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Thesis on the importance of psychology of religion
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Humanity craves for a greater understanding of the world around us. In most cases, people subscribe to a religion in the hopes of gaining higher knowledge. However, when faced with a make-or-break situation, we as individuals potentially abandon our beliefs and religion for others, and then attack the beliefs and religions of individuals in order to reduce anxiety and insecurities. This is relevant in the case of Wuthering Heights, since we see Heathcliff struggle with his psycho-spirituality when he grieves over the death of Catherine Earnshaw and how he copes with this trauma by tormenting others and their beliefs.
In Wuthering Heights, the death of Edgar strikes Hindley’s wife with fear. In the quote “Then she began describing with hysterical
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Only do not leave me in this abyss… I cannot live without my life! I cannot live without my soul!” (Bronte 183-184). Here, we see Heathcliff’s life with Catherine Earnshaw has ended at the time of her death. However, Heathcliff refuses to let go of his love. As the quote demonstrates, Heathcliff is clearly praying, but he isn’t praying to a god. Heathcliff, it seems, is praying to Cathy and is begging her to not leave him. He does not do this with a cool head, though. Instead, he begs and pleads with her to haunt him and drive him mad. He would rather suffer madness than be alone. In this fit of anxiety, Heathcliff abandons his religion for a new one-- Catherinism. Why abandon one religion for another? Well, as we saw with Mr. Hindley’s wife, hysteria can utterly destroy the religion one subscribes to. After said destruction, one is left in a void, but still wishes to believe in something greater. As Abraham Cronbach explains, the truth-seeking attitude (called “the reality principle” in psychoanalysis) potentially launches individuals into the quest for deeper knowledge about the world around them (Cronbach, 1922). It is during this quest that we have established religion, of which we may partake …show more content…
I bribed the sexton to pull it away, when I’m laid there, and slide mine out too... by the time Linton gets to us, he’ll not know which is which!” (Bronte 315). In the Victorian Era, as Walter Arnstein and others explain, religion was at a point of revival and integrated deeply in the social and political corners of Britain, and not subscribing in a religion would label you as an outcast (Arnstein & others, 1989). So, as we see in this quote, after one loses faith in their religion, that same individual may find shelter within another religion. However, a switch in religion can understandably cause anxiety, which the individual inevitably hides behind. To reduce anxiety, one uses a defense mechanism. In this case of “switching religious sides,” projection works best. The individual will blame the religion for their own insecurities. This is what we see in this scene in Heathcliff’s personality. Heathcliff defiles the casket of Cathy (which can also be seen as displacement as well) in order to “get even” with his former
Primarily, Heathcliff's hunger for revenge blindsides the character’s, Hindley, Catherine, Hareton, and young Catherine. Revenge is what Heathcliff wishes to
I, Heathcliff, feel as though my actions are not reasoned correctly by the narrator's nelly, Mr lockwood and Isabella. So you have heard about my low points in the book, and some of you are probably thinking, “wow what a bad guy he is”. But i assure you none of the reasons for condemning my actions are just. You have heard their side of the story. Here’s mine.
To begin with, when young Heathcliff was brought back from Liverpool to live with Mr. Earnshaw at Wuthering Heights, the family members despise and show hostility toward the inferior child presumably because Heathcliff is lower class. Certainly, the landscape Heathcliff enters into is “exposed in stormy weather…power of the north wind blowing over the edge, by the excessive slant of a few stunted firs at the end of the house; and by a range of gaunt thorns all stretching their limbs one way, as if craving alms of the sun” (4). The detailed description of the dismal landscape demonstrates that the society is twisting and destroying humanity through a violent ravage. After Mr. Earnshaw’s death Hindley “[drives] Heathcliff from
In Emily Bronte's novel 'Wuthering Heights,' the principal characters Cathy and Heathcliff are presented as needing this division within themselves to recognise their need for each other. This endurance of physical, mental and spiritual division whilst alive, allows them only tragically to experience when in death, complete entity within themselves.
Heathcliff is starving himself so he can be with Cathy again. This psychological disorder has immerged from his love for her. The fact that Cathy, has left him, drives him crazy. He doesn’t understand how she could be so selfish. Heathcliff’s death is long and drawn out. This is because Heathcliff believes Cathy to be haunting him, and by him drawing out his death, he also draws out Cathy’s suffering.
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Catherine and Heathcliff reveal their fervent devotion and affection for each other when the former is lying on her deathbed, and in those tender, moribund moments earnest and ardent confessions are made that signify their mutual adoration and are harbingers of Heathcliff’s adumbrative vengeance. Heathcliff suffers to see Catherine in such a ghostly state, and weeps at the idea of being without her, crying, ““Would you (Catherine) like to live with your soul in the grave?”” (151) In saying this he demonstrates not only his own pain at her imminent fate, but also their metaphorically entwined lives. He does so by connecting the departure of her soul to his own, claiming that when she dies, so too will he. Additionally, by mere fact that the normally stoic Heathcliff was found in a state of grievance over the unfortunate circumstances is indicative of the gravity and desperation that with her passing he regards. Nelly points out as much by her matter-of-fact remark, “...it seemed Heathcliff could weep on a great occasion like this.” (151) Therefore, Heathcliff’s anguish befo...
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled
Setting his work in the Middle Ages in a remote castle with horror and fantastic elements, Horace Walpole popularized the Gothic Romance genre with his 1764 novel The Castle of Otranto. He was the vanguard in bring thrills to readers with ancient prophecies, mysterious deaths, specters and supernatural events in his novel. However, the Gothic genre reaches a climax in Emily Brontë’s Wuthering Heights (1847), which is marked by its intensity of emotions and artistic subtlety. Wuthering Heights is an exquisite blend of realism and romance that makes it a classic love story that haunts us till today. In this paper, I will argue that social problems of class and economics pull Heathcliff and Catherine apart, and the Gothic Romance genre affects Wuthering Heights by adding Gothic elements of an extreme weather and landscape, supernatural events and death in her novel to create a dark and mysterious atmosphere appropriate for a revenge plot with heightened emotions.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company.
The supernatural is used widely throughout 'Wuthering Heights' and plays a big part in determining the outcome of the story. The Victorians were very superstitious about the supernatural. Education was already becoming commonplace in Victorian England, and education brought scepticism. The majority of people were very sceptical about the supernatural but not non-believers because of the number of ghost stories that came in this period. The age of the Victorians was an important period where people's perceptions and ghosts changed dramatically, from partially believing in ghosts, to not believing in them at all, yet still being terrified of them. This clearly explains Heathcliff's reaction to seeing the ghost of Cathy. At first, the book was seen as shocking and inappropriate by all its readers.