On February 27, 2014 the Humberside Collegiate Choir performed 3 songs at the Ontario Vocal Festival (OVF) in the Mayfield Secondary School auditorium. This choir wore maroon sashes with their school logo around their waists so that they could be identified as a choir. This choir sang “Fair Phyllis”, “I Value My Country”, and “One Goal”.
“Fair Phyllis”
This song began with a strong 4 part harmony in SATB, balanced due to the fact that their were two boy parts and two female parts, that way you couldn’t hear more of one gender. However in the second half of the song the strength of the harmony faltered; this is due to the fact that the boy’s were letting go of the volume, making it sound unbalanced. I did find that the words in this song got jumbled and their meaning lost because of the lack of diction. During the chorus the sopranos were showcasing their ability to sing high notes, they did a good job hitting them and remembering to hold back on the volume so that the rest of the choir could be heard. For the entire song the choir sang in forte and had no dynamic changes, I found that this made it seem boring because they weren’t doing anything to keep us hooked. I think that this song could have used more articulation, like staccato and slurs so that they could showcase their technique as well as their voices. At the end of the song the entire choir cut off at the same time showing that they had been watching their conductor. I wish that they had projected their emotions more in this song, whether that be by smiling or using a tone of voice to suggest feeling, I think that it would have enhanced their performance. The Humberside Collegiate Choir did an amazing job making sure that they all breathed on time and together without c...
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...te Choir did a very poor job with emotional projection (tone); they never smiled or even suggested a hint of feeling in their voices. I found that this made their performance somewhat uninteresting because it wasn’t relatable or something that made me curious. It think that the conductor did a good job making sure that the choir watched her and she guided them through the songs, but I thought it was a bad idea she joined them in the mambo during “One Goal”. The choir did a good job holding up their harmonies and staying in tune. I think that if this choir had a better knowledge and understanding of dynamics it would have made their performance a lot better, especially if they had taken chances. I wish that this choir would have annunciated more so that we could hear the message that they were trying to convey. Still, I think that the choir did respectably overall.
I thoroughly enjoyed this concert from beginning to end. The opening piece, “String Quartet in F Major, K 590”, was both soothing and moving with an engaging theme that followed through the piece. The sudden stops and starts with changes in theme built the suspense and pulled the listener in to a jaunty gallop through the second section. Also the bass tones in the back ground seem to be slightly off kilter with the violins, providing a complex texture and harmony that provides depth and poignancy to the music.
The concert began with an incredibly brief introduction from the president of the Rochester Oratorio Society, after which the society performed a piece that is not listed on the program. After hearing the raw talent the choir displayed in their first performance the crowd praised them, and at this time a representative from the city’s mayor office took the stage and presented the society with a proclamation. The proclamation was on behalf of the city offices and expressed thanks for their 70 years of musical performances and education. Afterwards the society performed Norman Dello Joio’s “A Jubilant Song,” which served as a transition for the Houghton College Choir to take the seats of the men’s choral section. The college choir was approximately a third the size of the society choir, but still managed to perform with a lot of talent. The Houghton College Choir performed Kenneth Jennings’ “The Lord is the Everlasting God” and Larry Farrow’s “Give Me Jesus.” After a quick intermission the Rochester Oratorio Society took to the stage to perform Brahm’s Requiem, which is typically performed with an orchestra, but in their rendition a two person piano served as a replacement. Brahm’s Requiem is in German, making it difficult to understan...
For my first concert report, I have decided to attend the Applied Music Student Recital. The musical performance was at Palomar College on February 27, 2015 from 1:00P.M.--2:00P.M. at the performance lab room D-10. The type of music that was presented at the concert was a brass ensemble, chamber music, classical, contemporary, jazz, opera, percussion, and many vocal arrangements. There was a total of eight musical Palomar College student performers who are majoring in music theory. I am only going to focus on a few of the musical pieces that I enjoyed most. The majority of the performers were dressed in formal attire. As the men were dressed in a dress shirt, a tie or bow tie of their choice, black slacks, and dress shoes. As for the women, they wore dresses, skirts and dress shoes. Also there was a pianist, accompanist who is a Palomar College music teacher named Ruth Weber. The performance was in a music concert hall with roughly fifty audience members.
