Hollywood is so much more than a metonym for the entertainment business, or a tourist attraction; it is an ethnically diverse neighborhood that doesn’t necessarily live up to the glitz and glamour of the movies. Because Hollywood doesn’t live up to tourist expectations, public and private forces seek to change it. The result is gentrification. Since 1986, the forty year multi-million Hollywood Redevelopment Project has overtaken the neighborhood (Reynolds, 2012, p. 101). Initiated by associations such as the Los Angeles City Council, the Hollywood Chamber of Commerce, and the Community Redevelopment Agency of Los Angeles (CRA/LA) projects such as the W Hotel and the Hollywood and Highland Center over-glamorized the neighborhood. Hollywood abounds …show more content…
Somehow tourists still seemed drawn to this place, possibly because they had constructed a romanticized view on Hollywood. This is due to popular and academic literature developing an image of Hollywood that is defined solely by the glamour of the motion picture industry (Curti, 2007, p. 52). In order to live up to those prospects the Hollywood Redevelopment Project was put into effect in 1986. Its main goal was to “to facilitate the construction of mixed-use developments, luxury condominiums, bars and clubs, retail centres and a renewed emphasis on tourist-oriented activities” (Reynolds, 2012, p. 101-102). These civic and private institutions only take into consideration the commerce that can help Hollywood’s economy, but they forget about the toll this reconstruction can have “on the small enclave of residential housing” (Christiansen, 1991, p. 2). It seems as though the revitalization of this region is wiping away Hollywood’s cultural identity in order to emphasize the movie-esque aspect of …show more content…
Of course, like the Hollywood and Highland Center, this upscale hotel/apartment complex has managed to wipe away the presence of cultural diversity in Hollywood. Before it became a hotel, it was simply a Metro Plaza that featured public art designed by hispanic artist Gilbert “Magu’ Lujan (Reynolds, 2012, p. 102). Lujan created “bus shelters in the shape of iconic Hollywood landmarks such as the Grauman’s Chinese Theater” and underground “the walls on either side of the escalators are filled with orange and yellow mosaic tile inlays featuring anthropomorphic characters” (Reynolds, 2012, p. 106). He also made the ceiling of the subway look like it was covered in 35 mm film reels and made the support beams resemble palm trees (Reynolds, 2012, p.
Chicago’s Cabrini-Green public housing project is notorious in the United States for being the most impoverished and crime-ridden public housing development ever established. Originally established as inexpensive housing in the 1940’s, it soon became a vast complex of unsightly concrete low and high-rise apartment structures. Originally touted as a giant step forward in the development of public housing, it quickly changed from a racially and economically diverse housing complex to a predominantly black, extremely poor ghetto. As it was left to rot, so to speak, Cabrini-Green harbored drug dealers, gangs and prostitution. It continued its downward spiral of despair until the mid 1990’s when the Federal Government assumed control the Chicago Housing Authority, the organization responsible for this abomination. Cabrini-Green has slowly been recovering from its dismal state of affairs recently, with developers building mixed-income and subsidized housing. The Chicago Housing Authority has also been demolishing the monolithic concrete high-rise slums, replacing them with public housing aimed at not repeating the mistakes of the past. Fortunately, a new era of public housing has dawned from the mistakes that were made, and the lessons that were learned from the things that went on for half a century in Cabrini-Green.
Years ago, there was once a small town called Chaves Ravine within Los Angeles, California and this town was a poor rural community that was always full of life. Two hundred families, mostly Chicano families, were living here quite peacefully until the Housing Act of 1949 was passed. The Federal Housing Act of 1949 granted money to cities from the federal government to build public housing projects for the low income. Los Angeles was one of the first cities to receive the funds for project. Unfortunately, Chavez Ravine was one of the sites chosen for the housing project, so, to prepare for the construction work of the low-income apartments, the Housing Authority of Los Angeles had to convince the people of the ravine to leave, or forcibly oust them from their property. Since Chavez Ravine was to be used for public use, the Housing Authority of Los Angeles was able seize and buy Chavez Ravine from the property owners and evict whoever stayed behind with the help of Eminent Domain. The LA Housing Authority had told the inhabitants that low-income housing was to be built on the land, but, because of a sequence of events, the public housing project was never built there and instead Dodgers Stadium was built on Chavez Ravine. Although Chavez Ravine public housing project was the result of the goodwill and intent of the government, rather than helping the people Chavez Ravine with their promise of low-income housing, the project ended up destroying many of their lives because of those in opposition of the public housing project and government mismanagement.
Los Angeles is a place with a dynamic history. It has grown to be one of the most diverse cities in the world as a whole. Despite the diversity for which it is known for, the city has always had a striving conflict due to racial and class tension. The social stratification of its past continues to take its toll as dividing lines persist in contemporary Los Angeles. Furthermore, these dividing lines redefine place in Los Angeles, whether geographically or personally, to be subject to race and class. Fluidity has become evident recently however it is more common for the identity of people to be fixed in society. Through the novel Southland, by Nina Revoyr, and various means of academic sources, one is further able to explore the subject of race, place, and reinvention in Los Angeles.
“When the Movies Moved to the Suburbs.” The New York Times. Janet Maslin, 29 Oct. 2011.
Most Angelinos know that Dodger Stadium was once Chavez Ravine, a quiet and independent hillside neighborhood. Most would also agree that Dodger Stadium is an appropriate progression for an area known and designated as a slum. However, what most citizens do not realize is the designation of Chavez Ravine as a slum served merely as a cover-up for the city's own agenda of modernization through the vehicle of politics. The Community's identity as a quiet hillside neighborhood was ultimately shattered in the wake of the 1949 Housing Act under modern urban planning and the larger realm of politics during an era of intense anti-communist sentiment. This paper will argue that those aforementioned themes as the reason f...
