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Language is more than just a means of communication; it is part of one's culture, self-expression, and identity. “How to Tame a Wild Tongue” is a chapter from the book ,Borderlands/La Frontera: The New Mestiza ,written by Gloria E. Anzaldua. In this chapter, she talks about her Chicana life during a period full of immigrant controversies where Latinos living in the United States were struggling to find their national identity and a language to speak freely without feeling any shame or fear She explains the dilemma she had to face during this time in which she was often criticized and scolded for her improper Spanish accent. From these experiences she labeled these attacks on languages as “Linguistic Terrorism”. Anzaldua expresses her feelings …show more content…
The conflict she addresses is the criticizing of one's accent and how that can shape an individual's identity and mentality. In this chapter, Anzaldua talks about her life during these controversies with her language where she was told that spoke the 'improper' and 'poor' Chicano Spanish throughout her childhood. She was constantly scolded and criticized by her mother as well as educator. Anzaldua had to control her tongue and she was not allowed to speak Spanish at her school or she would receive some form of punishment. She says that “All Chicano students were required to take two speech classes. Their purpose: to get rid of our accents” (Anzaldua, 2947). In almost every environment, she was mentally tortured by the dominant English language and culture into conforming to society's norms. Her native tongue was constantly belittled by those who speak the standard English and Spanish language. Anzaldua calls this "Linguistic Terrorism" because it is an attack on individual’s identity and their native language. This creates a sort of hierarchy in what is spoken because society sees these other dialects as illegitimate and …show more content…
In his book, Existentialism is a Humanist, he brings up the point about abandonment and he explains that it signifies that God does not exist and we should accept the significance of this non-existence. He also describes abandonment as the acknowledgement of the loneliness that people may feel when they realize there is no God to dictate a way of life and to guide them on how to live. He states that “if God does not exist, are we provided with any values or commands that could legitimise our behavior. Thus we have neither behind us, nor before us in a luminous realm of values, any means of justification or excuse” (Sartre, 8) Sartre claims that without God, the entire basis of morality is destroyed, including the values of secular morality since God played the role of creating our a priori ideas.We are simply abandoned in the sense of being alone in this universe and there is no guidance for people on how to live. In comparison to linguistic terrorism, both are very similar because if people were to abandon their native language and culture, they would feel lost and confused about their identity. Their native language is their god and by being forced to abandon what they believe in, you destroy a part of that individual's foundation and their
In “Se Habla Español,” the author, Tanya, talks about her personal experience with dealing with language issues. Tanya was born in Guatemala and moved to the U.S when she was only three years old. Tanya’s mother did not want her to speak Spanish, because they believed that when they moved to the U.S speaking only English would help her blend in. For so long Tanya believed that speaking Spanish went hand in hand with being poor and speaking only English made her feel superior. After many years she has tried to learn Spanish but has found it quite difficult because although that is her native language it was like trying to learning a whole new language for her. In “Mother Tongue,” Amy’s explains how she has come to the realization that she speaks more than one “English,” meaning that the way she speaks in front of a crowd is different than the way she speaks with her mother. The way Amy speaks with her mother is still English although it is not proper. Amy expresses how she does not really like the phrase “broken English,” because if something is broken it needs to be fixed and she does not feel that her mother’s English needs to be
Now Anzaldua is not completely oblivious to the fact that one has to, assimilate. This is proven by how well known and respected she is. In order to get to where she is she had to assimilate, just as Rodriguez did. However the difference is that while she was assimilating under duress, Rodriguez leapt at the chance to assimilate. Anzaldua while putting on a mask that matched the majority culture was still the same culture underneath. Rodriguez, on the other hand, changed the very culture he identified with. While she still identified with the culture that had managed to survive under oppression for hundreds of years, he flung off the culture of his immigrant parents and accepted the majority culture of Am...
In “How to Tame a Wild Tongue,” Gloria Anzaldúa explains the implications of living under the influence of two cultures. She begins with a story of how she was punished by a teacher for correcting the pronunciation of her name. Anzaldúa gives the reader anecdotes about her life in a dual culture society, explaining the trials of accepting her heritage, fighting to find her place in Mexican or American society, and establishing herself as a proud Chicana.
