In The Catcher in the Rye by J. D. Salinger, Holden Caulfield is a messed up boy who is expelled by Pencey Prep and every other school he has attended. Rather than go home, Holden escapes to New York and stays at a hotel where he is horrified by what he sees as adulthood. He encounters various forms of adults and is depressed by what he sees his future being. These encounters obliterate any desire Holden possesses to grow up. As his tale carries on Holden is desperate to connect with Pheobe, his younger sister, and preserve what childhood innocence she has, but later realizes that Pheobe, unlike himself is prepared to make "the fall". When Holden first arrives in New York and checks into the hotel he is shocked to find "a guy around sixty-five …show more content…
While at Pheobe’s school to give her a note, Holden sees a sign of adult immaturity that shocks him. "Somebody’d written "Fuck you" on the wall.” (221) This angers Holden in a way that seems quite uncharacteristic for him because “I thought how Pheobe and all the other little kids would see it, and how they’d wonder what the hell it meant, then finally some dirty kid would tell them-all cockeyed, naturally-what it meant, and how they’d all think about it and maybe even worry about it for a couple of days.” This reaction from Holden displays how horrified he is by adults and their acts of immaturity which are quite different than childhood immaturity. This encounter displays a darker more adult issue that Holden thinks children should not be exposed to. It also exhibits his obsession with preserving the innocence of his sister and her peers. This is an example of Holden trying to save his sister from “the …show more content…
At first Pheobe insists she is too old, but finally gives in. As Holden sits and watches his sister he makes certain observations about the children’s behavior: "All the kids kept trying to grab for the gold ring, and so was old Pheobe, and I was sort of afraid she’d fall off the goddam horse, but I didn’t say anything or do anything. The thing with kids is, if they want to grab for the gold ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them." (232) In this thought of Holden’s, the carousel becomes childhood, and the gold ring becomes adulthood. Holden sees that when children are confident enough they will start to lean out of the seat in order to acquire or achieve the gold ring or adulthood. He also realizes that no matter how hard it is not to, advising the child when to start reaching for the ring will never end well. It is revealed to Holden that if the children fall, they fall and the only thing they can do is get back up and try again. This leads Holden to fathom the fact that maybe Pheobe is ready to take that risk even if Holden isn’t. This shows how he accepts the fact that adulthood is a fact of life and it is a person’s choices that effect how it
phonies and all he hates. By being in the stage where he is, he manages to avoid change, control his world with his own hands, yet. creates a paradox between what he is, and what he wants to be. Possibly the main reason why Holden doesn’t want to become an adult. is his perception of ”phoniness” and hypocrisy surrounding adult.
The Catcher in the Rye, J.D. Salinger's novel set in the 1950s, told the story of sixteen-year-old Holden Caulfield. Deciding that he's had enough of Pencey, his fourth school that he'd failed, he goes to Manhattan three days before his scheduled return to home, not wanting to inform his parents that he'd been expelled and sent back. He explores the city, calls up some old friends, gets nicked by the elevator operator, and gradually becomes bitter about the world and people. He then visited his sister Phoebe. After fleeing from the house of Mr. Antolini, his former English teacher, because of mistaking his actions for a homosexual overture, Holden went to Phoebe's school and sent her a note telling her he was leaving home and to meet him at the museum. When Phoebe arrived, Holden angrily refused her request to take her with him and she ignored to speak to him. He then took her across the park to a carousel, bought her a ticket and watched her ride. Holden ended his narrative here, telling the reader that he was not going to tell the story of how he went home and got "sick". He planned to go to a new school in the fall and was cautiously optimistic about his future.
