While flipping through channels after midnight on an unknown night in 2011, I stopped on the image of a fuzzy, white rabbit pressed close to the screen with what looked to be a talk show stage behind him. This soft-speaking, English-accented bunny, voiced and puppeteered by Scottish comedian-actor-voice artist-author-director Craig Ferguson, rambled on and cussed, leaving me amazed at what I had just seen and heard, leaving me wanting more. More importantly, it was the re-introduction to a man I had seen on television before; however, now he and his antics would become a daily part of my life. I would come to find him to be hilarious, bold, genius, immature and, as heralded by entertainment greats such as Betty White, Morgan Freeman, Don …show more content…
Boyd also suggested that he should get into comedy. After trying his hand at stand-up in England, Ferguson decided to move across the pond to New York City in 1983 to try and make a name for himself. Not accomplishing much in NYC other than becoming a bouncer at famed nightclub Save the Robots and half-heartedly marrying his girlfriend, Anne, after three years, Ferguson decided to move back to England, divorcing Anne in the process. It was in his return to his second home of London where Ferguson would start to gain traction in the comedy world. After creating the character Bing Hitler, a "parody of all the über-patriotic native folk singers who seemed to infect every public performance in Scotland,” Ferguson would enjoy minor success at comedy clubs and local festivals leading to his first acting role on the BBC’s hit show, Red Dwarf, in 1988. He would then enjoy a short run as Dr. Frank-N-Furter in the musical stage production The Rocky Horror Picture Show through …show more content…
At the end of each segment, normally without warning, he would announce that their time was up, leading to a close where Ferguson would offer his guest the options of activities like that of playing a mouth organ (harmonica), touching his glittery ball, or having an awkward pause. Those who showed actual ability to play the harmonica would be awarded with a golden mouth organ and those who chose to perform the awkward pause were sometimes awarded with Ferguson’s silliest of moments, the smell-my-finger awkward pause. Each night, he would close the show with the segment ‘What Did We Learn on the Show Tonight, Craig?’ where he would advise on his thoughts of the proceedings or merely take a couple more minutes to interact with his comedy pal,
In important ways Berry has some very good ideas. Concerned that radio and television have done too much to homogenize society, he uses “Nate Shaw” (a pseudonym) to provide an illustration of a man who lived without euphemistic clichés.
Younger generations and the more vulnerable in society can be influenced in avoiding peer pressure, but for the individuals filled with wisdom, the shows can reflect based on American modern society. Everybody Loves Raymond and Full House are great shows who faces similar life obstacles a typical person living in the US has today. As a result, most modern family comedy sit-coms are reflecting our society’s generations and the more vulnerable. Based on the success of early family sit coms, American’s adapted to a fast pace lifestyle with the help of modern
It was hilarious whenever Fred Sanford of the hit series Sanford and Son used to fake his heart attack saying that famous phrase, “I’m coming Elizabeth” or what about him telling Aunt Ester how ugly she was. No one took that type of comedy to the heart and it was intended to hurt no one. It was all for a laugh. Now in today’s time there are new shows on television such as The Chapelle Show, which is hosted and directed by the comedian Dave Chapelle. The object of this show seems to be how much fun he can make of a different race. Times have changed and so have peoples’ since of humor. People went from the laid-back type sitcoms such as Sanford and Son, The Three Stooges, and The Little Rascals, which are all types of shows that people can watch with their entire family, to shows even adults feel turned away from. Some examples include The Chapelle Show and In Living Color.
Bernie Mac’s second Def Comedy Jam special, “I Ain’t Scared of You Motherfuckers” is a comedic work that has always made me laugh uncontrollably. Even when I was too young to fully understand most of the jokes in that particular standup routine, his physical motions, use of curses and taboo sex phrases, as well as his urban Chicago colloquialisms were enough to have tears dripping from my eyes and a boisterous sound of laughter coming from my mouth, loud enough that it would cause my mother to come into my room and investigate what all the fuss was about. Despite the obvious comedic subject matter of works of comedy done by comedians such as Bernie Mac, there are numerous underlying reasons that attribute to the humor that is expressed through our laugher and enjoyment. Through his lively stage presences and sociological motifs, Bernie Mac was able to enlighten the world on the various cultural aspects of urban life by his use of social and psychological cues that capture our attention, giving us directions on how to react, providing us with an increased social awareness though satirical methods, and making light of taboo topics regarding the themes of sex and gender roles.
Craig talks about how in John Fiske’s book, Television culture (1987, Chs. 10,11), Fiske discusses “gend...
“Fake” news programs, such as The Daily Show, Zinser reasonably argues, have the potential to dilute mass media and deceive viewers. The Daily Show has been straightforward about its lack of legitimacy as a hard hitting news program, but “the show’s content and guest list suggest otherwise” (Zinser 367). Zinser indicates that The Daily Show should hold itself to higher standards because “people might well think they’re being fully or sufficiently informed while watching” (367). In other words, Zinser believes that if viewers tune in with the expectation of becoming informed and The Daily Show’s content consists of significant topics, the creators ...