America is a presumptuous country; its citizens don’t feel like learning any other language, so they make everyone else learn English. White Americans are the average human being and act as the standard of living, acting, and nearly all aspects of life. In her essay “White Privilege: The Invisible Knapsack,” Peggy McIntosh talks about how being white has never been discussed as a race/culture before because that identity has been pushed on everyone else, and being white subsequently carries its own set of advantages. Gloria Anzaldua is a Chicana, a person of mixed identities. In an excerpt titled “How to Tame a Wild Tongue,” she discusses how the languages she speaks identify who she is in certain situations and how, throughout her life, she has been pushed to speak and act more “American” like.
Preceding her youth, in 1977, Anzaldua became a High School English teacher to Chicano students. She had requested to buy Chicano texts, but was rejected to do so. The principal of the school she worked for told her, in Anzaldua’s words: “He claimed that I was supposed to teach “American” and English literature.” She then taught the text at the risk of being fired. Anzaldua described, “Being Mexican is a state of soul – not on of mind.” All in all, the reprimanding she had to endure only made her stronger: “Until I can take pride in my language, I cannot take pride in myself.” It led to Anzaldua embracing her Mexican culture even more, contrary to shoving it aside. Anzaldua transformed her beliefs into something both cultures can applaud, and be honored
Using both English and Spanish or Spanglish the author Gloria Anzaldua explores the physical, cultural, spiritual, sexual and psychological meaning of borderlands in her book Borderlands/La Frontera: A New Mestiza. As a Chicana lesbian feminist, Anzaldua grew up in an atmosphere of oppression and confusion. Anzaldua illustrates the meaning of being a “mestiza”. In order to define this, she examines herself, her homeland and language. Anzaldúa discusses the complexity of several themes having to do with borderlands, mestizaje, cultural identity, women in the traditional Mexican family, sexual orientation, la facultad and the Coatlicue state. Through these themes, she is able to give her readers a new way of discovering themselves. Anzaldua alerts us to a new understanding of the self and the world around us by using her personal experiences.
At the beginning of the essay, Anzaldúa recounts a time when she was at the dentist. He told her, “We’re going to have to control your tongue” (33). Although he was referring to her physical tongue, Anzaldúa uses this example as a metaphor for language. The dentist, who is trying to cap her tooth, symbolizes the U.S. who is similarly seeking to restrict the rights of minority groups. Nevertheless, the tongue is preventing the dentist from doing his job. Likewise, there are several minority groups who refuse to abide to the laws of dominant cultures and are fighting back. Anzaldúa also touches on a personal story that happened at school. When she was younger, she was sent to the corner because apparently, she spoke back to her Anglo teacher. The author argues that she was unfairly scolded because she was only telling her teacher how to pronounce her name. Her teacher warned her, “If you want to be American, speak American. If you don’t like it, go back to Mexico where you belong.” This short story provides an understanding of what Anzaldúa’s life was like. It demonstrates how even at a young age, she was continually pressured because of where comes
Anzaldua grew up in the United States but spoke mostly Spanish, however, her essay discusses how the elements of language began to define her identity and culture. She was living in an English speaking environment, but was not White. She describes the difficulty of straddling the delicate changing language of Chicano Spanish. Chicano Spanish can even differ from state to state; these variations as well as and the whole Chicano language, is considered a lesser form of Spanish, which is where Anzaldua has a problem. The language a person speaks is a part...
