Hindustani Classical Music

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Hindustani Classical Music

“Music gives a soul to Universe, wings to the mind, flight to the imagination and life to everything.”
– Plato.

The world will lose its meaning in the absence of music. There is a vast treasure trove of music exists in the world. Out of all the harmony and melodious kind of music, Hindustani Classical one has always fascinated me with its essence and beauty.
However, the roots of music in ancient India are found in the holy scriptures of Hindus, the Vedas. According to Hindu mythology, music originated from the very sound of “Om.” The Indian classical music is a genre of South Asian Music. However, it has historically adopted and evolved with many regional styles, it has two major traditions. That is where in the midst of all this tunefulness,Hindustani Classical Music comes into being. It is also known as North Indian style of Indian classical music as it is indigenous to North. It somehow traces its origin from the 12th century CE.
Raga is the beauty and tala is the enhancer of this beauty. Raga relates to the melody. It is the euphonic foundation to the system. The melodic mode or raga is sung to a rhythmic cycle or tala. The whole rhythmic organization is based on the various kinds of rhythmic patterns. A raga consists of these basic seven notes. They are the crux making the whole musical pattern revolve around their periphery. Any composition or any piece of music will be sung depending on these seven notes. They are Sa (Shadhaj), Re (Rishabh), Ga (Gandhar), Ma (Madhyam), Pa (Pancham), Dha (Dhaivat), Ni (Nishad). It repeats at the octave. Out of these seven notes only Sa and Pa are constants and the rest have their major and minor tones too. This further leads to innumerable and uncountable combinations. These notes being the most important has a huge significance in the whole raga system. They are the developers in the

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