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Character of Kurtz in heart of darkness
Character of Kurtz in heart of darkness
Negative impacts of colonialism worldwide
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As a result, hypocrisy engendered a sense of superiority, false ideologies to grow and laid way to moral corruption to anyone who came into contact with it. Europe was considered to be a developed country equipped with the rules that held a society together, and these qualities deemed European countries as civilized. In contrast, the unchartered territory Marlow set foot upon was painted in stark contrast. There were no rules binding these European colonists in Africa and as a result they were free from social restraints. A prime example of a corrupted individual in Conrad’s story is through the development of Kurtz. As explained in his report forwarded to the company, Kurtz started off in search of adventure to carry out great deeds just like Marlow expected to do so as he embarked on his journey. …show more content…
It is important when Marlow makes a distinction between “the shade of Mr. Kurtz” and “the original Kurtz” as he is insinuating that Kurtz had gone through change as he ventured into the jungle. Kurtz goes on to represent himself as a god to the natives and is an individual who is unafraid to display his wielding of brute force. The extent of how deeply corruption had affected and spawned inside of Kurtz is revealed when he is reluctantly settled on Marlow’s boat, ready to head home. As Kurtz is taken away from the heart of Africa; the heart of darkness, it is as if Kurtz is calso being weaned off of the source he had come to live off. As he moves farther away from this source, his situation worsens and he dies. This is confirmation that even a man who used to have benevolent intentions like Kurtz could be brought down in a society without
Marlow still wishes to see Kurtz because he had a different morality than the other men among his group. This difference intrigues Marlow and causes his curiosity to wonder what his complete intentions are or what he wishes to
Marlow tells of a vision that he has on his way into seeing the intended. He says that he saw Kurtz on the stretcher opening his mouth voraciously as if to devour all of the earth with all its mankind2 and that he had seen. Kurtz as 3a shadow insatiable of splendid appearances, of frightful. realities, a shadow darker than the shadow of night,(72). This is a a real and vivid description of his feelings for Kurtz.
In Heart of Darkness, all of Joseph Conrad’s characters seem to have morally ambiguous tendencies. The most prominently morally ambiguous character is Kurtz, whose distance from society changes his principles, and leads him to lose all sense of decorum. Conrad takes a cynical tone when describing Marlow's journey. Marlow's voyage through the Congo gives him insight to the horrific, dehumanizing acts that his company and Kurtz conduct. Conrad creates a parallel with the tone of his writing and the misanthropic feelings that the main character experiences. Furthermore, Conrad creates a frame story between Kurtz and Marlow, adding to the symbolism and contrast between contextual themes of light and dark, moral and immoral, and civilization and wilderness. After being sent on a horrific journey into the Congo of Africa, as an agent for the Company to collect ivory, Marlow finds the infamous and mysterious Kurtz. Kurtz, who has totally withdrawn from society, and has withdrawn
Throughout Heart of Darkness, Joseph Conrad points to the hypocrisy and horrors associated with colonialism. The half-English, half-French Kurtz is the main vehicle used to convey his theme of European colonialism, as “all [of] Europe contributed to the making of Kurtz” (Conrad 164). It was Kurtz who goes to Africa for the "sake of loot, and thus becomes a great literary symbol for the decadence of colonialism" (Zins 63). With his help, Marlow dissects the reasoning behind colonialism, eventually seeing its evil nature.
In Heart of Darkness, Joseph Conrad presents the character of Kurtz as a man who is seen differently by all who know him depending on their individual experiences with him. His cousin knew him as a man with great musical talent, others knew him as a great leader, and his “Intended” fiance knew him as an admirable humanitarian; but all of these knew him to be a remarkable genius. When the narrator, Marlow, first hears of him, he is told that Kurtz is known as a great leader destined to hold high positions and fame. However, as he travels the river, he also learns that Kurtz has become insane during his time in the African jungle. After Marlow finally comes into contact with him, he discovers that Kurtz has become a god among the natives and has been brutally collecting the coveted ivory. Marlow finally convinces the deathly ill man to return to the ship where he finally dies. Upon his death, Kurtz’s facial expression causes Marlow to feel as though he may be seeing his entire life passing just before it ends; and finally, he murmurs his final words “The horror! The horror!” (Conrad, p. 64).
3. Kurtz, who is not the protagonist or antagonist is a very significant character in the book as Marlow and Kurtz essentially form a team as the novel progresses. He is the chief of the Inner Station and Marlow basically follows him. Kurtz is a man of many talents (he is a talented musician and painter). His abilities are nothing without his charisma and his ability to lead. Kurtz is a man who understands the power of words, and his writings present a complexity that obscures their horrifying message (his writings are often hard to understand, as they are complex in structure, often hiding the morbid message behind them). Although he remains a “puzzle,” e...