For example, the comedy shows The Tonight Show Starring Jimmy Fallon expresses satirical humor concerning politics. His show also demonstrates political satire by telling jokes and even impersonating political figures for the audience. He creates humor through sarcasm that focuses on real issues. His sarcastic humor causes others to feel more confident in their criticism toward politicians. For example, “Jimmy Fallon expresses his humor about Donald Trump, impersonating his appearance and imitating his voice while talking about politics. He uses his humor by impersonating Donald Trump and his sweeping generalizations with Madea (Rogo).” Jimmy Fallon shows people his views through humor and it creates a sense of community to express their agreeable and disagreeable views. As we discussed some ideas about satirical humor that affects political changes, it was important to reveal their feelings about changes in life and drove them to look upon their society or government more
When Fox describes his journey though Hollywood, he doesn’t just how each story relates to his disease, but he also takes the time to discuss the ...
Comedian Jon Stewart gives a speech on the Daily Show during the “Rally to Restore Sanity/Fear”. He wants the viewers of the Daily Show to realize the difference between the real and fake threats and to take a humorous perspective on most of America’s “problems”. Stewart also emphasizes to his audience not to take every person on the media by his word and not to overreact to everything they hear. He uses metaphors, comparisons, and hypothetical examples to get his point across.
In conclusion, I have learned that the use of mass communication that accurately depicts cultural and political issues can ultimately raise awareness. During my mission here on earth, I hope that my productions can to be different and somehow help the development of society as Lee has. Using the skills that Lee has obtained, he has accurately showed modern society that life is not all picture perfect. Despite all of the controversy and his downplay of stereotypical Hollywood setting and characters, Lee still stands strong toward the movement of cultures as a whole to a better understanding of life itself. This understanding can influence others to move toward change and innovative ways of promoting equality.
January 6, 1973, famous anthropologist Margaret Mead published an essay in TV Guide in which she addressed her view of PBS’s series “An American Family.” This series was groundbreaking during that time because is followed the Loud’s, a California family who were neither actors nor public figures just average middle-class family, which was unheard of at the time. The Louds were filmed for seven months and the product was twelve one-hour episodes which showed everything from the monotony of their everyday life to the corrosion of Bill and Pat Loud’s marriage. Meade called this series “a new kind of art form” and marveled at the shows ability to show the drama and entertainment value of the average human condition. Forty years later, as Meade had predicted, reality based television and films have become more understood, respected and prevalent in our modern culture. Extreme success stories of documentaries such as Justin Bieber’s 2011 “Never Say Never” and countless reality shows indicates that a celebrity’s presence , musicians particularly, on reality media channels can change audience’s perceptions, promote new material and help them to stay relevant in the public eye. These “reality” documentaries and TV shows present the audience with carefully edited material that conveys only a fraction of that individual’s personality and character yet has profound effects audience perception and acceptance. The British boy band One Direction is a prime example of how using the model of framing in reality television shows and documentaries effectively promotes projects, molds the opinions of audiences, allows artist to appear more open and relatable and leads to extreme monetary success.
Satire is the most powerful democratical weapon in the arsenal of modern media. Sophia McClennen, the author of America According to Colbert: Satire as Public Pedagogy, describes it as the modern form of public pedagogy, as it helps to educate the masses about current issues (73). In fact, ”a Pew Research Center for the People & the Press survey in 2004 found that 61 percent of people under the age of thirty got some of their political 'news' from late-night comedy shows” (McClennen 73). This statistic shows how influential satirical shows such as The Colbert Report or South Park can be. Satire invites critical self introspection from us in a way that no other media can. It also acts as an unbiased mirror that reflects the mirror image of the flaws of our society. This beautiful process, when unhindered and uncensored, is the epitome of western freedom of speech, which is the single most significant right that deserves to be cherished and defended.
The study with Race, Ethnicity and Intercultural Communication takes place within Canada. Although it takes place in Canada, one can still see just how much this information is valuable within race and ethnicity and public health. Faiza Hirji, the author of this article, studies how the issue of humor and race fall within race and ethnicity. He looks at the comedian Russell Peters as an outlet for humor within racism. During both of my interviews, they did not mention humor and comedies, but I feel as if this would have been a good topic to see their views and see whether or not they would believe this as a form of communication in racism. “Comedians who incorporate race and ethnicity into their acts can be alternately popular and offensive” (Hirji, 2009, pg 544). Who would have ever thought that comedians would incorporate race and ethnicity in their comedy routines? It just shows how communication in different forms such as comedy will still get their points across when it comes to race and
From the beginning days of the printing press to the always evolving internet of present day, the media has greatly evolved and changed over the years. No one can possibly overstate the influential power of the new media of television on the rest of the industry. Television continues to influence the media, which recently an era of comedic television shows that specialize in providing “fake news” has captivated. The groundbreaking The Daily Show with Jon Stewart and its spin-off The Colbert Report have successfully attracted the youth demographic and have become the new era’s leading political news source. By parodying news companies and satirizing the government, “fake news” has affected the media, the government, and its audience in such a way that Bill Moyers has claimed “you simply can’t understand American politics in the new millennium without The Daily Show,” that started it all (PBS).
The nature of comedy has always left it somewhat resistant to critical analysis, and to some extent the same can be said for comedic actors. The class-clowns of Hollywood like Will Ferrell are often times constructed as being nothing more than amusing, so they seem lik...