Holden Sexual Confusion

886 Words2 Pages

In the Catcher In The Rye, the author J.D. Salinger molded together motifs of sexual confusion and permanence to illustrate Holden Caulfield’s struggle to grow up. Holden was trapped between his childhood innocence and the pull of adulthood. The mighty impact of this theme targeted teen readers across the nation, due to the engaging experiences. Holden desired the glossed elements of adult life. A common motif throughout the book was Holden going through a state of sexual confusion. For instance, after he viewed another couple being intimate, he thought: “I’m probably the biggest sex maniac you ever saw”(34). So, Holden found a girl he deemed open towards sexual activity, and invited her out for drinks. Yet, when …show more content…

‘Tonight’s the only time I can make it’”(36). Another example, of his indecisive qualities was when Holden agreed to pay for a prostitute, only to deny last minute: “Do you mind cutting it out?” I said. “I’m not in the mood, I just told you. I just had an operation”(53). Holden’s characteristic of lying his way out of sex, reflected his bewilderment towards the action, despite his hope to be the ‘biggest sex maniac’. Sexual confusion is relevant to teenagers in real life, as often when growing up, losing your virginity is glorified in America. A common example being the concept of being ‘pure’ until marriage or in the hands of a true love. Hence, Holden’s confusion, was relatable aspect of the novel. However, Holden was attached to his childhood, as displayed through the symbolism of the museum. For instance, within his visit he stated: “The best thing, though, in that museum was that everything stayed right where it was. [...]The only thing that would be different would be you. You'd have an overcoat on this time. Or that kid that was your partner in line last time”(103). This museum represented a permanent portrait of moments in his childhood, that he …show more content…

For example, when walking up the school staircase of his little sister, Phoebe, he felt hassled by the swears on the walls: “It drove me damn near crazy. I thought how Phoebe and all the other little kids would see it [...] how they'd all think about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it”(108). Usually, swearing is considered adult language, and the children learning about it would be a step towards growing up in Holden’s eyes. To somehow rescue them from this, Holden attempted to rub off the marker. Which sufficed until the next one: “I tried to rub it off with my hand again, but this one was scratched on, with a knife or something. It wouldn't come off. It's hopeless, anyway. If you had a million years to do it in, you couldn't rub out even half the "**** you" signs in the world”(109). Since rubbing out the swears symbolized saving children from adulthood, this was Holden’s acceptance that rescuing every child was inevitable. Transferring back to real life, this resolve would’ve been important in preventing the death of John Lennon. During the popular case, his killer Mark

Open Document