Louis XIV’s self-entitlement as the Sun King reflects his belief of his power as absolute, since everything revolves around the sun. This fact mostly defines French absolutism at the time. Spielvogel describes absolutism as the sovereign power resting in the hands of the king, who rules by divine right and uses Louis XIV’s reign as the best example of absolute monarchy in the seventeenth century (444). Spielvogel also says that one of the reasons for his power was his ability to restructure the central policy-making machinery of the government (446). Molière’s Tartuffe is an accurate depiction of the power structure during King Louis’s absolutism. Since the king was Molière’s playwright, the moral of the story and its plot are pleasing to the king because it depicts the nobility just as the king intended them to be; important and noble members of the society, whose powers however, are lessened by the king. Spielvogel explains, “Instead of using the high nobility and royal …show more content…
In Tartuffe, the nobility (mostly Orgon and his mother) is depicted as being fools because of the way they are easily tricked by the “holy impostor”. When Madame Pernelle praises Tartuffe for being a good holy man, her grandson Damis says “No, look you, madame, neither father nor anything else can oblige me to have any regard for him. I should belie my heart to tell you otherwise. To me his actions are perfectly odious; and I foresee that, one time or other, matters will come to extremity between that wretch and me” (Act 1, Scene 1). This representation of the nobility places them exactly where Louis intended. Spielvogel says that Louis removed the nobles from the royal council and lured them to be part of his court as a way to keep them occupied with trivial matters and out of important roles in politics
In the reading, Tartuffe is a con artist who uses religious hypocrisy as a deceit to trick Orgon and gain access to Orgon’s family and legal documents of the house. Tartuffe’s deceit is blatantly apparent to the readers and several characters in the story like Cleante, Dorine, and Elmire. In one particular scene, Orgon learns about Tartuffe’s deceit with the help of Elmire, stating “What an abominable man! I can’t believe it! I’m overwhelmed!” (Moliere 82). This scene is significant because Tartuffe represents religious hypocrisy by using his fake piety as a method to manipulate others as a way to achieve his devious goals. Moliere attacks this idea of religious hypocrisy because he views it as a danger to French society. In the journal article titled “Tartuffe, Religion, and Courtly Culture,” the Emanuel S. Chill explains how the character Tartuffe is based on a group of religious people in France called the Cabale des Devots” (156). The Cabale des Devots was a fundamental Catholic group that persecuted the Huguenots, the protestants, in France by depriving them of their rights, leading to the mass emigration. Furthermore, the historical event is mirrored in Tartuffe when Orgon and his family are nearly evicted from their house. Moliere uses this part of the story to reinforce his idea that religious fanaticism is dangerous by inserting
Louis XIV, also known as the Sun King, was an absolutist monarch of France who sought to heavily suppress the power of novels while simultaneously promoting the ideals of a “divine right monarchy”. A man notorious for his incredible spending on various personal ventures, such as the extremely costly construction of a new palace at Versailles, Louis XIV was often the subject of criticism and mockery, especially from the nobles who hoped to discredit him and his absolutist regime. Overall, Louis XIV did predominantly act in a manner with his own personal agenda in mind, as seen through his Revocation of the Edict of Nantes, occurring as a result of his desire to have his country fall in line with his own beliefs, his unrelenting expenditures
Moliere’s Tartuffe assumed set of social conventions were shaped by all the characters within the play, however the authoritative figure was established depicted by the father, Oregon. Oregon’s character assumed the role of king or lord of his household. He believed that as the head of household, he had the right to rule over his kingdom as he saw fit. His kingdom had to run smoothly in order for it to be effective. No matter how harsh, unfair and painful it was for his, wife daughter or servants. In the social arena there is always a central powerful family, or first family that everyone in the community aspires to be, or in more recent term “keeping up with the Jones”, “or the one with swag”. The title, position and authority was so entrenched in their social community, that it came down to even choosing one’s mate through arranged marriages. We see in Moliere’s Tartuffe, that authoritative power was as precious as gold, in the realms or patriarchal power that was prevalent in the 17th Century, political and economic power, and also religious power (in which Oregon) wanted association
would change became reality. This was a threat to the power of the king. The different
In Molière's Tartuffe, translated by Richard Wilbur, the central character, a man named Orgon, has been completely brainwashed and taken advantage of by the title character, a lecherous and parasitic "holy man." Tartuffe has made use of one of the oldest scams in human history to insinuate himself into Orgon's household; he appeals to Orgon's desire to be a good, upstanding, and pious man by appearing to be the same. Tartuffe's manipulations are evident to everyone but Orgon, and seem to the reader to be blatantly obvious. His use of religion to manipulate Orgon is consistent throughout the play. In his religious zeal, Orgon is blind to the truth about Tartuffe's character. As a result, Orgon, in a vain attempt to secure religious favor, almost bring himself and his family to ruin.
