The one aspect that separates humans from other species is the ability to use language and create names. The combination of letters and syllables which make up a name is a powerful piece that distinguishes one individual from another. A name is given at birth and is one of the most personal characteristics which provide a sense of uniqueness and belonging. In the book The House on Mango Street by Sandra Cisneros, the main character Esperanza is so consumed by the negativity in her name that she begins to perceive herself in the same manner and believes that inheriting her grandmother’s name will cause her to share a similar fate.
From the beginning, Esperanza dislikes herself because of her name. She describes her name as “…sadness, it means
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By using many analogies, she convinces the reader that her name is sad and depressing. Esperanza starts by comparing her name to the number nine, and since nine is not as perfect as ten, she feels the same way about her name. She continues to describe the negativity and states that her Spanish name is a “muddy color” (10). The muddy color is a reflection of impurity, which represents how Esperanza feels towards her name. She also highlights the sadness by comparing it to the depressing records that her father hears while shaving. Esperanza then elaborates on the origin of her inherited name by describing her grandmother’s story. She says that her grandmother, “…was a horse woman too, born like me in the Chinese year of the horse” (10). The importance of the comparison between her grandmother and a horse signifies that she is powerful, independent, and free-willed, like a stallion who loves to explore new land. Since Esperanza is also born in the year of a horse like her grandmother, she believes she is strong, rebellious, and …show more content…
She also dislikes the texture of her name. She says that, “…in Spanish my name is made out of a softer something, like silver, not quite as thick as sister’s name…,” which illustrates that even though Esperanza feels that her sister’s name is uglier than her own, she believes Magdalena has a better texture overall (11). She then states that her sister can at least “…come home and become Nenny” (11). In this line, Esperanza describes that when her sister comes home she has a new identity, unlike herself. Nicknames are given to an individual as a form of love and closeness, which only her sister experiences as Esperanza says, “But I am always Esperanza” (11). She does not feel loved or significant enough to obtain a nickname, which convinces her that she is worthless. She strongly believes that a name defines an individual and by carrying the name Esperanza, she will always carry her grandmother’s miserable legacy. She also believes that the negativity of her name is weighing her down and preventing her from living her life. Esperanza does not want a nickname nor does she want to be called her grandmother’s name for the rest of her life. With that strong belief, Esperanza envisions changing her name and states that,
Throughout the course of Mango Street, Esperanza’s relationship towards her house change. As time passes her feelings about the house itself change and the emotional impact of the house of her changes as well. Esperanza’s house on Mango Street symbolizes her Mexican culture. For so long she has wanted to leave it. She envisions a different type of life than what she is used to - moving from house to house. “this house is going to be different / my life is going to be different”. One can look at all the things she envisions - the "trappings of the good life" such as the running water, the garden etc. as symbols for the new life.
Esperanza is a young girl who struggles with feelings of loneliness and feeling that she doesn’t fit in because she is poor. She always wanted to fit in with the other kids and feel like she was one of them. She loves to write because it helps her feel better about herself writing about her life and her community. Writing helps her with
Esperanza tries to be a good friend to Sally, but ends up appearing immature and silly. Esperanza feels shame, as she “wanted to be dead”, to “turn into the rain”, and have “my eyes melt into the ground like black snails” (Cisneros 97). With sensory-rich imagery, the author uses similes and metaphors to describe Esperanza’s feelings of utter mortification as she embarrasses herself in front of Sally. Esperanza becomes confused about her newfound sexuality and her loss of innocence when she begins acting strangely, yet awkwardly around boys. She doesn’t know whether to act like a child or an adult because although she wants to be mature and glamorous like Sally, and she gets exposed to the harsh nature of society. The disillusioned view of becoming mature and having boys notice her is especially realized by Esperanza when she gets raped at a carnival. Through detailed imagery, Cisneros describes the dirtiness of the boy, elaborating on “his dirty fingernails against my skin” and “his sour smell again” (Cisneros 100) and the confusion and anger from Esperanza. After this experience, Esperanza blames Sally instead for covering up the truth about boys and is heartbroken about the real truth of sexuality and men. It is clear that Esperanza vividly remembers this awful experience, and just reflecting on this experience causes her thoughts to
People always struggle to pronounce Esperanza’s name. The kids pronounce it funny and Esperanza notices “at school they say my name funny as if the
There are many reasons why people may feel self-conscious; in which, others may or may not, be able to relate to. “My Name’’ is the fourth chapter in The House on Mango Street and in this chapter, Esperanza and I share some similarities. Being named after a relative, born in the Chinese year of the horse, and a dislike in our own name are similarities we share in this chapter. [Esperanza] “In English my name means hope. In Spanish it means to many letters’’(10). Esperanza expresses a dislike in her name due to the length stating, that her name it is too long. When I was younger, I felt the same as my parents placed upon me three middle names at birth. I to felt my name was too long. I would feel embarrassed when my family would address me by my full name although, they would only do so if I was
In an earlier chapter, Esperanza meets with a witch, whom she hopes will tell her future only to be told, “Come back again on a Thursday when the stars are stronger” (72). However, when speaking to The Three Sisters toward the end of the story, they tell her to make a wish and say “You will always be Esperanza. You will always be Mango Street” (113). Rather than seek out her fate, the Fates (three sisters from Greek Mythology) have come seeking Esperanza. It has been confirmed that her wish to leave will come true, but remind her to remember her experiences as they have shaped who she is. In the article, “Interview with Sandra Cisneros”, Cisneros will tell her students to “make a list of the things that make you different from anyone in this room...in your community...your family...your gender (1). Cisneros uses this very idea in her writings of Esperanza: Her individuality is key- Esperanza’s identity as a writer and her background give her a unique voice that will allow her to speak up for those who have no
“I would like to baptize myself under a new name, a name more like the real me, the one nobody sees” (11). Adolescence brings on many changes in one’s life and is the time when a person is shaped into who they will be forever. Sandra Cisneros shows the experiences one may go through while growing up through this book. A child, especially during their adolescence, is a very moldable person. The situations they go through and their position socially can greatly impact who they become. Cisneros touches on the importance of friends, life at home, and experiences in the real world that can influence a child’s life. In The House On Mango Street, Cisneros uses strong descriptive words, first person point of view, and suspense
...working, caring young woman, through hardship and misfortune. This transformation shows that anyone can adjust, and that it is never too late to change your ways and become a different person. Anybody can become nicer if they try, and everyone should, just like Esperanza. By the end of the novel, she realizes how much she has changed for the better, as is shown on the last page of the book (253). “Esperanza smiled and reached over and gently pulled the yarn, unraveling the uneven stitching. Then she looked into Isabel’s trusting eyes and said, ‘Do not be afraid to start over.’” This line, the final line of the entire book, demonstrates that Esperanza realizes that she is different from the person she used to be, and has learned that it was a good transformation. She recognizes that it is a good thing to start anew, and that change should not be feared, but embraced.
