Hymn To Hermes

454 Words1 Page
bulb-icon

Recommended: Psychology of lying

The Homeric Hymn to Hermes explains the story of two sons of Zeus, Apollo and Hermes become cordial through the decepticon on Hermes part. Throughout the Hymn, Hermes is described as a trickster that bends the rules to succeed in the eyes of Zeus but also remaining admirable in the eyes of people. In the contemporary work of art, the main character of the movie Catch Me If You Can, Frank Abagnale Jr. is similar to Hermes. Frank lives a life a deception in which he pretends to be multiple different people in which he fools the whole world. They resemble each other through their physical characteristics, the way deceive the world, and the way they antagonize others. In the movie, Frank abagnale Jr. is described as a young 15 year old teenager

Show More
Related

  • Gregory, by Panos Ioannides

    1345 Words  | 3 Pages

    There are many meanings inside stories; “Gregory” by Panos Ioannides is a heart-wrenching short story that follows the protagonist through the execution of his friend. E.M. Forster explains a want to keep friendships strong even at the expense of one’s relation to one’s country. The main character in “Gregory”' has multiple thoughts showing a tie to what Foster explained, as well as the internal fight that happens when one has two forces pulling at one. The Narrator wants to follow his gut and skirt tragedy, but in the end he wants to save himself from his superiors.

    Read More

  • Film Analysis: The Lion King

    2459 Words  | 5 Pages

    John Small, a fourteen year old boy in Uptown St. Paul, proceeds into the Suburban World Cinema, anxious to see Abel Ferrara's Bad Lieutenant. He is equipped with a parental note, replete with the phone number where his parents can be reached to verify that they did indeed author the note should its authenticity be questioned. John pushes seven crumpled-up dollar bills and the folded note into the metal dugout under the box office window, only to be met with a tinny, disinterested voice booming through the round silver speaker mounted on the window: "No children under seventeen allowed! Sorry. This note isn't gonna cut it."

    Read More

  • Pericles' Funeral Oration

    615 Words  | 2 Pages

    It is widely known that the Athenians highly valued their warrior class, and they saw the warriors as a ring of the higher circle of the society. The Athenians were very proud of Athena and its traditions, as well. Athenian’s thought that Athena was the best, none could be better. The funeral oration was aimed to respect the fallen as well as to keep up the national pride and its passion to protect their nation. The speech was a eulogy which focused on the eminence of Athens and its predecessors. Usually a son was chosen to give the eulogy. The law required the speech to have several essential components. The speech had to concerning the lives of the deceased. At his eulogy’s end, Pericles spoke in regard to the soldiers. The speech talked about the life that the departed lived and the achievements which they gained. Pericles wanted the citizens to recall the soldiers but to forget about the tragedy that had occurred. He wanted the departed’s lives to be remembered, but not their demise. The speech helped the Athenians appreciate what their ancestors had died for and how they shou...

    Read More

  • Altar of Zeus: New Style to Old Ideas

    1290 Words  | 3 Pages

    Hellenistic art, let alone architecture, was a period of dramatic transformations that deterred greatly from the Greek Classical period. While the Classical Greek concepts were not entirely abandoned, the Hellenistic period expanded the formal horizons with dramatic posing, sweeping lines, and high contrast of light, shadow and emotion, something greatly different from the Classical artists ideas. The conventions and rules of the Classical period gave way to experimentation and a sense of freedom that allowed the artists of the Hellenistic period to explore their subjects from unique points of view that they had not previously done. The Altar to Zeus in Pergamon is the perfect representation of the Hellenistic period. Pergamon contained the Altar to Zeus in the same way that the Athenian Acropolis contained the Parthenon and is considered by the Greek art historian Gisela Richter to be “the most famous altar of Hellenistic times” (Handbook 32). The Altar of Pergamon is uniquely suited as an ideal example of 2nd century Greek culture that is tied to the ideals of the people, and shows off Hellenistic characteristics that define the time just as the Parthenon is a staple in the Classical period. [Stokstad]

    Read More

  • Choices, Actions And Characters In Rene Denfeld's The Enchanted

    2052 Words  | 5 Pages

    When we first meet the whiter-haired boy, who is never named, he is a sixteen-year-old going to prison. He was

    Read More

  • The Greek Song Culture with Reference to Odyssey

    918 Words  | 2 Pages

    The Greek Song Culture with Reference to Odyssey The Homeric epic, Odyssey, begins with the invocation of the muse. The muses are the goddesses of total recall. Their name is “a reminder” since in earlier times, poets had to recall then recite events since the tales were not written down. The importance of memory and recognition is a central feature in Greek song culture.

    Read More

  • The Dual Nature of Characters in Shakespeare's Othello

    566 Words  | 2 Pages

    honest man to deceive Othello and other characters in the play. The perception of the public

    Read More

  • Hermes

    781 Words  | 2 Pages

    Some characteristics of Hermes include his ingenuity, knowledge, creativity, and is known to be very cunning. He is also quite good at gymnastics. Hermes is an incredibly clever god. He found a tortoise outside of his cave and displayed his godly talent by placing strings over the shell, inventing the first lyre. As a child he was very precious, even for a god. But he caused a great deal of trouble. But one day, he went too far and learned a very important lesson.

