrower concept of modernism in architecture is broadly characterized by simplification of form and subtraction of ornament from the structure and theme of the building, meaning that the result of design should derive directly from its purpose; the visual expression of the structure, particularly the visual importance of the horizontal and vertical lines typical for the International Style modernism, the use of industrially-produced materials and adaptation of the machine aesthetic, as well as the truth to materials concept, meaning that the true nat...
The aim of classical design has always been, according to Vitruvius’ De Architectura libri decem (De Architectura) known today as The Ten Books on Architecture, to proportion a harmonic structure. According to Marcus Vitruvius Pollio the theory of proportion is particularly important when it comes to designing a building, a passage in which his study relates human and architectural proportions he states:
Architecture is the concept of bringing structure, materiality, form and space together as a whole, provide people with enclosed atmosphere to experience. Considering this, it is important to identify that materiality and the purpose of details has been a key methodology to bringing architectural intentions into the design in an affective manner, more over producing an architectural expression. However, this position is rather declining in architecture, reducing tectonics and materiality to being secondary to form and space. With the start of modernism, the attempt to achieve minimalistic style has caused detailing to increasingly develop into a decorative aspect of a building, neglecting its individual contribution to architecture.
After completion of this step the architects use the surveying drawing to develop a working drawing for the building. In these drawing you will see triangles, rectangles, squares, arches and other geometry shapes and forms to create their design. The architects through our history have used these shapes to create famous structures all over the world. If you go back to Roman historical sites you will see such examples like the great Coliseum. A great example can be seen is the famous Egyptian pyramid. Some other famous structures are the Eiffel Tower which is in Italy, and Chrysler building in New York. If you look around your neighborhood houses, you will see these shapes.
The elements of design were created by Arthur Wesley Dow to help people see, describe, and create visual qualities in a systematic way. It consists of 7 elements: line, shape, form, colour, value, texture and space.
There are 25 major specialties in engineering that are recognized by professional societies. In any one of those 25 specialties, the goal of the engineer is the same. The goal is to be able to come up with a cost effective design that aids people in the tasks they face each day. Whether it be the coffee machine in the morning or the roads and highways we travel, or even the cars we travel in, it was all an idea that started with an engineer. Someone engineered each idea to make it the best solution to a problem. Even though engineer’s goals are similar, there are many different things that engineers do within their selected field of engineering. This paper will focus on the architectural field of engineering.
Jencks believes “the glass-and-steel box has become the single most used form in Modern Architecture and it signifies throughout the world ‘office building’” (27). Thus, modern architecture is univalent in terms of form, in other words it is designed around one out of a few basic values using a limited number of materials and right angles. In...
Design has major impact with concerns to environmental qualities. This field is a direct study of the relationship between behaviouristic actions of its inhabitants. Designers constantly interact with people and communicate to solve the needs of their clients regardless of large or small scale projects. Analysis is key in combining creativity with managerial design solutions. These outside-of-the-box designers have the ability to create beautiful, safe and functional and aesthetically pleasing spaces using common factors, designing for communities as well as,