This paper will discuss the many unique aspects of Oakland, California. Divided into five major parts, Oakland is a very diverse city. The five major parts include: Downtown Oakland which is located in the heart of the city, East Oakland which consists of the majority of the city, West Oakland, North Oakland, and the Oakland hills where the terrain is quite different from other parts of the city. While many may perceive the population to mainly consist of African Americans and Whites, there is a significant growing population of Latinos, and Asians. The topics covered in this paper will shed light on the city of Oakland itself, and discuss the unique city that it is. I will also give my personal experience and perception on the city, after living there for 16 years of my life.
The noir style is showcased in Sunset Boulevard with its use of visually dark and uncomfortable settings and camera work, as well as its use of the traditional film noir characters. In addition, the overall tone and themes expressed in it tightly correspond to what many film noirs addressed. What made this film unique was its harsh criticism of the film industry itself, which some of Wilder’s peers saw as biting the hand that fed him. There is frequent commentary on the superficial state of Hollywood and its indifference to suffering, which is still a topic avoided by many in the film business today. However, Sunset Blvd. set a precedent for future film noirs, and is an inspiration for those who do not quite believe what they are being shown by Hollywood.
During the course of this essay it is my intention to discuss the differences between Classical Hollywood and post-Classical Hollywood. Although these terms refer to theoretical movements of which they are not definitive it is my goal to show that they are applicable in a broad way to a cinema tradition that dominated Hollywood production between 1916 and 1960 and which also pervaded Western Mainstream Cinema (Classical Hollywood or Classic Narrative Cinema) and to the movement and changes that came about following this time period (Post-Classical or New Hollywood). I intend to do this by first analysing and defining aspects of Classical Hollywood and having done that, examining post classical at which time the relationship between them will become evident. It is my intention to reference films from both movements and also published texts relative to the subject matter. In order to illustrate the structures involved I will be writing about the subjects of genre and genre transformation, the representation of gender, postmodernism and the relationship between style, form and content.
Furthermore, he attempts to dispel the negative aspects of gentrification by pointing out how some of them are nonexistent. To accomplish this, Turman exemplifies how gentrification could positively impact neighborhoods like Third Ward (a ‘dangerous’ neighborhood in Houston, Texas). Throughout the article, Turman provides copious examples of how gentrification can positively change urban communities, expressing that “gentrification can produce desirable effects upon a community such as a reduced crime rate, investment in the infrastructure of an area and increased economic activity in neighborhoods which gentrify”. Furthermore, he opportunistically uses the Third Ward as an example, which he describes as “the 15th most dangerous neighborhood in the country” and “synonymous with crime”, as an example of an area that could “need the change that gentrification provides”.
Sunset Boulevard directed by Billy Wilder in 1950 is based on how Norma Desmond, a huge Hollywood star, deals with her fall from fame. The film explores the fantasy world in which Norma is living in and the complex relationship between her and small time writer Joe Gillis, which leads to his death. Sunset Boulevard is seen as lifting the ‘face’ of the Hollywood Studio System to reveal the truth behind the organisation. During the time the film was released in the 1950s and 60s, audiences started to see the demise of Hollywood as cinema going began to decline and the fierce competition of television almost proved too much for the well established system. Throughout this essay I will discuss how Sunset Boulevard represents the Hollywood Studio System, as well as exploring post war literature giving reasons as to why the system began to crumble.
Zukin, Sharon. "Gentrification: Culture and Capital in the Urban Core." Annual Review of Sociology 13(1987): 129-147.
It is no doubt that Martin Scorsese has heavily influenced the emulating of American film making from European influences. He is a prime example of a ‘New Hollywood Cinema’ director, not only from his ethnicity and background, but from his sheer interest in this form
Of the many problems affecting urban communities, both locally and abroad, there is one issue in particular, that has been victimizing the impoverished within urban communities for nearly a century; that would be the problem of gentrification. Gentrification is a word used to describe the process by which urban communities are coerced into adopting improvements respective to housing, businesses, and general presentation. Usually hidden behind less abrasive, or less stigmatized terms such as; “urban renewal” or “community revitalization” what the process of gentrification attempts to do, is remove all undesirable elements from a particular community or neighborhood, in favor of commercial and residential enhancements designed to improve both the function and aesthetic appeal of that particular community. The purpose of this paper is to make the reader aware about the significance of process of gentrification and its underlying impact over the community and the community participation.
As with all industries, Hollywood’s business revolves around making money. In the quest for monetary excellence morals can become sidelined and painful stereotypes can become revisited. On the other side, a filmmaker may use their influential position in order to shed light on a controversial issue to remind the public of consequences of past mistakes. In a paradoxical way, when Hollywood creates altruistic and feel good films the making of the films may unintentionally harm other cultures or societies. In the pursuit of socially progressive films, Hollywood disregards the wellbeing of some in order to make others look better in comparison. Highlighting t...
Most people in the hood are stuck in a situation that appears to be hopeless to both them and someone looking from a near distance-- the middle class.Therefore, it is reasonable for people from poor urban areas to hold an anti-suburban, victimized attitude because the factors that play to keep them in poverty are ultimately the consequences of our, every American’s, actions (as will be supported with evidence from articles). John Singleton does a phenomenal job deglamorizing Los Angeles and showing the side of the city which, up until that point, was largely ignored by