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Irony in othello
Irony in othello
Shakespeare linguistic techniques
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Iago’s Use of Tone and Simile to Deceive Othello in Shakespeare’s Othello
The greatest and best villains in literature are those who possess the ability to manipulate others in order to further their own causes. In Othello, Iago has the insight and tact to manipulate the other characters, such as Cassio, Roderigo, Desdemona, and in this case, Othello. The methods by which Iago works the other characters are varied, and one prime example of his cunning ability to manipulate can be seen in Act III.iii.333-450. In this passage Iago utilizes many rhetorical strategies to his advantage; in particular he uses tone and simile. These rhetorical strategies are instrumental in the deception of Othello.
Throughout this passage Iago’s tone when he speaks is critical in his effort to make Othello do as planned. This tone is one of innocence and loyalty, and is used effectively to make Othello trust Iago’s statements. Iago appears to be innocent in his reluctance to relate to Othello what he knows about Desdemona and Cassio, as seen on lines 373-380. In this particular passage Iago uses his tone to demonstrate how he did not want to make enemies by telling the truth. Consequently, Othello assumes that Iago is not a part of any scheme and therefore must be telling the truth. The tone of innocence and loyalty to Othello is one of the methods by which Iago successfully manipulates Othello.
Not only does Iago utilize the rhetorical strategy of tone, he also employs similes to emphasize points. On lines 403-405, Iago uses multiple similes with the intent of deceiving Othello into thinking that Desdemona and Cassio had a promiscuous relationship. By saying that they were “as prime as goats” and “as hot as monkeys”, Iago is almost directly saying that they are having wild sexual relations. Furthermore, by using these similes, Iago helps to confirm Othello’s suspicion of Cassio and Desdemona, which was brought about by Iago in the first place. The use of similes is instrumental in Iago’s manipulation of Othello as seen in this passage.
"We are a peculiar people," Elder Bruce R. McConkie once said (McConkie 25). The Church of Jesus Christ of Latter-day Saints is one of a few "odd" Christian religions. Many of its practices have created much persecution and political reaction, polygamy being one of these. It created much social and political persecution of the Mormons.
In my essay, I will argue that the application of Marx's theory of the separation of town and country on the social and economical developments, which took place in Jabal Nablus during 17-19th century, confirm the existence of other factors, which cultivated overwhelming city's domination over hinterland. I claim that in addition to private property, growing trade with Europe also had a major impact on the conflict between city and country. In order to prove it, I will perform a critical analysis on Marx's methodology . I will next examine his concepts of productive forces, unequal distribution of labor, and conflict of interests in the society. In the end, I present comparative analysis of the social and economical features of Jabal Nablus in opposition to the claims of Carl Marx.
“Our people are our single greatest strength and most enduring long-term competitive advantage,” reports CEO Gary Kelly on the Southwest Airline website (https://www.southwest.com/html/about-southwest). The company works hard to hire great individuals and then rewards and supports them to make satisfied, productive employees (Ross & Beath, 2007). In fact, Southwest Airlines has received repeated recognition as a great place to work (“Southwest Corporate Fact Sheet,” n.d.). As a result, Southwest Airlines is able to provide a low-cost, fun-cultured experience with excellent customer service (Ross & Beath, 2007). This has allowed the company to build its final strength in this evaluation: a strong brand
In Othello, Iago is Shakespeare’s most malicious character and serves as a vehicle to these two themes. Iago despises Othello; he has a strong will to destroy Othello’s life, yet the motive behind his plan goes unexplained. Iago is a great manipulator of the tongue and lies to everyone in order to advance his plan; however, every character in the play considers Iago an honest character, and Othello even associates Iago with light and eyesight. Othello continuously asks Iago to explain or make something clearer. Until the very end, Iago appears to be honest and helpful to the other characters, but underneath this seemingly harmless façade, Iago is a demon with the strongest will; he will stop at nothing until he ruins Othello’s life. Iago uses a positive appearance to enact his