When Louis the XIV began his rule in 1643, his actions immediately began to suggest and absolute dictatorship. Because of the misery he had previously suffered, one of the first things he did was to decrease the power of the nobility. He withdrew himself from the rich upper class, doing everything secretly. The wealth had no connection to Louis, and therefore all power they previously had was gone. He had complete control over the nobles, spying, going through mail, and a secret police force made sure that Louis had absolute power. Louis appointed all of his officials, middle class men who served him without wanting any power. Louis wanted it clear that none of his power would be shared. He wanted "people to know by the rank of the men who served him that he had no intention of sharing power with them." If Louis XIV appointed advisors from the upper classes, they would expect to gain power, and Louis was not willing to give it to them. The way Louis XIV ruled, the sole powerful leader, made him an absolute ruler. He had divine rule, and did not want to give any power to anyone other than himself. These beliefs made him an absolute ruler.
Tartuffe is nothing more than a traveling confidence man who veils his true wickedness with a mask of piety. Orgon and his mother Madame Pernelle are completely taken in by this charade. On the other hand, Cleante, Elmire, and Dorine see Tartuffe for the fake that he really is. Cleante is Orgon's wise brother who speaks elegantly about Tartuffe's hypocrisy. Through Cleante, Moliere most plainly reveals his theme.
Louis XIV is considered the “perfect absolutist” and he has been said to have been one of the greatest rulers in France’s history. He came up with several different strategic plans to gain absolute
In order to gain the power he desired as an absolute monarch, Louis used a few key techniques that were very successful. His first and most necessary step to get all control was to take all of the nobles’ power, and make it so they were completely under his control. He first did this by taking the nobles’ positions of power, and either getting rid of them by doing it himself, or giving the jobs to loyal middleclass or some nobles who were completely loyal and under his control. Louis had very simple reasoning for doing this, which was that if the nobles had any power or control, they would have a better chance of overthrowing him, and that since there can only be so much total power, the more they had, the less ...
... move, defunding any revolts they might plan, and preoccupying their time with petty social matters instead of matters of the state. If Louis’ reign was not supported by the enabling qualities of the Palace of Versailles, his reign would certainly not be as absolute as it was.
An Analysis of the Absolute Monarchy of France in the 17th Century This historical study will define the absolute monarchy as it was defied through the French government in the 17th century. The term ‘absolute” is defined I the monarchy through the absolute control over the people through the king and the royal family. All matters of civic, financial, and political governance was controlled through the king’s sole power as the monarchical ruler of the French people. In France, Louis XIII is an important example of the absolute monarchy, which controlled all facts of military and economic power through a single ruler. Udder Louis XIII’s reign, the consolidation of power away from the Edicts of Nantes to dominant local politics and sovereignty
If you were asked to answer the question, “Which king in European history was the best representative of absolutism?”, you would probably answer, “Louis XIV.” If you were asked to identify the king with the biggest palace and the most glamorous court, you would answer “Louis XIV.” If you were asked to identify the king whose reign coincided with the most glorious period of culture in his country's history, you would answer “Louis XIV.” If you were asked to identify what king fought an endless series of wars, heavily taxed his population, set up the pre-conditions for a revolution against his own system and was jeered by his people as his body was taken to be buried, then you would answer “Louis XIV.”
Jean-Baptiste Poquelin Moliere's Tartuffe is an epic play of hypocrisy, betrayal, and the tale of a foolish mind. Moliere's choice of protagonist in this play happens to be the most blatantly ignorant character in the play. Orgon is naive to the villain Tartuffe's hypocritical ways, makes a complete dunce of himself by uplifting Tartuffe as holy, and failing to pick up the abundance of clues of Tartuffe being fake. Analyzing this character is rather interesting and at the same time frustrating to read of someone so ignorant that they fail to see the wolf hiding under the sheep clothing. A fool is a fool unless they open their eyes to see the truth, and it took Orgon the majority of the play to realize the truth.
In Moliere's comedy, Tartuffe, the main focus of the play is not of Tartuffe, but of Orgon's blind infatuation with Tartuffe. It just so happens that the title character is the villain rather than the hero. Orgon is Moliere's representation of how a man can be so blind in his devotion to a belief that he cannot make accurate judgment as to the sincerity of others who would use that belief to deceive him. Tartuffe easily achieves total power over Orgon's actions because of his gullibility. However, as the play progresses, Orgon's view of Tartuffe changes and results in Tartuffes removal.
In Moliére’s Tartuffe (Moiré 1664), the reader is able to see a great contrast of Extreme and Moderate characters. Extreme characters being those who are seen as over the top, or very passionate people, and the moderate characters having a more calm and subtle approach to ideas. The extreme characters in this case would be Madam Pernelle, Orgon, Tartuffe, and Dorine. The moderate characters are seen as Cleante and Elmire.