In conclusion, it was a very unique experience for me to attend this concert. It was my first time listening to music in a church. The music was wonderful and played brilliantly. I now realize how talented some of the women composers were throughout the history of music. The experience of listening to such wonderful music firsthand was an honor. I hope to attend one in the near future.
I attended the Spring Coral Concert in which included a men’s chorus, a women’s chorus, and a chamber choir. The men’s chorus sang “Yo le Canto todo el Dia” and I Am in Need of Music” by David L. Brunner. The women’s chorus sang “I Am Not Yours” by Victor Johnson and “Ascribe to the Lord” by Rosephanye Powell. The chamber choir sang “Even when He is Silent” by Kin André Arnesen and “Elijah Rock” by arr. Moses Hogan.
For a college production, the acting was outstanding. I really felt the emotions. The lead Wendla, who was played by KyLeigh Zimmerer, was amazing. I have also seen bits and pieces of the Broadway version which starred Lea Michelle, and obviously if I were to compare the acting, the Broadway version would be victorious. However, for a college production, these actors have limited past experience, but their acting was professional. Also, when they sang the song "Those You've Known," I felt chills and had goose bumps because that was such an emotional song. You could feel all the emotions and guilt Melchior, played by Ryan Ramirez, was feeling because both his best friend, Moritz, played by Justin Noblitt, and the girl he impregnated, Wendla, died and he believed he was to blame. Moritz committed suicide while Wendla died from a botch abortion her mom for...
The choir immediately captured my attention and seemed to do the same for everyone else in the audience. I was very impressed by the fact that the choir was made up entirely of college students. It was also stated that some of them sing in the choir just for fun as they are not music majors. There seemed to be an appeal in the fact that the singers were mostly very young. The piece as a whole was also very enjoyable.
Their acting chops were very impressive whether it was comedic, emotional, or just stunning overall. Yet, on the other hand, some minor characters weren’t as well heard as others. I feel as the play could be better if some of the minor characters had projected their voice more, allowing their character to be known. However, although some voices were much stronger than others, all actors were full of talent, capable of dealing with script’s requirements, and did a good job
The first piece presented in this concert was Robert Strauss’ Metamorphosen, Study for 23 Solo Strings a piece was composed during the last months of World War II, from August 1944 to March 1945, dedicated it to Paul Sacher. It was first performed in January 1946 with ten violins, five violas, five cellos, and three double basses, this was immolated in the performance by the Atlanta Symphony orchestra on April 13th that I attended. It is widely believed that Strauss wrote the work as a statement of mourning for Germany's destruction during the war, in particular as an elegy for devastating bombing of Munich during the second World War.
The tune of there voice sounds as one and projected to the audience clearly. The girl are soulful and entertaining and garnering. Lucius Robinson performance
On October 6, I attended a Wind Ensemble in Bennett Auditorium and was delighted by the experience. All of the pieces that were played were definitely interesting, but some pieces were more enjoyable than others. When I arrived at the event I was expecting a larger audience than what I saw, however I have not gone to anything like this event before so it could possibly have been a good turnout. Overall the performers all did very well and I would definitely like to attend more concerts similar to this one.
Tori Gresham also had a wonder voice that was enjoyable to listen to throughout the performance. I thought that the sound was just perfect. I was clearly able to hear, and understand each character thought the entire performance. Each character sang very well, and performed every performance to its fullest potential. There was not one character that disappointed me.
For this concert report I chose to go to a performance of student composers held at the Kimball Recital Hall. I chose this one because I wanted to see some of the talent that my peers have in the music realm, and also it was one of the only concerts I have been able to attend because I usually work at night. It was impressive to hear pieces composed by students. I cannot imagine creating something as complex as a musical composition, much less actually performing it, so this aspect of the concert was particularly awe-inspiring. There was a large attendance, and I think that much of the audience consisted of friends of the composers and/or performers. I went with three friends, who I convinced by telling it would be interesting to see student composers.
It is crucial to incorporate warm-ups into a girls' choir rehearsal since it is evident that they help the overall vocal health of the voice. Maintaining overall good health through healthy habits is critical, as I will explain in the following sections.
Kodaly was very operatic in this production. Julian did very well in his characterization but I think he could have dirtied up his technique. Maybe try out a mid tongue positioning or bring in more speech quality into his singing. It was too clean. His sleaze was on target and enough without beating me over the head with it. I would love to see how AES narrowing may have altered his voice.