One of the themes of the play is prejudice. The reader gets a taste of Iago’s prejudice against women and sexist ways when Desdemona and Cassio first arrive on Cyprus. Iago says to Desdemona “You are pictures out of door/ Bells in your parlors/ Wild-cats in your kitchens/ Saints in your injuries, devils being offended/ players in your housewifery, and housewives in your beds.” (2.1.109- 112). He thinks that all women have two sides to them; a pleasant public side and an irritating private side and he sees Desdemona as a lesser person simply because she is female. Iago looks down on Cassio because Cassio is “a great arithmetician … a Florentine … That never set a squadron in the field” (1.119,20,22). He is a mathematician, not an army man, which makes Iago feel that he is more qualified for the job of lieutenant. Othello is older, from Africa, and Iago often calls him “the Moor” (1.2.58) and “an old black ram” (1.1.88). Iago does not want to follow him as he tells Roderigo “I follow him to serve my turn upon him/ we cannot all be masters, nor all masters/ cannot be truly followed.” (1.1.42-44). By this, Iago is saying that he only follows Othello to take advantage of him and does not think he deserves to be followed. This prejudice drives Iago’s malicious actions through a yearning to be seen in the superior way the way he feels he deserves to be
In William Shakespeare’s The Tragedy of Othello, Iago demonstrates a mastery of manipulation over people who had previously trusted and confided in him. His sudden turn from Othello’s loyal ensign to rage-filled villain seems indicative of a man who can no longer accept his position in life. Iago’s plotting of Othello’s demise starts as idle talk of a disgruntled 28 year-old career military man passed over for promotion. Iago believes that such a promotion may never come after Othello rejects his candidacy and makes it clear that he did not believe him suitable. He sees Othello is only concerned with personal and political gain with his choice of Cassio as lieutenant. When Iago teams with love-scorned and desperate Roderigo, he begins to construct Othello’s downfall. Iago is declaring an all-out covert war on Othello, Cassio, and anyone else who gets in his way. In Iago’s first speech in Act I Scene II, he proclaims hatred for Othello and lays out his plan for seeking vengeance. “After some time, to abuse Othello’s ears that he is too familiar with his wife (Shakespeare 1473).”
Iago's manipulative nature has a profound effect on the decisions made by other characters in Shakespeare's ‘Othello’. Through his relations with those around him Shakespear characterizes him as a man full of malice, vengeance and dishonesty that is wholly inspired by jealousy. Furthermore it would appear that Iago has an exceptional ability to scheme, a talent which he uses to snake his way into the lives of others and exploit them through their weaknesses. Whether he does this for profit or for pleasure is a separate issue.
The tragedy, "Othello" by William Shakespeare, is not just a play of jealousy. It is a drama about the collision of two worlds. One of them is a world of an absolute cynic, Iago the manipulator. A second world is a world experienced by all the other characters of the tragedy. The ability to understand the true nature of people around Iago makes him quickly navigate the situation. Given by nature, the psychological technique of manipulation, Iago is a master to wear different masks, because he can predict the further course and he is proficient of destroying everything to achieve success.
The airline industry has become more and more competitive over the years. It takes determination, preparation, knowledge, and recourses to start an airline company, and that is just what happened forty-five years ago in Dallas Texas. Southwest Airline is a very successful airline company serving around 100 million customers annually (Southwest Corporate Fact Sheet). Many things stick out about Southwest such as their satellite-based WIFI and free luggage. These accommodations appeal to the customers. The company describes its mission as “dedication to the highest quality of Customer Service delivered with a sense of warmth, friendliness, individual pride, and Company Spirit” (About Southwest). From a customer standpoint, there is nothing else
Corruption overcomes the Venetian society as Iago uses his crafty skills of deceit. The plan to have Othello turn against the ones he loves is the perfect example of evils nature. The power struggle is evident between these two. This situation is the start to Iagos plan to corrupt the society and take Othellos place. The root of Iagos evil is jealousy indeed, in turn changing into a power hungry manipulator. Iago is tired of acting like one "courteous and knee-crooking knave" like he always appears to be [I. i. 46]. Since Iago is reluctant to choose to be a master, he is the servant that bites off the fame and "keep yet their hearts attending on themselves," still showing his service to his master but instead is more self-preserving with no attachments at all towards the master [I. i. 52]. Irony is used diligently in Shakespeares unique language style.
