Hierarchy In Hamlet

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In Shakespeare’s Hamlet, the role of hierarchy is supported but also challenged. The writing in his play reflects the stereotypes of the roles of both men and women, especially because the play is written by a man. Shakespeare brings into action the undermining roles men play towards women, while giving nothing but judgement to the women characters. The play is written in a culture dominated by men, allowing the lack of women representation to be even more apparent. The dialogue and actions of the play, too, are written through the point of view of a male and not that of a female. Through the feminist theory, Shakespeare brings into question the way men treat women in dramatic English playwriting.The feminist theory, according to theorist Helene …show more content…

He contributes to her madness, another factor leading to her tragic death. Laertes refers to his sister as a “document in madness” (IV. v. 176), categorizing her as a clear example of someone gone mad. After an interaction between Ophelia and Hamlet, she confides in her brother about her lover potentially opening the chastity chest. She contains many emotions regarding the action and her brother now views her as impure. Her brother worries she may have lost her purity and wholeness. Ophelia’s potential loss of purity saddens Laertes because she has lost value by no longer being a virgin and his control over her transfers to another man. This idea related to that of Mary Wollstonecraft, and the female representation in Hamlet subjects them to men and keeps them away from having any sort of …show more content…

Male characters sexualize the female characters to fulfill their own sexual desires and possessive and dominant members in society. They are constantly sexualized and degraded through speech and action, while denied rights to speak, act, and think for themselves. Men view women as nothing more than objects at their disposal, for their pleasure, and their success. According to Cixous, male writing, one such as Shakespeare’s, “has been run by libidinal and cultural - hence political, typically masculine-economy; that it is a locus where the repression of women has been perpetuated, over and over, more or less consciously, and in a manner that’s frightening since it’s often hidden and adorn” (T&C 1945). By this, she means male writers inaccurately portray women across their works because they cannot ever be inside the mind of a woman. Therefore, in order to accurately portray women in writing and more specifically theatre, female writers must produce an honest

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