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The role of african americans in broader american society in 1920s
Analysis of strange fruit by billie holiday
Analysis of strange fruit by billie holiday
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The Ways of the South One of Don King's most memorable quotes is, “Hypocrisy is the mother of all evil and racial prejudice is still her favorite child.” Throughout history and even today, the south has been stereotyped for its violence towards African Americans. In the 1920’s and 1930's many poems emerged concerning the problematic amount of violence against blacks during that period including Langston Hughes Song for a Dark Girl, and Billie Holiday’s Strange Fruit. During this period Blacks often were murdered, beaten, and degraded. Although these poems have a melancholy nature, it transcends its time, because it persuaded blacks to become stronger and united. Despite it all, the South was praised for its food and jazz music styles, the
“Strange Fruit” by Billie Holiday conveys the inhumane, gory lynchings of African-Americans in the American South, and how this highly unnatural act had entrenched itself into the society and culture of the South, almost as if it were an agricultural crop. Although the song did not originate from Holiday, her first performance of it in 1939 in New York City and successive recording of the song became highly popular for their emotional power (“Strange fruit,” 2017). The lyrics in the song highlight the contrast between the natural beauty and apparent sophistication of the agricultural South with the brutal violence of lynchings. Holiday communicates these rather disturbing lyrics through a peculiarly serene vocal delivery, accompanied by a hymn-like
In her book, A Voice from the South, Anna J. Cooper expressly addresses two issues: the participation of women in American society and America’s race problem. These are two issues very close to Cooper as an African American woman herself and she claims to speak for all African American women on these points. She argues that for America to be a truly democratic country that has freedoms for all people, it must have participation by women and blacks.
Detrimental stereotypes of minorities affect everyone today as they did during the antebellum period. Walker’s subject matter reminds people of this, as does her symbolic use of stark black and white. Her work shocks. It disgusts. The important part is: her work elicits a reaction from the viewer; it reminds them of a dark time in history and represents that time in the most fantastically nightmarish way possible. In her own words, Walker has said, “I didn’t want a completely passive viewer, I wanted to make work where the viewer wouldn’t walk away; he would either giggle nervously, get pulled into history, into fiction, into something totally demeaning and possibly very beautiful”. Certainly, her usage of controversial cultural signifiers serve not only to remind the viewer of the way blacks were viewed, but that they were cast in that image by people like the viewer. Thus, the viewer is implicated in the injustices within her work. In a way, the scenes she creates are a subversive display of the slim power of slave over owner, of woman over man, of viewed over
So you've moved, or been moved, to the South. Or maybe you're thinking about it. You're wondering: What is this place? What's different about it? Is it different, anymore?
King reminds the reader that racial injustices engulf the community by stating, “Birmingham is probably the most thoroughly segregated city in the united states. Its ugly record of brutality is widely known. Negroes have experienced grossly unjust treatments in the courts. There have been many bombings of Negro homes and Churches in Birmingham than in any other city in the nation. These are hard, brutal facts.”
Violence seems to be quite a common topic in black American literature of the first decades of the 20th century. One major reason for this is probably that it was important for black authors not to be quiet about the injustices being done to them. The violence described in the texts is not only of the physical kind, but also psychological: the constant harassment and terrorising. The ever-present violence had such an effect on the black that they just could not fight back to stop the injustices.
Southern Pro-Slavery Rhetoric By 1860, the slave states had approximately four million slaves making up approximately one-third of the South's population. However, opposition to slavery began as early as the 1700's by religious leaders and philosophers in North America and Europe who condemned the practice, arguing that slavery was contrary to God's teachings and violated basic human rights. During the Revolutionary War, many Americans came to feel that slavery in the United States was wrong because they believed that protection of human rights was one of the founding tenets of the United States, and slaves were not accorded rights. Slavery was likely opposed more rapidly in the North, in part because fewer people in the North owned slaves.
It was the civil rights leader Martin Luther King who said, “The ultimate measure of a man is not where he stands in moments of comfort, but where he stands at times of challenge and controversy. Faced with a sure knowledge of impending death from an incurable disease and a South blinded by its hypocrisies and lies, Flannery O’Connor challenged the mores and conventions of her time to emerge a literary visionary and a true example of the best that American literature has to offer. The author used “the prevailing locution of the South as easily, and as maliciously, as it often occurs there, among blacks and whites alike” (Fitzgerald xix). She spit into the wind of amorality and sin the consequences be damned despite the fact that in her time she was an outsider as a women, a southerner, and a Roman Catholic in the South. Her [natural] gifts produced the fiction, but her situation gave them opportunities, and enabled her to exercise her intelligence, imagination, and craft most effectively (Hyman 46).
