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History essay about plagiarism
Richard III speaks Shakespeare
History essay about plagiarism
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Historiographical Debate: Richard III Since the death of Richard III at Bosworth field in 1485, many historians, appointed officials, and playwrights, have written their histories, thoughts, and accounts of Richard III’s life for hundreds of years. If we think about all of the medieval kings, princes, and other historical figures who were reported as doing just as many, if not worse crimes during their reign, how come Richard III still gains attention for his? This debate continues to this day, because of the early written records that tried to prove his malicious nature. In addition, the plagiaristic tendencies of early historians further added to the debate because century after century, accounts of Richard’s life became more and more negative. Since his death, and because of the era in which he died, it was considered treason for anyone who may have defended or tried to defend this defeated English monarch which would have resulted in probable death. Some of the earliest histories written of Richard III in a more positive light appeared and were published over one hundred years after his death. With that large of a distance in …show more content…
One of the most well known revisionists is Paul Murray Kendall who wrote a biography called Richard the Third. This was written in 1956 and was the standard biography of pro Ricardian historians for many years. This book takes a positive stance on Richard and denounces all past allegations of Richard as myth and Tudor propaganda. In addition to Kendall, beginning in 1924 known as The Fellowship of the White Boar, and renamed as the Richard III Society, a group of modern historians set out on a goal to reform and prove that Richard was in fact a victim of Tudor propaganda and false accounts. Since its beginnings this society has gained followers and is battling to save the reputation of Richard. This society has gone great lengths to help save Richard from false
Richard III's Usurpation and His Downfall Richards rule was always unstable due to his unlawful usurpation to the throne and his part as far as the public was concerned in the death of the two princes. As a result right from the start he didn't have the trust or support from his country. As soon as he became King people were already plotting against him. After he was crowned he travelled the country trying to raise support by refusing the generous gifts offered to him by various cities. However unknown to him a rebellion was been planned in the South.
To explore connections between texts is to heighten understanding of humanity’s progressing values and the underlying relevant themes that continue to engage societies regardless of context. William Shakespeare’s King Richard III (1592) (RIII) and Al Pacino’s docudrama Looking for Richard (1996) (LFR) demonstrate how opinion is created through comparative study, both explore the struggle for power within differing contexts to determine the duplicity of humanity. Ultimately, despite the divergent eras of composition and textual form, these connections expose the relevant social commentaries of their composers, highlighting innately human values, which remain constant.
Anne is quite like a modern woman in the way that if a man tells her
Richard did not manage to recover from the usurpation of Edward and after allegedly murdering the two Princes in the tower his reputation had fallen greatly. He had lost a lot of respect from nobles and from the populus. Killing the Princes could be seen as one of the major factors of his downfall. It was common place in monarchical families to have brothers and sisters "put out of the picture", but even in these primitive times, the murder of innocent children was a taboo.
Sir Thomas More, “The History of King Richard III” in Richard III A Source Book, Keith
“I am determined to prove a villain / and hate the idle pleasures of these days. / Plots have I laid, inductions dangerous, / by drunken prophecies, libels and dreams.” Richard III, the evil Duke of Gloucester, is fighting a bloody road to the crown in Shakespeare's dramatic play. Stopped by nothing and with brilliant intelligence, Richard fights his way to the king’s position, clothing his villany with “old odd ends stolen out of holy writ.” With no one to fully trust, Richard breaks many hearts by killing all people in his way, and becomes the unstoppable villain. He hides behind a shield of kindness and care, but when he is alone, his real soul comes alive. Sending murderers, or killing people himself, he has no mercy. Manipulating Lady Anne to marry him and promising Buckingham rewards for his deeds, he knows what he is doing, and won’t stop until the crown lies at his feet.