In the essay, “How To Tame A Wild Tongue”, by Gloria Anzaldua and the essay, Mother Tongue, by Amy Tan, the ignorance shown by many people is highlighted. Amy Tan’s essay focuses on how some people look down on others who do not speak English without an accent. Anzaldua’s essay focuses on how people do not have a broad view of language and often look down upon others who do not speak the language that they speak. Both of the essays address language, but the broader topic that they acknowledge is more important. The essays both acknowledge how humans feel uncomfortable around people that are different from them, and often demean others. People demean others due to people wanting to look more powerful by giving their views correctness while discrediting
Like many Chicanos, she developed a strong sense of cultural belonging. This is primarily due to discrimination amongst neighboring Mexicans, whites, and anyone in between. Latinos and latinas would attack her, saying “...cultural traitor, you’re speaking the oppressor’s language, you’re ruining the Spanish language” (Anzaldua 412). It was this ethnic struggle that drove her to latch onto her cultural background so strongly. In the personal narrative “How to Tame a Wild Tongue” by Gloria Anzaldua, Anzaldua states “When other races have given up their tongue, we’ve kept ours. We know what it is to live under the hammer blow of the dominant norteamericano culture” (Anzaldua 419) when referring to the resilience of her native people. She states this in response to other cultural groups having abandoned their language, meanwhile they retained theirs. The Chicanos are aware of the harsh standards of North American society. By saying “When other races have given up their tongue, we’ve kept ours,” she means that even when other ethnicities have been pushed to eliminate their languages, her ethnicity stayed strong; they refused to cave in. Likewise, when Anzaldua states “We know what it is to live under the hammer blow of the dominant norteamericano culture,” she draws pride from her culture’s ability to fend off even the most suffocating adversities. In this way, Anzaldua conveys
In “How to Tame a Wild Tongue,” author Gloria Anzaldua portrays all the negative aspects of having to dispose of her hispanic roots and taming her wild tongue to do so. She begins the article by describing her
While reading this article one of the most shocking sections were when the students were talking to Monzó and sharing their outlook on their place and their language’s place in society. These students even at this early age are feeling how devalued their first language has been. They feel like they have to speak the right* English, only use English in public places, never their first language, and that they must assimilate to the American culture as much as possible. This reminded me of a chapter in Lippi-Green (2012)’s text. Within this chapter Lippi-Green (2012) discusses how in the United States Spanish speakers are not only expected to learn English but they are expected to learn and utilize the right* English determined by the majority and assimilate entirely to American culture. Throughout Monzó and Rueda (2009)’s text the children in conversations expressed their observation of the social order in relation to language and race. This was surprising to me since they are only in 5th grade. During a conversation with one of the children Monzó and Rueda (2009) recorded an alarming statement, “He said that his mother could not be considered American because she did not...
Cheech Marin’s film, Born in East L.A., spotlights many key issues brought upon mainly by immigration. This comedic production hits the hearts to many because while it may be humorous, it is also a reality to hundreds of thousands of people worldwide and so it hits close to home to many. Immigration is the main topic of this motion picture, but I want to focus on one subdivision of it only; language. The linguistic barriers in between a border is evident in the movie and especially a reality in our world.
The author began the story by using a metaphor, she compares the process of acculturation to a painful dentist visit where the dentist is trying to control and hold down her tongue, which is a representation of her language (Anzaldua 8). She appeals to the readers by using a clever metaphor comparing her tongue to freedom of speech or language, and the dentist to the oppressors of her culture and language the people who are apart of the dominant culture. Anzaldua also discusses how different cultures and influences determine which language people use to speak to one another. Anzaldua herself writes, “ Often with Mexicanas and Latinas we’ll speak English as a neutral language” (Anzaldua 8). Anzaldua’s point is that it is difficult to know which language to speak when feeling afraid or ashamed of what others may think. Moreover, Anzaldua discusses problems such as not being allowed to speak her native language. She writes about remembering as a child how during school speaking Spanish was forbidden and being caught speaking it would mean you would be reprimanded. Anzaldua writes “ I remember being caught speaking Spanish at recess--that was good for three licks on the knuckles with a sharp ruler” (Anzaldua 5). In making this comment she is showing us that throughout the school day you’re
...xpressing her Chinese culture. Mastering a second language allows her to articulate her and her mother’s thoughts; it is a foundation for her pride and a foundation to express herself. For Gloria Anzaldua, instead of choosing one language over the other, she chose a mix of the two and fights for it. She realized the value of her language when she lost it and now treasures it. The kind of Spanish she speaks is neither English nor Spanish, but both. It is overflowing with culture from Medieval Spain, France, Germany, etc., just from the origins of the words. It is her pride and a representation of herself, fighting and living. In conclusion, in addition to Lera Boroditsky’s article proving that the structure of language affects how we think, the articles by Eric Liu, Amy Tan, and Gloria Anzaldua show how language is a foundation for a person’s culture, pride, and self.