In the book, Esperanza doesn’t want to follow the norms of the life around her; she wants to be independent. Esperanza states her independence by stating, “Not a man’s house. Not a daddy’s. A house all my own,” (Cisneros 108.) The syntax of these sentences stick out and are not complete thoughts, yet they convey much meaning and establish Esperanza’s feeling of not belonging. Esperanza’s feeling of not belonging is also emphasized when her sisters tell her that the events of her life have made her who she is and that is something she can not get rid of. Her sisters explain that the things she has experienced made her who she is by saying, “You will always be esperanza. You will always be mango street. You can’t erase what you know” (105.) What her sisters are trying to tell her is that the past has changed her but it doesn’t have to be a negative thing; it can be used to make her a better person who is stronger and more independent. Esperanza realizes that the things around her don’t really add up to what she believes is right, which also conveys the sense of not
At first, Esperanza is young, insecure, and immature. Her immaturity is apparent when she talks about her mom holding her, saying it is, “sweet to put your nose into when she is holding you and you feel safe” (Cisneros 6-7). This shows Esperanza’s insecurity because her mom is still a big comfort source to her. She feels a false sense of comfort because her mom is there and will protect her. In addition, Esperanza’s immaturity is shown through her dislike for outsiders of the neighborhood when she says, “They are stupid people who are lost and got here by mistake” (Cisneros 28). This indicates how defensive and protective Esperanza is towards her barrio by calling outsiders stupid for reacting the way they do, even though she dislikes Mango Street....
In class we read the book House on Mango Street by Sandra Cisneros, the main character Esperanza lives in a lower working class neighborhood and street called Mango Street dealing with poverty. Her house is an important symbol in House on Mango Street. It represents Eperanza’s process of maturing as a person and the change in her perspective of poverty and struggle being shameful, to it being something to embrace and use as motivation. This is a very important part of the story because it is in many aspects where we are from that make us who we become. This is interesting to see in the book as her opinions and perspective of things inside and outside of her neighborhood are shaped by her experiences.
According to Deluzain, the meaning of a person’s name is symbol of identity of the individual and represent the history of the future life (3). Hope is what Esperanza has in her soul. Cisneros writes that Esperanza should own a proper house, and it is not the one her parents has already, actually she is waiting for something better (7). Esperanza builds an image of a passive woman, defined by the destiny in a clearly macho society. The name of Esperanza is a very positive connotation, where wait means progress, jumping obstacles, confident that the change is positive.
Esperanza is a determined character by working hard and dreaming a lot to make it a better situation. (When Esperanza points out that she needs money
Estevan explains that his original name is Indian, "Our true first names are Indian names...You couldn't even pronounce them" (204). The refugees had to change their name once they fled their country, "We chose Spanish names when we moved to the city" (204). The couple had to change their name in order to keep their identity a secret. Esperanza's name means both 'hope' and 'wait'. Esperanza is hoping to have a relationship with Turtle identical to her relationship with her daughter, Ismene, before she was taken away. Estevan's name means ‘crown’. The meaning of his name does not say who he is specifically. The female characters have meaning behind their names’; but the male characters don’t seem to have any definition. Later in the novel, the couple wish to go by Steven and Hope, American names, since they are now veiling in America. Taylor refuses to call her friends by their new covers. She had changed her own name “like a dirty shirt” and didn’t want to help the refugees modify theirs. Taylor believed Estevan and Esperanza’s names were all they had left, “They’re the only thing you came here with that you’ve still got left...keep your own names with your friends” (219). Taylor knew the feeling of when she changed her name. She was running from her past and chose to revise her name. The young woman felt lost and wanted to forget where she originated from. Taylor
Esperanza is a very strong woman in herself. Her goals are not to forget her "reason for being" and "to grow despite the concrete" so as to achieve a freedom that's not separate from togetherness.