The Emerald Buddha (Phra Kaew Morakot) currently resides at Wat Phra Keow in Bangkok, Thailand, and has been there since 1784 (Diskul; Kislenko, 138). The statue sits high up in a glass case and only the King is able to touch the Buddha statue (Suksri). A very important ceremony occurs where the King cleans the Buddha and wipes away the dust in preparation to re-dress the statue (Roeder). The ceremony performed by the King involving the most sacred object in Thailand, the Emerald Buddha, for the well-being of the Thai nation, is the robe changing ceremony that occurs three times a year: March, the hot season, July, the rainy season, and November, the cool season (Roeder; Trainor, 126).
The Emerald Buddha is made of Jade or nephrite, but was originally covered with stucco until lightning struck reveling the Jade or nephrite underneath (Roeder; Suksri). “Close inspection is prohibited”, according to Naengnoi Suskri on the Asian Historical Website. The Buddha is seated in the virasana position where the right leg lays on the left leg (Roeder). The Buddha’s right had is laying is his left hand and both hands are facing up and resting in his lap (Roeder). There is a gold third eye on his face above his eyebrows (Roeder). To this day, its origin is unknown; however, it is believed to have magical powers to whoever possess it (Suksri). It is also believed that the Emerald Buddha has magical powers against evil spirits and disease (Roeder).
In 1782, King Rama I started the holiest shrine in Thailand that was to house the Emerald Buddha and it was finished in 1784 (Diskul; Kislenko, 106). The temple has three doors that face the sunrise and three doors that face the sunset (Kislenko, 106). The temple is filled with mural pain...
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Kislenko, Arne. "Architecture and Design." Culture and Customs of Thailand. Santa Barbara, CA: Greenwood, 2004. ABC-CLIO eBook Collection. Web. 13 Feb 2014.
Kislenko, Arne. "Festivals and Fun." Culture and Customs of Thailand. Santa Barbara, CA: Greenwood, 2004. ABC-CLIO eBook Collection. Web. 13 Feb 2014.
Kislenko, Arne. "Social Customs." Culture and Customs of Thailand. Santa Barbara, CA: Greenwood, 2004. ABC-CLIO eBook Collection. Web. 13 Feb 2014.
Professor M.C. Subhadradis Diskul, . N.p.. Web. 10 Feb 2014. .
Roeder, E. n. page.
Suksri, Naengnoi, . N.p.. Web. 10 Feb 2014. .
Trainor, Kevin . Buddhism The Illustrated Guide. OXFORD, 2004. print.
I arrived at the Hsi Lai Temple in the city of Hacienda Heights around 3:00 p.m. on March 7, 2014. Although I am Chinese, I have never been to this temple before because my family does not practice Buddhism. This is my first time collecting data about the His Lai Temple. This method is referred to as participant-observation which is, “the anthropological method of collecting data by living with another people, learning their language, and understanding their culture” (Arenson and Miller-Thayer 521). The temple is built on a hill top. After driving up the long hill into the parking lot, I found that before entering the temple, I walked up many stairs. In the brochure For Guang Shan Hsi Lai Temple, it said that the name Hsi Lai stands for “coming to the West”. The temple, which was founded by Venerable Master Hsing Yun, signifies the dedication of Taiwan’s largest Buddhist organizations called the Fo Guang Shan. It took ten years to build the temple and was completed in 1988. This $30 million Temple on 15 acres of land was financed by donations from Buddhist devotees from around the worlds.
Rituals are held as a very important part of any society, including ours. They go back to ancient times or can be as simple as maintaining one’s hygiene. Non-western societies have rituals that may seem very foreign to us, but they have been engrained in their communities and are essential to their social structure. This interpretation will focus on the Great Pilgrimage, a ritual performed by Quechuan communities. We will be looking specifically at a community in the area of Sonqo.
Yu, Han. “Memorial on Buddhism”. Making of the Modern World 12: Classical & Medieval Tradition. Trans. Richard F. Burton. Ed. Janet Smarr. La Jolla: University Readers, 2012. 111-112. Print.
Walking into the Hall of the Buddhas, there was a sense of peace and guidance lingering inside me. The seated Bodhisattva, of the Northern Wei dynasty (386-534), CA.480, from the Yungang, Cave xv, Shani Province, made of sandstone, guarded the entrance. At first, I thought it was a time to be disciplined, but the transcending smile from the statue was a delicate fixed gesture that offered a feeling of welcome. It was not a place to confess your wrongdoings; neither was it a place for me to say, “Buddha I have sinned.” It was a room to purify the mind, the mind that we take for granted without giving it harmony. There was a large mural decorating the main wall called “The Paradise of Bhaishajyaguru”(916-1125). I sat down wandering if the artist of the portrait knew that his work would one day be shared on this side of the world, in my time. Much like Jesus Christ and his followers, the mural is a painting of healers and saviors. It was a large figure of the Buddha of medicine, (Bhaishajyaquru) surrounded by followers of Bodhisattvas, Avalokiteshvara, and Mahosthamaprapta with twelve guardian generals who have pledged to disseminate the Buddha’s teaching (Tradition of Liao 916-1125, Metropolitan Museum wall plaque).