It is not terribly odd to see directors adapt Shakespearian plays to a different era. In fact, contemporary elements in films like Baz Luhrmann’s Romeo and Juliet and the most recent Much Ado About Nothing by Joss Whedon have definitely bring valuable new readings to the text. Embracing this trend, Richard III (1995) by Richard Loncraine shifts its background to 1930s Britain. Starring Ian McKellen as Richard, the movie makes an undeniable connection to Nazi Germany; very details include costume design, set and prop, and cinematography choices all closely relate Richard to Hitler, an equivalent villain from modern history. The choice of blending Hitler into Richard puts viewers now into the shoes of audience from Shakespeare’s time to better understand Richard’s evil; although Richard III is quite ancient, Hitler is still a new scar.
The undeniable pursuit for power is Richard’s flaw as a Vice character. This aspect is demonstrated in Shakespeare’s play King Richard III through the actions Richard portrays in an attempt to take the throne, allowing the audience to perceive this as an abhorrent transgression against the divine order. The deformity of Richards arm and back also symbolically imply a sense of villainy through Shakespeare’s context. In one of Richard’s soliloquies, he states how ‘thus like the formal Vice Iniquity/ I moralize two meanings in one word’. Through the use of immoral jargons, Shakespeare emphasises Richard’s tenacity to attain a sense of power. However, Richard’s personal struggle with power causes him to become paranoid and demanding, as demonstrated through the use of modality ‘I wish’ in ‘I wish the bastards dead’. This act thus becomes heavily discordant to the accepted great chain of being and conveys Richard’s consumption by power.
This contributes to a very villainous role. Richard begins his journey to the throne. He manipulates Lady Anne. into marrying him, even though she knows that he murdered her first. husband.
Shakespeare Richard III was a traitor, a murderer, a tyrant, and a hypocrite. The leading characteristics of his mind are scorn, sarcasm, and an overwhelming contempt. It appears that the contempt for his victims rather than active hatred or cruelty was the motive for murdering them. Upon meeting him he sounds the keynote to his whole character. " I, that am curtailed of this proportion, cheated of feature by dissembling nature, Deform'd, unfinish'd sent before my time Into this word scarce half made up"( 1.1.20-23)
Shakespeare constructs King Richard III to perform his contextual agenda, or to perpetrate political propaganda in the light of a historical power struggle, mirroring the political concerns of his era through his adaptation and selection of source material. Shakespeare’s influences include Thomas More’s The History of King Richard the Third, both constructing a certain historical perspective of the play. The negative perspective of Richard III’s character is a perpetuation of established Tudor history, where Vergil constructed a history intermixed with Tudor history, and More’s connection to John Morton affected the villainous image of the tyrannous king. This negative image is accentuated through the antithesis of Richards treachery in juxtaposition of Richmond’s devotion, exemplified in the parallelism of ‘God and Saint George! Richmond and victory.’ The need to legitimize Elizabeth’s reign influenced Shakespeare’s portra...
Casting a darkly mythical aura around Richard III, supernatural elements are intrinsic to this Shakespearean history play. The prophetic dreams of Clarence and Stanley blur the line between dream and reality, serving to foreshadow impending doom. The ghosts that appear before Richard III and Richmond before their battle create an atmosphere of dread and suspense, and they also herald Richard's destiny. The curses of three female royalties are fulfilled at the end, serving as reminders that the divine powers are stronger than Richard's malice. Together, the supernatural elements of dreams, ghosts, and curses unify the plot of Richard III and allow the divine to triumph over evil.
There is a lot of speculation about rather Richard did it or not. There is more evidence supporting Richard. Some scholars
Compare the behavior and reactions of Richard, Anne and Elizabeth in Act One Scene Two and Act Four Scene Four.
"What tongue speaks my right drawn sword may prove" is the sentence which concludes a short speech delivered by Henry Bolingbroke to King Richard II (1.1.6). These words are but the first demonstration of the marked difference between the above-mentioned characters in The Tragedy of Richard II. The line presents a man intent on action, a foil to the title character, a man of words.