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Analysis of the setting of Wuthering heights
Analysis of the setting of Wuthering heights
Analysis of Bronte s Wuthering heights
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In Wuthering Heights, by Emily Bronte, Catherine Earnshaw was liked and disliked. However the way she brought out herself as she grew up, made people dislike her more. Earnshaw felt it was okay to fall in love with two men, Heathcliff and Edgar. That is what made her selfish. Catherine wanted to be happy and satisfied with her life so she took advantage of men, not just any men but men that were wealthy. She has a desire for social advancement, which made her seem like such a careless, selfish woman. That wasn’t the case though; Catherine is free-spirited, beautiful, and spoiled. These two characters, Nelly and Edgar have two different lifestyles, she follows Catherine, while he feels used but still loves Catherine so very much.
“Nelly
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Nelly tells us, “He possessed the power to depart as much as a car possesses the power to leave a mouse half killed, or a bird half eaten.” The irony here is that Catherine is the cat and Edgar is the house or bird. Their relationship grows from her desire to and ability to overpower him (“eat him”) and his willingness to let it just happen. On the other hand, Nelly as well feel s that if she marries Edgar life will be so much different, compared to the lifestyle Catherine was living with Heathcliff. Nelly dislikes the fact that Catherine plays around with two men when love is involved. “Catherine feels that there is something wrong in her soul that she cannot decide the cause of. To explain …show more content…
As each day goes by their relationship grows to abuse. Her power over him and his willingness to give her all, is what brought the relationship to an unhealthy way of living. However, he admired her, she was beautiful and such a charm. Catherine loved Edgar but without passion. She cared but just in another way, because Edgar was the right social class for
Catherine first becomes exposed to the opposing forces as she experiments with her desires for love and a better quality of life. *6* Because she constantly shifts priorities from one man to the other, her love for Heathcliff and Edgar results in a destructive disequilibrium. *1*In the novel, Cathy is portrayed as a lady with untamable emotions. *7* In her childhood she learns to l...
The main character also known as the protagonist is Catherine. She also has two nicknames which are Birdy and Little Bird. Catherine is fourteen years old, and she hates doing her embroidery and spinning. Her physical characteristics are described as “…no beauty, being sun-browned and gray-eyed” (Cushman 5). She is also “with poor eye-sight and a stubborn disposition” (Cushman 5). In any given situation with her suitors she tries to act and look her worst. She cannot act lady-like, and doesn’t like to do any of her chores. Instead “I would rather sit in an apple tree and wonder” (Cushman 5). She is very descriptive when it comes to people and sometimes uses metaphors to compare them to other objects. She is stuck talking to her birds and sometimes Perkin. Catherine is an adventurous adolescent who is stubborn, and always arguing with her father.
Emily Bronte also uses the love of Heathcliff and Catherine to show how women wanted to be equals to men. But when Catherine marries Edgar she becomes a 2nd class citizen and this is typical of men's views on women at the time when the novel was written. The way in which Catherine's name changes throughout the book shows how women have a crucial lack of identity that was common at the time the book was written. The contrast between wuthering Heights and Thrushcross Grange is very important in the novel because the novel is all about contrast, conflict, unions that fail, how the unions produce manipulated unhappy children. The contrast in the houses symbolises the contrasts and differences inherent in life that produce conflict not peace.
Catherine is very pleased to meet Isabella after being disappointed in not seeing Mr Tilney again. The narrator informs the reader that Catherine is fortunate in finding a friend as ‘Friendship is certainly the finest balm for the pangs of disappointed love.’ (p.18 NA). Isabella being the elder of the two has much more knowledge of fashionable society than Catherine and is, therefore, able to teach her a great deal about the expectations of society at that time.
Edgar and Catherine had a complex relationship. Each went into the marriage for different reasons. Edgar thought he loved her but only loved an idealized version of her, and Catherine married him to help the man she truly loved, Heathcliff. He thought she was perfect, she thought he was weak and easy to control. Eventually, these idealizations faded away. Throughout their relationship, Catherine and Edgar switched gender roles. While they did switch roles, each one managed to keep traits that were attributed to their own gender at that time.
