In Sophie Treadwell’s Machinal, Helen she starts having frantic monologues every time she must make a decision for herself. In the play, it seems like all she wants in to be free and independent, but every time she is given the chance, she starts to have frantic monologues and can’t handle the pressure. Although some people think Helen is insane, I feel the play portrays Helen as someone can’t handle pressure and having to make her own decisions. In Episode One, Helen says she likes to walk to work because she does not like the crowded subway. Helen flinches whenever Mr. Jones, her boss, tries to touch her. Helen claims that she flinches and says its “Just his hands.” (586). She also gets proposed to by Mr. Jones, but she does not like him because “his …show more content…
She allows her mother to control her and make decisions for her. During their conversation, she asks her mom if she should marry Mr. Jones even if she does not love him. Her mother does not seem to care until Helen mentions that he is Vice-President of the company. Her mother says that she should marry him whether she loves him or not because he will be able to take care of her and Helen. They continue to discuss how Helen can marry this man that she doesn’t like so she will never have to work again and he can support her mother, or she can say no at the risk of losing her job and not being able to support her mother anymore. Helen ties in how life is making her “feel like I’m stifling!” (591). Again, I feel this is another representation of Helen not being able to handle the pressures of society. Helen can’t talk about important decisions she has to make without feeling claustrophobic and blowing up by saying things like “I’ll kill you!” (592). I think she blows up because her mother is always nagging her and she can’t handle it in that moment anymore, especially since it is a conversation about
First of all, Helen is obviously a high achiever. She is the manager of a bank, so she is quite successful in her career. She also has a fairly large house, which also shows that she is quite successful. She also wants to children to be successful, which is shown with Julie. Helen wants Julie to focus on school, and also do well on her SAT so that she will go to university.
Helen is a disgruntled housewife, she doesn’t support Harry in his plans to create a safe haven inside of the cellar. When Harry attempts to set a plan in motion, she seems to be against him and proceeds to scold him. The scenario of Karen, their daughter being ill, may have contributed to her attitude towards Harry. Unable to come to a unanimous decision on the appropriate approach to handle Karen’s illness and as well as the ongoing crisis around them, they foster a bitter attitude towards one another. According to the authors Thomas N. Bradbury and Frank D. Fincham there is a reason for that. It states that… “One explanation for this apparent gender difference is that, compared to husbands' attributions, wives' attributions are rooted more firmly in the events and circumstances of the marriage. If wives' attributions are indeed more accurate or well developed representations of partner behaviors, then their attributions will be linked more closely to the behaviors they display in interaction when discussing some of those partner behaviors.”(Bradbury and Fincham 574). All things considered, Helen’s and Harry’s portrayal cast their marriage under the ‘dysfunctional marriage’ category.
The wife lived in denial, trying to live the life of a perfect person unaffected by what had happened to her son Buck. A certain image had to be upheld and everything else was secondary. Even the love for her husband was not as perfect as it was shown..She tries to keep these feelings and memories of her lost son buried deep inside her. She finds it very difficult to show any emotion concerning the fact that one of her sons is never coming back. She tried to portray an image of things being just perfect. Her portrayal includes not wanting to discuss anything that may upset her, she is always walking away from the conversation. It seems as though she does it in every scene. The scene that caught my attention the most was at the end, when she walked away from Calvin after he said he wasn’t sure if he still loved her. That is a pretty powerful statement, and you would think she would want to know why. I’m sure she did, she just didn’t know how to discuss it. So par for the course, she walked away, with something else she will have to tuck away for the rest of her life.
Helen strives to live a Christian lifestyle despite the difficulties in her life. She is continually punished by her teacher, Miss Scatcherd. Helen is publicly insulted by her “Burns, you poke your chin most unpleasantly; draw it in” (Brontë 64) she continues to critique everything Helen does, from the way she stands to how she holds her head. Helen is physically punished for not washing properly when the water was frozen that morning. Helen continues to exemplify a Christian moral b...
The narrator makes comments and observations that demonstrate her will to overcome the oppression of the male dominant society. The conflict between her views and those of the society can be seen in the way she interacts physically, mentally, and emotionally with the three most prominent aspects of her life: her husband, John, the yellow wallpaper in her room, and her illness, "temporary nervous depression. " In the end, her illness becomes a method of coping with the injustices forced upon her as a woman. As the reader delves into the narrative, a progression can be seen from the normality the narrator displays early in the passage, to the insanity she demonstrates near the conclusion.