Iago’s hatred of Othello and Cassio causes him to seek revenge and he is able to succeed because his victims are too innocent to suspect him. Iago is a Machiavellian Shakespearean character who cunningly convinces his victims of his full moral support and proves his innocence in a way that his victims do not suspect him. When Cassio finishes his conversation with Desdemona about how he will not have his job back, Iago unfolds his mischievous plan against Desdemona when he says that, “so will I turn her virtue into pitch, And out of her own goodness make the net that shall enmesh them all” (Shakespeare, 49). Iago plans to destroy Othello and Desdemona’s marriage by using Desdemona’s kindness toward Cassio against her and make her look unfaithful in front of her noble hu...
In Shakespeare’s Othello, Iago is the antagonist and villain who causes all the trouble and disorder. Othello is the protagonist, and is the main person Iago’s destruction and revenge is aimed towards. Othello is naïve and gives everybody his trust even though he may not know them or they haven’t earned his trust yet. He often refers to Iago has “Honest” Iago, which is a direct showing of irony because Iago is not honest at all (Shakespeare, I, iii. 289). Iago is so angry that Othello didn’t give him the promotion that was given to Cassio that he plans to seek revenge against Othello. He seeks his revenge against Othello by manipulating and lying to all of the people around him including his closest friend Roderigo, Cassio, Othello’s wife Desdemona and even his own wife Emilia. In the end, Iago’s lies and manipulation led to the deaths of Roderigo, Emilia, Othello and Desdemona. This isn’t the first time many of these individual characteristics have shown up in one of Shakespeare’s plays.
Several studies have shown that polygamy is more likely to present harmful effects, especially towards women and children, then monogamy. Women in polygamous marriages are at higher risk of low self-esteem, and depression, then women in non-polygamous relationships. Other studies show that polygamy can be detrimental to women’s overall marital satisfaction. This only heightens during a women’s pregnancy. Women are more likely to feel vulnerable or depression while pregnant, because their husbands become more likely to pay attention to the other (non-pregnant) wives. Women in polygamous marriages have no opinion when it comes to deciding on the number of wives her husband adds to their family. This forced passivity contributing to feelings of powerlessness and emotional abuse. Polygamy can be physically damaging as well as emotional; Women in polygamous marriages are at a greater risk of contracting sexual diseases, including AIDS. Men in polygamous marriages are more likely to partake in extramarital sex and are at greater risk of contracting sexual diseases and infecting their wives. The wives are not the only ones affected by polygamy; children from polygamous families may be at a greater risk of several harmful effects. For example, research has shown that it is more common for children of polygamous families to be exposed to a higher incidence of marital conflict, family violence, and family disruptions than children of monogamous families’. As a result, children from polygamous marriages are at a greater risk of both behavioral and developmental problems. As you can see, there are numerous factors that prove polygamy among marriage can be damaging emotionally and physically on both the wives, and children
Iago is a powerful predator who exploits those around him by infecting their perceptions of truth with carefully chosen fallacy. His skill in finding the proverbial chinks in others' armor allows him to skillfully weave his machinations of destroying Othello into their minds and actions; by manipulating character's perceptions of Desdemona, Iago gains the leverage he needs to exploit each character. No one is impervious to Iago's seething purpose; even Othello falls prey to Iago's suggestions and insinuations about Desdemona. Iago's constant presence as the stager, as well as his ceaseless - but subtle - reinforcement of events through narration, allows him to be the pivotal force that directs Shakespeare's Othello.
Iago has been excellent at saying the what is needed to get to people, he misleads them to get a reaction he wants out of them. He is clever with his words to avoid confrontation that can easily happen. “Othello 's confusion is the human experience of language. In other words, language itself, not the outside world, determines meaning” (Christofides 2). Iago uses his words against Othello to get him to do Iago’s doings. Iago has an eloquence with