Literature can portray more than just a story. It can show the reader about a civilization’s ideals and people during different time periods. The literature of ancient Greece is no exception. In itself, literature cannot be seen as an accurate depiction of the past, but it can reveal the opinions of the writers. In Hecuba, it is significant that most of the central characters are women, who Euripides’ depicts as powerful. Through the comparison of Euripides’ depiction of women and men, he portrays his sympathy for women and therefore his radical views. During the time period in which Hecuba was written, women were not given many rights or seen with much power. This is evident through Euripides’ description of women from other characters …show more content…
Hecuba begs Agamemnon for his help, however he replies with short dismissive sentences and shows no interest in helping her. Finally, he agrees to help, but he makes it clear “if the army should set sail, [he] would not grant this favor. But as it is, the gods send no fair winds” (61). Proving that the only reason he is helping her is because he is stuck in Troy, not because he feels the need to. Odysseus is also shown as emotionless, although he is shown as courageous and cunning in the Odyssey. Hecuba saved Odysseus life once before, so she begs for her daughter’s life saved in return. Odysseus does not seem burdened, Hecuba then tries to seek sympathy since she has lost her husband and all her other children, yet Odysseus is still not concerned. He replies with “if you say, Pity me, I suffer, I answer, some of us are not less sorrow-struck—gray-haired women, old men, brides, too deprived of their highborn young husbands whose corpses rot covered by Troy’s dust” (39). Odysseus compares Hecuba’s struggles with all those who have lost loved ones in the battle. He justifies not helping her by arguing that everyone is struggling. Hecuba’s struggles are arguably more extreme, in the fact that she has lost her whole family, all 19 children and her …show more content…
Euripides’ incorporation of the chorus and Hecuba as a main character alone shows the power of women, not seen in other Greek literature of the time. The description of the murder of Polymestor’s sons and the gauging of Polymestor’s eyes is enough to prove the sadistic characterization of women in Hecuba. As Hecuba is gauging Polymestor’s eyes out, she says “smash on, hold nothing back, keep pounding. Your eyes will never again see light nor see alive the sons I’ve killed” (67). Hecuba seems to have no morals in this passage, but the reader knows the reason she is acting violently is because of the extreme suffering she has faced. After asking countless men for help and receiving nothing, being betrayed by a family friend, and losing her whole family, all of Hecuba’s rage is released on Polymestor. Euripides plays on this fact and instills sympathy in his depiction of
Yet, despite the fact that no two women in this epic are alike, each—through her vices or virtues—helps to delineate the role of the ideal woman. Below, we will show the importance of Circe, Calypso, Nausicaa, Clytaemestra, and Penelope in terms of the movement of the narrative and in defining social roles for the Ancient Greeks. Before we delve into the traits of individual characters, it is important to understand certain assumptions about women that prevailed in the Homeric Age. By modern standards, the Ancient Greeks would be considered a rabidly misogynistic culture. Indeed, the notoriously sour Boetian playwright Hesiod-- who wrote about fifty years before Homer-- proclaimed "Zeus who thunders on high made women to be evil to mortal men, with a nature to do evil (Theogony 600).
The ancient Greeks have brought upon numerous ideas, inventions, and stories to the world. Greek mythology influences modern day literature and life. The Odyssey is an epic poem written by Homer, which tells the story of Odysseus's journey home after the Trojan War. Odysseus does not achieve his goal of reaching home so easily; monsters and gods come in his way and hinder him. The Odyssey expresses Greek values of hospitality from the customs of Ithaca, humility from Odysseus’s reform, and loyalty from Odysseus’s family.
The Odyssey is a tale that has changed literature and storytelling. In this tale Odysseus is a Soldier from the battle of Troy trying to get home to his island of Ithaca, where he is king. His wife and son must wait ten years while he is trying to make his way home. In Odysseus’s absence wooer’s, or better known as suitors, learn of his absence and travel to Ithaca to win his wife’s hand in marriage. These men come every day feasting on Odysseus’s food and wine, and give his servant’s orders. His son Telemachus, does his best to keep the suitors from ruining his fathers house but he is only a boy, and doesn’t receive the respect of an adult. Telemachus then has a visit from the god Athena, whom Odysseus is friends with, who advises him to travel to find out about his father. In his travels he hears that Odysseus may still be alive. Meanwhile Odysseus goes through a series of adventures and hardships that prove his wisdom. It is interesting in contrast of the Iliad, even though Achilles was much stronger and a better warrior, Odysseus was portrayed as a greater hero due to his wisdom. He uses this wisdom to escape from the Cyclops.
The book then talks about viewpoints of women, both real and those who face tragedy. Women during this time were very secluded and silent, but the heroines contradicted that. This chapter talks about the images of women in the classical literature in Athens, and the role they had in society. Many tragedies were ones that formed by mythes during the Bronze Age. It showed the separation in what made women heroic, rather than average. While viewing other Scholarly sourcese, Pomerory writes her own theory, she used others
Homer’s poem The Odyssey depicts the tendency of people to ignore the consequences of their actions. Odysseus punished Penelope’s suitors without thinking of consequences that he would have to endure. He did not acknowledge the consequences because that would prevent him from doing what he wants to do. Odysseus wanted to kill the suitors; they ate away at his fortune. Finding consequences for murdering the suitors would force Odysseus to realize what he is about to do is not a good idea. Odysseus chose to ignore the consequences and killed the suitors anyway. Odysseus had absolutely no reason to kill the suitors; they had the right to stay in his home because Penelope made them feel welcome, Penelope and Telemachus both told them that Odysseus was dead, and although Telemachus told them to leave, he did not have the right to do so.