When Ida B Wells wrote Southern Horrors, Lynch Law in All Its Phases, her journalistic efforts exposed corruption of the South’s actions and depicted the growing issue of racism in society during that time. As an African American women, Wells wants the public to know about the African American community`s burdens and uses journalism to her advantage to inform them of this societal issue. In Southern Horrors, Lynch Law In All Its Phases, Wells describes the case of eight African American men who are lynched based on false accusations for killing a white man and raping white women. These predispositions comes from the South`s tradition of prejudice and discrimination towards the African American community, which target and stereotype African American people as savages who should perish for their existence.
African-Americans aged 12 and up are the most victimized group in America. 41.7 over 1,000 of them are victims of violent crimes, compared with whites (36.3 over 1,000). This does not include murder. Back then during the era of the Jim Crow laws, it was even worse. However, during that time period when there were many oppressed blacks, there were many whites who courageously defied against the acts of racism, and proved that the color of your skin should not matter. This essay will compare and contrast two Caucasian characters by the names of Hiram Hillburn (The Mississippi Trial, 1955) and Celia Foote (The Help), who also went against the acts of prejudice.
James Baldwin wrote “Notes of a Native Son” in the mid-1950s, right in the heart of the Civil Rights Movement while he resided in Harlem. At this time, Harlem housed many African Americans and therefore had amplified amounts of racially charged crimes compared to the rest of the country. Baldwin’s life was filled with countless encounters with hatred, which he begins to analyze in this text. The death of his father and the hatred and bitterness Baldwin feels for him serves as the focus of this essay. While Baldwin describes and analyzes his relationship with his father, he weaves in public racial episodes occurring simultaneously. He begins the story by relating the hatred he has for his father to the hatred that sparked the Harlem riots. He then internalizes various public events in order to demonstrate how hatred dominates the whole world and not only his own life. Baldwin freq...
Poems and other readings with strong racial undertones such as Strange Fruit allow me to reflect back on the role race plays in my life as a black young woman and analysis if much has changed in terms of racism in the American society today.
Twain satirizes and critiques on the theme of American cultural hypocrisies: civilized society, parent-child relationship and religion. Hypocrisy is the term to describe ones’ claims to have moral standards or belief but do not live up to it, even if they claim to have certain virtues. Huck and Jim are the two characters who travel together while escaping from whom they tried to hurt them: the abusive father, Pap, and the widow and her sisters who wanted to sell Jim. Most people would frawn upon Jim’s situation which hurts him but would offer Huck help for a similar situation. This is known to the American cultural hypocrisy of civilized society. The American civilized society claims that “all men are created equal”, the idea created by the
Over the course of the century chronicling the helm of slavery, the emancipation, and the push for civil, equal, and human rights, black literary scholars have pressed to have their voice heard in the midst a country that would dare classify a black as a second class citizen. Often, literary modes of communication were employed to accomplish just that. Black scholars used the often little education they received to produce a body of works that would seek to beckon the cause of freedom and help blacks tarry through the cruelties, inadequacies, and inconveniences of their oppressed condition. To capture the black experience in America was one of the sole aims of black literature. However, we as scholars of these bodies of works today are often unsure as to whether or not we can indeed coin the phrase “Black Literature” or, in this case, “Black poetry”. Is there such a thing? If so, how do we define the term, and what body of writing can we use to determine the validity of the definition. Such is the aim of this essay because we can indeed call a poem “Black”. We can define “Black poetry” as a body of writing written by an African-American in the United States that formulates a concentrated imaginative awareness of an experience or set of experiences inextricably linked to black people, characterizes a furious call or pursuit of freedom, and attempts to capture the black condition in a language chosen and arranged to create a specific emotional response through meaning, sound, and rhythm. An examination of several works of poetry by various Black scholars should suffice to prove that the definition does hold and that “Black Poetry” is a term that we can use.
During this time, African Americans were becoming more culturally and politically evolved. They begin to produce novels, poems and plays. A recurring theme of the time was blatant racial pride and the developing idea that through intellect and creation of literature, art, and music they could challenge the pervading racism and promote free-thinking politics. The art and music that was produced was an imitation of life which they had endured. During this time, life had created the canvas of hate which African Americans used to create an artistic portrayal of their history. It was during this time that Langston Hughes penned his famous poem “Mother to Son” (Hughes,