Again, this is one of the few people that Holden likes and doesn’t consider a phony like everyone else. He talks highly of her and he sees himself in her in the way that she alternates between behaving like an adult and behaving like a child, the way he says he also does. It bothered him greatly when she asks him if he “got the ax again,” referring to his expulsion. She starts asking him questions about his future and what he likes (if he likes anything at all) and it forces him to wake up. Everyone has been telling Holden to realize his situation and put more effort into schoolwork and relationships and to start caring. Holden’s reality is very simple: he wants to be the catcher in the rye to protect children’s innocence and stop them from growing up because all adults are phonies. Again and again, being told that that isn’t plausible annoys him. He feels betrayed, when his own sister, someone who he thought would understand him, joins everyone else in telling him to put forth more
It takes many experiences in order for an immature child to become a responsible, well-rounded adult. In J. D. Salinger’s The Catcher in the Rye, Salinger’s main character Holden Caulfield matures throughout the course of the novel. In the beginning of the novel, Holden is a juvenile young man. However, through his experiences, Holden is able to learn, and is finally able to become somewhat mature by the end of the novel. In The Catcher in the Rye, Holden Caulfield’s story represents a coming of age for all young adults.
Holden’s childhood was far from ideal, with Allie dying, his dysfunctional parents and the revelation that he had some “perverty” stuff happen to him when he was a kid. Due to this, he isn't ready to step into adulthood and leave his childhood behind. This is why Holden is mostly alienated from adults and connects more to the innocence of children like the girl at the park and his sister, Phoebe. However, Holden is disillusioned with both adulthood and childhood. He already knows how it feels to be an adult; drinking alcohol, being independent, living by himself and caring for Phoebe, but isn’t ready to immerse himself in it.
Shortly after Holden leaves Pencey Prep, he checks in to the Edmont Hotel in Manhattan which was "full of perverts and morons. There were screwballs all over the place. " His situation only worsens from this point on as the more he looks around this world, the more depressing life seems. Around every corner, Holden sees evil. He looks out on a world which appears immoral and corrupt.
...oes want them to turn into “phonies.” Holden seeks for a peaceful and uncorrupt world but he cannot obtain that due to the actions of others. Despite Holden’s attitude and outlook on life, he is quite passionate. Although he is a firm pessimist, calling every person he comes across a “phony,” there is an alternate side to him. In his interaction with Phoebe and the other children in the book, he tries to protect them from the rest of society, since children are still naïve and pure. It is justifiable why Holden craves to preserve the innocence of others. For most of us, growing up, we begin to understand more. We start to look at life in a different perspective, different from the one we did when we were young, but as a person who has seen and experienced more in life.
Holden never seems to have a pleasant time interacting with the adults and the world they've created. Holden describes the hotel he was staying at as being "lousy with perverts (Salinger 62).” At the hotel, Holden characterizes every adult he sees as a pervert. He does not know any of them but because they are grown up he sees them strictly as perverts, despite who they truly may be. However, Holden does try to fit in amongst these alleged “perverts” but later in the novel his inability to engage with a prostitute demonstrates how despite his efforts to belong in the adult world he is still childlike. Salinger uses Holden's childlike ways along with his inability to conform to societal normalities to express how he views the adult world as something he doesn't want to fully commit to. Salinger puts Holden is suspended development in order to prove how hard it is to fully belong in the adult world, especially if its occupants are already corrupt in their own ways. Throughout the novel Holden prefers the company of children over the company of adults as he believes adults to be fake and perverted. While at Ernie’s bar one of D.B.’s old acquaintances, Lillian Simmons, strikes up a conversation with Holden. Lillian hasn’t uttered the words to Holden when he prematurely deems her “strictly a phony (Salinger 86).” Holden wants nothing to do with
We see during the novel that Holden wants to be able to protect innocence in the world, however by the end of the story he lets go of that desire. This is a point of growth for Holden. He finds that it is impossible and unnecessary to keep all the innocence in the world. While with Phoebe Holden says, “I keep picturing all these little kids playing some game in this big field of rye...I’m standing on the edge of some crazy cliff. What I have to do, I have to catch everybody if they start to go over the cliff...That’s all I’d do all day. I’d just be the catcher in the rye” (173). In this moment Holden wants to be able to preserve all the youth and innocence in the world. He doesn’t accept that kids have to grow and change and that they can’t stay innocent forever. Later on in the story when Holden is with Phoebe at a carousel again he thinks, “The thing with kids is, if they want to grab for the golden ring, you have to let them do it, and not say anything. If they fall off, they fall off, but it’s bad if you say anything to them.” At the end of the novel Holden realizes and comes to terms with the fact that kids grow and lose their innocence. He moves from his want to be the “catcher in the rye” to...