    Read More

  • The Parallels of Jesus and Hercules

    1189 Words  | 3 Pages

    Myths and religious doctrine are generally recognized as two entirely different things. Myths are usually referred to as a fictitious story or a half-truth; often they are stories shared between groups of people that are part of a cultural society. Religion is a set of beliefs concerning the cause, and purpose of the universe, and often containing an ethical code dictating appropriate human conduct. Although they differ in certain aspects, they still hold similarities. Comparable to parables within the Bible, myths have different versions which are both motivating, as well as entertaining. There are not only parallels to the idea of the stories but specific tales hold similar morals and equivalent characters.

    Read More

  • Eulogy For The Odyssey

    538 Words  | 2 Pages

    Hello my names is Circe and I am a goddess. I am the the goddess of sorcery. Yes I do have a magic wand, and I love it so much. I also make potions too. One time I used my magic on this guy named Odysseus and his friends when they were on their great adventure. I invented them to a grand feast, but little do they know I’m going to turn them into pigs, kind of like the move “Spirited Away”, aw that is a good movie. Anyway of topic, on with the story. They came to my palace and they came in and ate my food. There was one dish laced with a magic potion. As they all took a bite, I wiped out my wand and tuned them into pigs. Odysseus was not there, one of is buddies escaped and told Odysseus what happened. He started heading to the palace, but he was stopped be a young man that was actually Hermes in

    Read More

  • O Brother, Where Art Thou?: Modern Adaptation of Homer's Odyssey

    1253 Words  | 3 Pages

    The main characters of each work are automatically associated with each other by their names, but they also share similar personalities and characteristics. Odysseus is a wily hero of the Trojan War who uses his deceptive...

    Read More

  • Letter From Atlas To Hercules

    768 Words  | 2 Pages

    Salve Hercules! It has been a very long time since the last time we have spoken. The previous time we came into contact with each other was a dreadful experience. As I stand here every day and struggle to hold the weight of the heavens, I envy and crave your ability to roam freely all around the world without anything ever holding you back. You are free to do anything and go anywhere you wish while I am stuck in one place with an entire world on top of me. I do not even have a voice to be heard or a choice to be made to change it. While I am trapped under a massive and heavy load that I can not escape, you are living a content and fulfilling life with anyone, anywhere. I am still in absolute

    Read More

  • Poetry and Music for Plato

    853 Words  | 2 Pages

    When he wrote The Republic, Plato recognized the need for the rulers or `guardians' of his kallipolis to be good and righteous. He also realized that "imitations practiced from youth become part of nature" (Plato, Republic, 395d). It was with these two thoughts in mind that Plato decided to censor poetry and representations in the education of the guardians. He felt that, in portraying gods and heroes as slavish and iniquitous, poets, playwrights, musicians and storytellers encouraged people to imitate and adopt iniquitous and slavish natures or habits. Since it was necessary for the guardians of the just city to have natures opposite to the latter, Plato treated

    Read More

  • Piety And Virtue In Plato, Euthyphro And Meno

    911 Words  | 2 Pages

    When discussing specific knowledge, it is often hard to pin down an exact definition of what it is you are discussing. Often a concept or word will get thrown around so often that it will begin to be taken for granted and when pressed, a person may struggle to pin down specifically what it is they mean. Realizing this, Socrates often went out and attempted to fix these kinds of problems and find out what people actually knew, compared to what they just thought they knew. In the dialogues Euthyphro and Meno, Socrates attempts to pin down definitions for piety and virtue, respectively. In doing so, we are shown that the thinkers in question struggle to define these terms, and attempt to do so in vague terms that may vary heavily under different circumstances. What Socrates is attempting to find is one definitive definition of piety and virtue, what is called his One Form Requirement. Rather than defining something by classifying different parts that make it up, Socrates maintains the belief that piety and virtue both can be simplified into one specific form that describes exactly what makes all F actions F.

    Read More

  • The Relevance of Aristotle’s Poetics to the World Today

    1161 Words  | 3 Pages

    The Canadian novelist Michael Ondaatje, in his last novel titled In the Skin of a Lion, wrote that "the first sentence of every novel should be: Trust me, this will take time but there is order here, very faint, very human" (Ondaatje 223).  Ondaatje noted that what makes a novel a novel is order or, as that order is sometimes referred to today, plot and structure.  It is that structure that we, as both the audience and the artist, rely on to understand and appreciate a work of art.  But, even though Ondaatje noticed the order necessary, he did not do what has been done before--offer an explanation, or rather, a definition of that order.  Over two-thousand years before Ondaatje wrote that line, Aristotle, in his Poetics, did attempt to define the order necessary for a work of art, whether it be literary, visual, or performance-based, to be successful.  But we, as modern critics and artists, must ask, can a theory proposed so many years ago still be worthy or interpretation and study today?  Even a quick look at the literature and the theater produced in the last couple of centuries would reveal the public's answer:  Much of the great art of the world is great because of its reliance on and adherence to Aristotle's theories and definitions as well as a confidence in the new suppositions that have arisen out of Aristotle's words.

    Read More

More about Hymn To Hermes

Open Document