As a child Cathy was wild and headstrong and her determination enables her to get everything that she wants. Although she only loves Heathcliff, she has a choice between him and Edgar Linton, as he too loves her. She chooses Edgar because of his status, but ends u...
Odd behavior such as that continues and causes Nelly to finally note the sinful changes and remarks, “(Catherine) is not fit to go (to heaven),” because, “all sinners would be miserable in heaven. ” We can see Catherine now losing herself due to her lack of balance between what she has known and what she knows now. Without the balance between the two she is easily caught up in confusion of what she wants spiritually and what she wants in terms of being
“It would degrade me to marry Heathcliff now; so he shall never know how I love him; and that, not because he’s handsome, Nelly, but because he’s more myself than I am. Whatever our souls are made of, his and mine are the same, and [Edgar’s] is as different as a moonbeam from lightning, or frost from fire.” (63). Despite this quote, Catherine’s decision to marry Edgar Linton out of a desire to be “the greatest woman of the neighborhood” exemplifies the effect of social considerations on the characters’ actions. Catherine is also affected psychologically in her decision to marry Edgar Linton.
In this narration and as a narrator, Nelly subtle and blatantly gives her perspective and bias on Catherine and Heathcliff, which remains unchanged until adulthood. Despite Nelly’s young age, she shows the audience the understanding of social politics within the Earnshaw family and its effect on Catherine and Heathcliff. Due to this knowledge and Nelly’s position in the family, she demonstrates her negative view on the two said characters when Catherine returns from Thrushcross Grange:
This is one of the very first true impressions about Catherine, she appears to be the typical beautiful nurse. Yet, quickly after Henry's description of Catherine, she reveals something to Henry that is crucial to her character. While Henry and Catherine converse, Catherine reveals, “‘He was a very nice boy. He was going to marry me and he was killed in the Somme”(Hemingway 16). With this revelation, the reader can analyze that Catherine has some sort traumatic past.
Catherine and Heathcliff’s ardour , intensity warmth for another appear to be the centre of Wuthering Heights, given that it is strongest and more abiding , deep-rooted than any other feeling demonstrates and exposed in the tale, and that it is the beginning , cause of most of the larger collision and clash that construction the novel’s intrigue . Catherine and Heathcliff’s tale, Nelly disapproves and condemns both of thembrutally, cruelly and sternly , condemning their feeling as impure ,dissolute ,indecent .,lewd but this passion is certainly one of the most conclusive and carchy appearance of the book. It is not effortless to adjudge whether Brontë intends the reader to blame and disapprove these lovers as reproachable or to apotheosize , glorify them as sentimental heroes whose love eclipses social benchmarck and normal honesty , morality, integrity. The tale is actually configurated around two coextensive love stories, the prime half of the novel focused on the love between Catherine and Heathcliff, while the le...
They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company.
Catherine is 17 years old in this play, and is growing up to become a woman, while starting to think independently as seen in her clothing choices. However, Eddie is against this idea of her blossoming into a woman, as seen when he says, "You're getting to be a big girl now, you gotta keep yourself more, you can't be so friendly, kid." At the same time, Beatrice gives Catherine advise that she should not be so dependent on Eddie and that she should view herself as an independent woman instead of letting Eddie dictate her life, when she says, "You're a woman […] and now the time came when you said goodbye." Through the story, Catherine is put in a spot where she does not want to leave eith...
...he power to depart, as much as a cat possesses the power to leave a mouse half killed, or a bird half eaten” a window motif can be seen here, as Edgar has been pushed on the outside of Wuthering Heights while Cathy remains inside her home. A change is signalled in that Edgar is likely to ask Cathy to marry him, for her cannot take his eyes off her or leave her side for one second. The plosives ‘possessed…power’ emphasise the choice that Edgar has to go back to the Grange or stay with the girl he loves, and the simile ‘as much as a cat possesses the power to leave a mouse half killed’ shows Brontë making a comparison to emphasise that Edgar would rather stay with Cathy even though she has just hit him moments early in a flurry of passion, this also shows that Edgar is easily swayed to make decisions without much persistence or effort from anyone.
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?