In the novel, Catcher in the Rye by J. D. Salinger, Holden Caulfield is an example of a prosaic rich adolescent boy,with a pedestrian set of problems, but a psychoanalysis reveals that Holden has a plethora of atypical internal conflicts. Internal conflicts that other students at Pencey, such as Stradlater and Ackley, would not normally experience.
Holden Caulfield, the teenage protagonist of Catcher In The Rye by J.D. Salinger, struggles with having to enter the adult world. Holden leaves school early and stays in New York by himself until he is ready to return home. Holden wants to be individual, yet he also wants to fit in and not grow up. The author uses symbolism to represent Holden’s internal struggle.
Holden doesn’t like the complexity of life and relationships. This is why he distances himself from his family and friends. After Holden is expelled from his school, he tries to stay away from his parents for fear of their reaction, even though learning of his expulsion is inevitable. He visits his sister Phoebe in their home multiple times throughout the novel because due to her young age, his sister and his relationship is simple. "For instance, within Holden, the desire to reject others conflicts with the desire to be accepted by others: he doesn't want to lend Stradlater his coat, but his overt actions belie this covert, warring want: he despises Ackley, but he invites him to see a movie; he hates movies, believing them to foster phoniness in society” (Mitchell). Holden struggles to “catch” others because he believes he is not accepted by others.
Holden shows a particular liking towards children over adults. He values the innocence and authenticity of children and he tries to protect them from the phoniness and evil of the world. When he goes back to his old school at the end of the novel to give a note to Phoebe, he sees an obscenity on the wall that infuriates him. He says, "Somebody'd written `F*** you' on the wall. It drove me near damn crazy. I thought how Phoebe and all the other little kids would see it, and then finally some dirty kid would tell them-all cockeyed, about it and maybe even worry about it for a couple of days. I kept wanting to kill whoever'd written it" (201). When Holden's sister Phoebe demands that he tell her one thing that he really likes, Holden's responds saying, "I like Allie...And I like doing what I'm doing right now. Sitting here with you, and talking and thinking about stuff..." (171), showing that he's most content in the simple and innocent world of his childhood.
The Catcher in the Rye, by J.D. Salinger, is a classic novel about a sixteen-year-old boy, Holden Caulfield, who speaks of a puzzling time in his life. Holden has only a few days until his expulsion from Pency Prep School. He starts out as the type of person who can't stand "phony" people. He believes that his school and everyone in it is phony, so he leaves early. He then spends three aimless days in New York City. During this time, Holden finds out more about himself and how he relates to the world around him. He believes that he is the catcher in the rye: " I keep picturing all these little kids playing some game in a big field of rye and all. Thousands of little kids, and nobody's around-nobody big, I mean-except me. And I'm standing on the edge of some crazy cliff. What have I to do, I have to catch everybody if they start to go over the cliff..." (173). He briefly enters what he believes is adulthood and becomes a "phony" himself. By the end of the story, Holden realizes he doesn't like the type of person he has become, so he reverts into an idealist; a negative, judgmental person.
Holden has a close relationship with his younger sister, Phobe. They are total opposites. She has a positive outlook on life, while Holden hates life and figures he’s doomed. Phobe was his “ray of hope”, and brought him true joy. To Holden, she is young, and hasn’t become phony. He would do anything to protect her and other children away from adulthood, and preserve their childish innocence.