This situation of waiting for Kurtz allows Marlow to fantasize about Kurtz and create a larger than life figure out of a man who he’s never met before. Soon Finding Kurtz becomes an all-out obsession for Marlow; even the night before they meet Kurtz, he wishes to press on despite the danger. Here the reader can see that Marlow is willing to get to Kurtz at all costs. When Marlow does finally make contact with Kurtz, his fantasy carries over into the person who he sees Kurtz as. Marlow is willing to overlook some of Kurtz’s shortcomings and is very willing to see his greatness. Marlow is obviously fond of Kurtz, as it can be seen in the passage when he speaks of Kurtz’s “unextinguishable gift of noble and lofty expression.” Here the reader can observe that Marlow is truly fond of Kurtz’s. The narrator even chooses to side with Kurtz against the manager; even though he hardly knows the man. Kurtz has also managed to get the native people to worship him as a god, and has mastered their language. This makes Marlow respect him even more. Marlow’s point of view allows him to foster both the reality and the fantasy of Kurtz, and though he is very fond of Kurtz, he is still able to see the truth in him as
Marlow’s thoughts are so consumed by Kurtz, that he is built up to be much more of a man than he truly is. In turn, Marlow is setting himself up for a let down. He says at one point, “I seemed to see Kurtz for the first time...the lone white man turning his back suddenly on the headquarters, on relief, on thoughts of home...towards his empty and desolate station”(P.32). When Marlow reaches Kurtz’s station, he begins to become disillusioned. He begins to hear about, and even see, the acts that Kurtz is committing, and becomes afraid of him. He sees in Kurtz, what he could become, and wants nothing to do with it. He does not want people to know he has any type of relationship with him, and says in response to the Russian, “I suppose that it had not occurred to him that Mr. Kurtz was no idol of mine.” (P.59). It is at this point that he begins to discover the darkness in his heart.
This justified European exploitation of Africa and many other areas of the world by claiming that indigenous people of Africa need the technological and religious knowledge that Europe has. In the novel, Conrad proves that Africans are fit to survive in the native land and Darwin's theory was never meant to be applied to races or nations. For the attack on work ethics of Victorian standards, the work ethic Marlow embraces, is effective by not allowing unwanted thoughts to enter his mind, blinds him to events that are really happening around him. Conrad's representation of European ideologies that failed in Africa proposes the failure and immorality of
In the first parts of the book most of the characters Marlow meets tell him all good things about Kurtz. When Marlow inquires about who Kurtz is he is told by the chief account of the company that Kurtz is, "a first class agent...he is a very remarkable person." (p. 33). Another person tells Marlow that Kurtz is "an exceptional man" (p.37) As Marlow travels up the river he keeps hearing good things being said about Kurtz and he becomes excited to meet him.
Kurtz was a great man who discovered a flaw in himself while working in Africa. He lacked "restraint" to control the emerging dark side which he found within himself. He plumbs the depths of man's dark side -a side which civilization and culture represses - but is swallowed up, by these forces which eventually overcome him in the isolation of darkest Africa. He falls into unspeakable acts and experiences the primitive power and ecstasy and horror of man's uninhibited darkness. Marlow holds back from "the abyss," although he humbly takes no credit for this achievement, ascribing it to grace. Nonetheless, he comes away changed, even enlightened, by this glimpse into the deeper and darker mysteries of life. William Blake (and Sartre) suggests that the road to heaven leads through hell. Blake also saw the pursuit of truth and self awareness as an effort to combine the Innocence of the Lamb with the darker Passion of the Tyger, the two poles of man's and life's existence. Wisdom and enlightenment come to the one who effectively understands and harmonizes both sides of this human nature.
...s to look at Kurtz as a hero for all that he had accomplished, no matter how evil. Marlow?s obstacles as the hero are not the overcoming of a dragon or evil villain. It is the eternal battle of the story of a Hero versus Antihero. Marlow?s blindness to Kurtz?s impurities are both his strength and weakness. His ignorance to the greatness of his own qualities can best be stated one way: ?The Horror.?
On one hand, Marlow is saved by his self-discipline while on the other hand Kurtz is doomed by his lack of it. Before Marlow embarked on his voyage to Africa, he had a different view. Due to propaganda, he believed that the colonization of the Congo was for the greater good. In his head, he judged that the people of Africa were savages and that colonization would bring them the elation and riches of civilization. Despite an apparent uneasiness, he assumed that restraint would function there.
By the time Marlow and Kurtz meet, Marlow is already well aware of the similarities they share. Both are imperialists, and while Marlow detests the treatment of the natives by his employers (Belgian colonists), he also makes apparent his abhorrence toward the Africans. On the other hand, Kurtz abandons the pretense of helping the natives achieve civilization, as displayed by the Europeans. Instead, he adopts their customs and becomes their leader in the never-ending quest for ivory. "He began with the argument that we whites, from the point of development we had arrived at, 'must necessarily appear to them [savages] in the nature of the supernatural beings- we approach them with the might as of a deity' (Longman, 2000, p. 2226). Marlow also admired Kurtz' resourcefulness and survival skills, especially his perseverence through jungle fever. "The wilderness had patted him on the head....it had taken him, loved him, embraced him, got into his veins, consumed his flesh, and sealed his soul to its own by the inconceivable ceremonies of some devilish initiation. He was its spoiled and pampered favorite." (Longman, 2000, p. 2225).
Conrad uses the character of Marlow to make use of his own thoughts and views about the people in the Congo. He feels pity for them as he sees them falling down carrying heavy packages and Kurtz commanding them like a batallion of troups. This sight angers Marlow and when he gets to Kurtz, it’s too late. Even he has been pulled in by the darkness. Conrad makes an effective distinction between Marlow and Kurtz.