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Salem witch trials colonial america
Historiography of salem witch trials
Historiography of salem witch trials
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Hidden Victims
I pass that hill everyday. I drive along its large base, turning near its northern slope. The marker sits low on the hill, barely noticeable except when the rays of sun hit it that certain way and a long dark shadow is cast across the grass. The small brass plate sits firmly planted atop the cold granite boulder. The blood has long since dried. The cries and screams are silent. The small pine booth sits at the base of the hill, full of information packets and maps concerning the events that took place there long ago. February of 1675 remains flat and echoless upon the pages of our town’s record books. Textbooks may touch on it briefly, if at all;
The war lasted only about fourteen months; and yet the towns of Brookfield, Lancaster, Marlborough, Medfield, Sudbury, Groton, Deerfield, Hatfield, Hadley, Northfield, Springfield, Weymouth, Chelmsford, Andover, Scituate, Bridgewater, and several other places were wholly or partially destroyed, and many of the inhabitants were massacred or carried into captivity. (Hudson)
Some historians have called it the “deadliest war in our history." Whose history is it though? Who caused it and how? All these questions have all their answers hidden away in dusty books on old wooden shelves. Undiscovered secrets; stories not told. The preserved colonist view is all that enters our textbooks, the view that we were the sole victims, we are the victors over the heathen savages. Victims are hidden.
Relations were peaceful. Massasoit, the noble leader of the Wampanoag Indians, was curious and friendly to these new visitors. Thanksgiving was shared mutually with these new inhabitants. The two cultures existed peacefully, and some assimilation occurred. No anger existed between the two worlds. He did his best to keep his mind and the minds of his people open, ensuring that the visitors would be safe from harm. A descendant of the Wampanoag tribe described Massaoit’s generosity and genuine curiosity.
When the first English came, Phillip’s father was a great man, and the English as a little child; he prevent other Indians from wronging them, gave them corn and showed them how to plant it…(Hubbard 275).
The proud leader even allowed his two sons to have English names in addition to their Indian ones. Existence seemed promising for each world, exchanging knowledge and goods.
The parade marches by, men and women dressed in colonial costume. Men walk by with painted faces and leather moccasins.
Indian Givers How the Indians of the Americas transformed the world. This paper tries to explain Jack Weatherford's Indian Givers by examining the history of the Native American connection to many agricultural products that would not have been produced without the knowledge that Indians gave. Weatherford further stipulates that it is through these advances in agriculture that the United States has remained a strong contender in the global market, that without the influences of the Native Americans on the early settlers those early immigrants to America would not have survived. Through his work, "Indian Givers: How Indians of the Americas Transformed the World", Weatherford brings an insight to a people that most individuals have neglected to consider. The paper concludes that it is Weatherford's purpose to demonstrate that Native Americans have been a misrepresented and forgotten people when the history of North America is discussed.
The Institute of Medicine (IOM) reported in 1999 that between 44,000 and 98,000 people die each year in the United States due to a preventable medical error. A report written by the National Quality Forum (NQF) found that over a decade after the IOM report the prevalence of medical errors remains very high (2010). In fact a study done by the Hearst Corporation found that the number of deaths due to medical error and post surgical infections has increased since the IOM first highlighted the problem and recommended actions to reduce the number of events (Dyess, 2009).
Of Plymouth Plantation by William Bradford and A Description of New England by John Smith are essentially irrelevant to one another in the way that each piece has a very different point of view. The author John Smith was a pilgrim who arrived in the Americas and wrote a description of the new land. William Bradford was also a pilgrim who arrived at Plymouth and wrote more about the realities of his personal journey. The purpose of this essay is to contrast the purposes of the writers, their intended audiences, and how each writer gives out a specific feeling.
Walker, Mark. "The Ludlow Massacre: Class, Warfare, and Historical Memory in Southern Colorado." Historical Archaeology. 37.3 (2003): 66-80. Print.
According to RAINN, (2009) approximately 10 per cent of all victims of sexual assault and abuse are adult and juvenile males. In terms of the nature of assault, real figures include a compendium of reported incidents ranging from unwanted sexual touching to forced penetration. To qualify this statement, it must be understood that the percentage does not reflect a vast number of crimes that go unreported due to issues that will be discussed in the present paper.
The main victims of genocide during the Holocaust were the Jewish; however, they were not the only ones. Gypsies, also known as the Roma, also made up a large portion of the casualties that occurred in concentration camps. This innocent group of people, who move from place to place, who listened to different music and had different morals and beliefs, were also victims of the mass genocide led by Adolf Hitler. They were targeted and seen as “unhygienic, antisocial nuisances” (Tarr) and were a threat to the Nazis’ ideal German society. And since the Nazis thought they must do something about the Gypsies, this is what they did, all starting in 1899 (Rosenburg): they pinned each gypsy down by making identification papers for each individual, categorizing them by hair and eye color and cranium size, fingerprinted each person, made family trees of the gypsy families, then forced them into settling permanently into flats causing them to sell their caravans and belongings, forcibly sterilizing some individuals, and eventually sending them to concentration camps and murdering them.