Socrates, a Greek philosopher stated, "Look death in the face with joyful hope, and consider this a lasting truth: the righteous man has nothing to fear, neither in life, nor in death, and the Gods will not forsake him” (Socrates). This explains the basis for Greek beliefs that can be carried over to values and qualities of them. As in this, Homer, the author of The Odyssey, portrays many Greek values that make up a righteous man or as, Homer’s character Odysseus, an epic hero. The Odyssey is the story of King Odysseus' return from the Trojan War to his kingdom of Ithaca. Stories, like The Odyssey, are told with the intent of delivering a message that was important to their culture. Through characters and situations, The Odyssey promotes and emphasizes many important ancient Greek values such as hospitality, pride, and fate.
Williamson, Margaret. "A Woman's Place in Euripides' Medea." in Powell, Anton, ed. Euripides, Women, and Sexuality. London: Routledge, 1990. 16-31.
Homer compares the crying Odysseus to a woman who weeps for her husband who died in battle. The weeping woman is described in a very dramatic scene in order to reflect the intensity of the sorrow that Odysseus is experiencing. The “woman weeps, flinging herself across the fallen body of her dear husband.” As she is “clinging to him, [she] wails,” and then “the enemies behind her strike her back and shoulders, then they carry her away to slavery and trials and misery.” The woman goes through a great deal of hardship, which explains why “her cheeks are wasted with pain.” Not only does her husband die, but the enemies strike her with their spears and take her away to suffer more. By comparing Odysseus’s crying to the woman weeping in this intense scene of misery, Homer is able to show the reader the degree of sorrow that Odysseus is feeling.
Euripides shows his views on female power through Medea. As a writer of the marginalized in society, Medea is the prime example of minorities of the age. She is a single mother, with 2 illegitimate children, in a foreign place. Despite all these disadvantages, Medea is the cleverest character in the story. Medea is a warning to the consequences that follow when society underestimates the
"Power and Women in Lysistrata: Character Analysis of Lysistrata." Article Myriad. Web. 25 Mar. 2011. .
In today’s society, women have overcome many hardships to become able to vote, able to run for public office, and even able to hold high business positions. Some people believe that such accomplishments are because of literary examples that have, over the years, lead women to believe in themselves, motivate them-selves, and stand up for themselves. In Aeschylus’ infamous Greek tragedy, The Oresteia, Clytaemestra, the leading woman, overcomes the Greek society’s slighting attitude towards women, grasping the most powerful position attain-able in Argos. Even after gaining power, Clytaemestra clutches this leadership desperately, unrelenting in her hopes to keep it forever. Although Clytaemestra uses intellect, inner strength, and self-motivation to capture power, she does it evasively and by hurting others. Therefore, Clytaemestra is not a respectable woman role model.
In Greek society, the role of women was considered to be insignificant compared to the Greek men. The women had very few rights, no room to voice personal opinions, and a very bleak future with few options for a better life. According to Moses Hades, professor of Greek studies, women in ancient Greek plays are known to be the main characters and take the role of the villain, victim, or the heroine. In Euripides’ play Medea, Medea, the main character, plays all these roles. She represents the heroine by helping her husband secure the Golden Fleece prior to their marriage, and then portrays the victim by being betrayed by her husband, and finally the villain by murdering her loved ones. Therefore, Euripides follows the standard format for a Greek tragedy.
Medea and Lysistrata are two Greek literatures that depict the power which women are driven to achieve in an aim to defy gender inequality. In The Medea, Medea is battling against her husband Jason whom she hates. On the other hand, in Aristophanes' Lysistrata, the protagonist Lysistrata plotted to convince and organize the female gender to protest against the stubbornness of men. In terms of defining the purpose of these two literatures, it is apparent that Euripedes and Aristophanes created characters that demonstrate resistance against the domination of men in the society.
Women were often subjects of intense focus in ancient literary works. In Sarah Pomeroy’s introduction of her text Goddesses, Whores, Wives, and Slaves, she writes, “Women pervade nearly every genre of classical literature, yet often the bias of the author distorts the information” (x). It is evident in literature that the social roles of women were more restricted than the roles of men. And since the majority of early literature was written by men, misogyny tends to taint much of it. The female characters are usually given negative traits of deception, temptation, selfishness, and seduction. Women were controlled, contained, and exploited. In early literature, women are seen as objects of possession, forces deadly to men, cunning, passive, shameful, and often less honorable than men. Literature reflects the societal beliefs and attitudes of an era and the consistency of these beliefs and attitudes toward women and the roles women play has endured through the centuries in literature. Women begin at a disadvantage according to these societal definitions. In a world run by competing men, women were viewed as property—prizes of contests, booty of battle and the more power men had over these possessions the more prestigious the man. When reading ancient literature one finds that women are often not only prizes, but they were responsible for luring or seducing men into damnation by using their feminine traits.
Women’s lives are represented by the roles they either choose or have imposed on them. This is evident in the play Medea by Euripides through the characters of Medea and the nurse. During the time period which Medea is set women have very limited social power and no political power at all, although a women’s maternal and domestic power was respected in the privacy of the home, “Our lives depend on how his lordship feels”. The limited power these women were given is different to modern society yet roles are still imposed on women to conform and be a dutiful wife.