History of the Stringed Instrument

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History of the Stringed Instrument

Stringed instruments of one type or another are employed in musical activities worldwide. Despite some differences, they share many similarities in their mode of construction and manner of performance. The stringed instrument has a structural and playing adaptability that lends itself well to the rendition of the music of diverse cultures.

The Harp Family of Instruments

The harp is a stringed instrument in which the strings are plucked with the fingers. In different forms it was played by people of nearly all lands throughout the ages.

The oldest stringed instrument that I could find is the Egyptian bow harp, taken from Egyptian mural drawings. It dates back to 3000 B.C and is with some probability the ancestor of modern harps.

Another is a Cycladic marble statue of a harpist from the island of Keros. It was found together with Phoenician idols which points to the possibility that this harp originated in Phoenicia, which is mentioned in Greek literature as one of the countries that in ancient times used triangular stringed instruments. It also dates back to 3000 B.C.

The Kithara originated in ancient Greece, dating back to 490 B.C. The Kithara was a wooden string instrument that was played with a plectrum, which is similar to what we know today as a pick, and was usually made from the horns of animals and shaped into a device that looked similar to a spoon. The early form of the kithara had a rounded base, while the later form had a flat base. The strings of the instrument were mainly made from twisted sheep-gut, although, cord made from flax fibers were sometimes used as well. Early Greek pottery depicts the kithara to have four strings, and later models included...

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...carried into the 14th century. During the 13th century, fiddles were invited into the church as part of the musical presentation of the services. The instrument thrived through the 14th century as a primary stringed instrument until the development of the competing vielles and fiddles, which were fretted bowed instruments, easier to play as the musician did not have to be as accurate with his or her finger placement. By the fifteenth century its appeal in the courtly classes was diminishing, and it was regarded as a rustic instrument, suitable mostly for peasant dances. The violin appears around the middle of the century, and slowly supplanted all other bowed stringed instruments. By the end of the 16th century , the rebec was wholly regarded as a plebian instrument, fit only for public streets and taverns. "Dry as a rebec" became a popular derogatory comment.

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