I am going to compare two iconic statues from two distinct religions, Buddhism and Daoism. The Buddhist statue I have chosen to examine is the Giant Buddha at Leshan from the Tang Dynasty in China and the Daoist statue being the Laozi Statue from the Song Period in China. Both statues are in China and are large icons, yet intricate differences lie within the details of each statue that reveal major advances and philosophies from their times. Both religious statues have a being associated behind them; Siddharth Gautama being the Buddha from Buddhism and Laozi being the founder of Daoism.
Buddhism was first introduced into Nara Japan through trade with Han China and reportedly, a few ambassadors from the Chinese imperial court appeared at the emperor’s palace one day bearing the finger bone of Buddha, among other gifts, to present as a gesture of goodwill in order to be allowed to spread their religio...
"Heilbrunn Timeline of Art History." Altarpiece Dedicated to Buddha Maitreya (Mile) [China] (38.158.1a-n). N.p., n.d. Web. 15 May 2014.
Buddhist art spread across Asian countries, as believers brought the existing art and principles with them. The religion evolved in each new place to fit the new societies, which influenced the way the Buddha and Buddhist principles were represented in art. Starting from Theravada Buddhism in India, the religion evolved into another main branch called Mahayana Buddhism, which is popular in China, Korea, and Japan. Throughout its history, Buddhism has been ever changing to include local beliefs and customs, and the combination of these local usages with imported beliefs and symbols is characteristic of Buddhist art throughout Asia. Each new offshoot of Buddhism has its own unique take on the symbolism and rituals used to represent the religion.
It will discuss the different types of dwellings throughout recorded human history from the perspective of how art and culture influences building design. This will fulfill my own curiosity to understand the different influences on homebuilding and design over the years and how people have dealt with these changes.
The architects are unknown. It was originally built as a Hindu temple and dedicated to the Hindu god Vishnu. The temple, which is built out of stone, is covered in relief carvings depicting different religious scenes, primarily from Mahabharata and Ramayana, which are popular stories in Hindu mythology. It is also surrounded by a moat on all sides. The temple was converted to a Buddhist temple in the 14th century CE.
"Basics of Buddhism." n.d. The Living Edens: Thailand. Public Broadcasting Service. Website. 6 March 2014. .
Seeing the monks was deeply enlightening to me because it was new to see grown man live in humbleness and peace. They wore an orange robe over their bare upper bodies and a white fabric-pants to cover their lower bare bodies. It was clear to me that these monks were individual men indulged in a simple of life. Fortunately, I was able to make the connection between what we learned in my Introduction to Asia lecture and what was from the temple. In lecture we learned that Thailand was deeply rooted in Buddhism, and often time’s, young lay men would make a temporary journey to leave behind their belongings and possessions to live a life of humility as a monk. Carlos, shared some information about the monks stating they were men from Thailand who decided to take a great leap in leaving behind their families and duties in the Thailand economy to live a simple life that avoided stress and societal troubles similar to how monkhood was referred to in lecture. Eventually I was given the opportunity to speak to one of the monks. He stated that Wat Buddharangsi was a Buddhist community that was home to rotating monks from Thailand travelling all over the world. I asked him the principles that the monks live by, and he roughly gave me an ideas of Buddhist principles of—no stealing, cheating, adultery and rules that would inhibit a life of humility and simplicity. I also learned from the monk that they live their days through the kind hearts of others who donate food. If people did not come to donate food to the monks in a particular day, then they were fine with eating food from the previous day’s left overs. I know understand that Buddhism includes a sense of community and teamwork to support the men who took up the mantle as a
Throughout the world, there are an abundance of diverse cultures, each truly unique in comparison to another. Culture is described as the “characteristics of a particular group of people, defined by everything from language, religion, cuisine, social habits, music and arts” (Zimmermann). Each of these traits is what sets each society apart, and is what influences their expression of design. Throughout this course, we’ve learned how planning and design have varied all through history, however we decided to take it a step further and focus on how different regions throughout the world create spaces that reflect their own cultures’ particular interests. Being a group composed entirely of Interior Design majors, our emphasis is investigating the use of material, color, motifs and layouts of their interior spaces, and how they reflect their societies. Not only do we explore a culture’s influence on design, but we briefly touch on environmental factors as well. Of all of the regions throughout the world, we decided to focus our research on the cultural practices and designs of Mexico, India, and Japan. Our reasoning behind centering on these three cultures is that these cultures are some of the most well-known, yet each entirely distinct within their own way, thus providing a greater understanding of design styles around the world.
Customs and traditions differ from one part of Nepal to another. A conglomeration lies in capital city Kathmandu where cultures are blending to form a national identity. Kathmandu Valley has served as the country’s cultural metropolis since the unification of Nepal in the 18th Century.A prominent factor in a Nepali’s everyday life is religion. Adding color to the lives of Nepalis are festivals the year round which they celebrate with much pomp and joy. Food plays an important role in the celebration of these festivals.
The topic that I will be discussing is Thai culture. In this, it will include areas that influence this culture. First, I will give you the geographical information of the country of Thailand. The second area that I will look at will be language. Language is an extremely important part of culture and some say that one cannot be found without the other. After that I will inform you about customs, traditions and taboos in Thai culture. This is a very important part of culture and is what shows the differences between cultures. Then I briefly tell you about the government and some national symbols, such as the flag, the symbol, colors, anthem, dress, and national day. Next, I will explain about religion in Thailand. In most cultures there is religion, but in Thailand it is interwoven into its whole culture and it is hard to separate the two. One other thing that I will include in this paper is a link to a page with pictures from my trip to Thailand.