In Helen’s therapy session, she describe being discontent with her life. She specifically identifies her marriage as an area where she is not happy. Furthermore, Helen’s “top dog” is telling her that she must always play the role of a good worker and wife, otherwise calamity is bound. Her polarized belief is displayed when she says that “people will not make it if you are not where you said you would be” (MyLab, n.d). Additionally, the defense mechanism Helen is portraying is introjection, which is uncritically accepting beliefs of others, because she avoids taking responsibility for her own self. Lastly, Helen reports that change will be difficult, placing her in the impasses layer of neurosis, characterized by feeling trapped (MyLab,
"A View From A Bridge" is a play by Arthur Miller. It is set in 1950s
This scene really gives a visualization of Annie and Helen’s competitive relationship and with competition you are highly assertive and uncooperative. Having an entire relationship that is uncooperative but at the same time assertive is the definition of a really rough relationship and it definitely won’t last long. Relationships need balance and Annie’s relationship with Helen is solely negative with no positive to gain and when you are faced with that much negativity it will impact your self-concept as well as how you are views by
There are multiple possible causes for the internal conflict the narrator faces. The first being nervous depression and the other is the fact that her life is being controlled by her husband. Her husband is in full control because in the beginning of the story, John, her husband, influences how she should act. He decides the actions that should be taken in regards to her health and sanctity. Although she finds herself disagreeing with his synopsis, she is confined and does not admit how she feels to him. This also brings about another a major conflict that occurred in the 19th century, men being dominant and woman being categorized as inferior. Evidence can be found when the narrator states, “If a physician of high standing, and one’s own husband assures friends and relatives that there is nothing the matter with o...
Helen grew up with her parents' passive parenting style because her parents have a pity for her. Helen can do whatever she wants because her parents do not want to deal with her tantrum, and they did not know how to explain to her what is right or wrong. It is easy to feel a pity for Helen but is very hard to give her what really she needs.
Mrs. Jones’ challenge is when Roger tries to steal her pocketbook. This struggle is displayed in the third sentence of the first paragraph “...when a boy ran up behind her and tried to snatch her purse.” This is the first time Roger and Mrs. Jones interact and this event initiates the rest of the events in the story. She reacts to this situation at first by defending herself and her belongings, this is stated in paragraph 1, which states “The large woman simply turned around and kicked him right square in his blue-jeaned sitter. Then she reached down, picked the boy up by his shirt front, and shook him until his teeth rattled.” However, Mrs. Jones treats Roger kindly by bringing him into her kitchenette and letting him get replenished. Examples of these actions are in sentences and dialogue like “Then, Roger, you go to that sink and wash your face,” said the woman…”, “You gonna take me to jail?” asked the boy, bending over the sink. “Not with that face, I would
Throughout the story, the protagonist states her intentions to herself, but then does not act upon them because of her husband. This is further shown when she speaks of her husband and her brother, who "is also of higher standing," (Gilman 317) showing the high ranking of men in society. They keep her from doing the things she wants because they believe it is best for her to rest. She disagrees with the adage. " Personally, I believe that congenial work, with excitement and change, would do me good" (Gilman 317).
Helen’s early life was very much shaped by her loss and abandonment. The greatest loss Helen experienced was the death of her parents. As she was orphaned by the age of six, it left her with great grief, darkened childhood memories and bewilderment of where she truly belonged. She eventually found her position as a labourer in her uncle’s house. After working on her uncle’s farm for two years and being denied an opportunity for education, she faced the most significant abandonment in her life: being turned
Most women in Mrs Mallard’s situation were expected to be upset at the news of her husbands death, and they would worry more about her heart trouble, since the news could worsen her condition. However, her reaction is very different. At first she gets emotional and cries in front of her sister and her husbands friend, Richard. A little after, Mrs. Mallard finally sees an opportunity of freedom from her husbands death. She is crying in her bedroom, but then she starts to think of the freedom that she now has in her hands. “When she abandoned herse...
Now that we have a little background on the author, we can take a closer look at the actual work and its characters. The two main characters of the story a narrator and her husband, John, and the story takes place in the 19th century. Life for the two is like most other marriages in this time frame, only the narrator is not like most other wives. She has this inner desire to be free from the societal roles that confine her and to focus on her writing, while John in content with his life and thinks that his wife overreacts to everything. Traditionally, in this era, the man was responsible for taking care of the woman both financially and emotionally, while the woman was solely responsible for remaining at home. This w...