Magical realism was demonstrated in stories created by authors like Gabriel Garcia Marquez in “A Very Old Man with Enormous Wings.” which appeared in 1972 volume “The Incredible and Sad Tale of Innocent Eréndira and Her Heartless Grandmother”. Marquez used aspects from the real world with the mythical concept of an angel. “García Márquez and his fellow members of “el boom” in Latin-American fiction came to maturity, the reemergence of the fantastic heritage in fiction seemed nearly as revolutionary as the region’s politics,”(Goia). In A Very Old Man with Enormous Wings a, couple find an angel with human traits in their yard. The whole community uses him as a distraction or tries to prove that he is a fraud. Eventually, the people get bored of him and the angel waits until he is healed and leaves. The magical realist tale consists of the symbolism of people not appreciating what they have show a comparison of the angel with Marquez, and there are many forms of irony centered to what the angel is throughout the story.
Taylor, Alan American Colonies: The Settling of North America, New York, NY: Penguin Group, 2001. pg. 1685-1730
Giants and Angels roam the pages of Gabriel Garcia Marquez’s stories, “A Very Old Man With Enormous Wings”, and “The Handsomest Drowned Man In The World”, creating the perfect scene for magical realism. Many of the elements within these stories coincide with each other; this has everything to do with the overall component of magical realism, which binds together similarities and sets apart differences. The theme of each story can be found within the other and can stand by itself to represent the story it belongs to, the settings are similar in location and the ability to change but different in their downsides and the writing style is so similar it is complicated to find any differences. Marquez is a master story-teller whose works of art can only be compared with each other.
In “A Narrative of the Captivity and Restoration of Mrs. Mary Rowlandson,” Mary Rowlandson, a Puritan mother from Lancaster, Massachusetts, recounts the invasion of her town by Indians in 1676 during “King Philip’s War,” when the Indians attempted to regain their tribal lands. She describes the period of time where she is held under captivity by the Indians, and the dire circumstances under which she lives. During these terrible weeks, Mary Rowlandson deals with the death of her youngest child, the absence of her Christian family and friends, the terrible conditions that she must survive, and her struggle to maintain her faith in God. She also learns how to cope with the Indians amongst whom she lives, which causes her attitude towards them to undergo several changes. At first, she is utterly appalled by their lifestyle and actions, but as time passes she grows dependent upon them, and by the end of her captivity, she almost admires their ability to survive the harshest times with a very minimal amount of possessions and resources. Despite her growing awe of the Indian lifestyle, her attitude towards them always maintains a view that they are the “enemy.”
Gabriel García Márquez, 1982 Nobel Laureate, is well known for using el realismo magical, magical realism, in his novels and short stories. In García Márquez’s cuento “Un Señor Muy Viejo con Alas Enormes,” García Márquez tactfully conflates fairytale and folklore with el realismo magical. García Márquez couples his mastery of magical realism with satire to construct a comprehensive narrative that unites the supernatural with the mundane. García Márquez’s not only criticizes the Catholic Church and the fickleness of human nature, but he also subliminally relates his themes—suffering is impartial, religion is faulty by practice, and filial piety—through the third-person omniscient narration of “Un Señor Muy Viejo con Alas Enormes.” In addition to García Márquez’s narrative style, the author employs the use of literary devices such as irony, anthropomorphism, and a melancholic tone to condense his narrative into a common plane. García Márquez’s narrative style and techniques combine to create a linear plot that connects holy with homely.
Leal, Luis. "Magical Realism in Spanish American Literature". Magical Realism Theory, History, Community. Ed. Lois Parkison Zamora and Wendy B. Faris. Durham Duke U.P., 1995. 119-124.
Style: The typical Magical- Realistic story of García Márquez placed in a familiar environment where supernatural things take place as if they were everyday occurrences. Main use of long and simple sentences with quite a lot of detail. "There were only a few faded hairs left on his bald skull and very few teeth in his mouth, and his pitiful condition of a drenched great-grandfather took away and sense of grandeur he might have had" (589).
Flores, Angel. "Magical Realism in Spanish American Fiction." Magical Realism. Theory, History, Community. Ed. Lois Parkinson Zamora and Wendy B. Faris. Durham, N.C.: Duke UP, 1995: 109-116.
Gabriel García Márquez, influential writer and journalist encapsulated the essence of Latin America as one of the most prolific writers of the twentieth century. García Márquez was highly recognized for his love of storytelling conceiving a balance of folktale, historical, and mythical accounts. Recognized as one of the best-known Latin American fiction writers in history, García Márquez was instrumental in the rising popularity of Latin American literature. With an intricate meshing of realism and imagination García Márquez captured the fascination of both ordinary readers and literary critics.