Heathcliff in Wuthering Heights by Emily Bronte
The central conflict in the novel "Wuthering Heights" written by Emily Bronte is Heathcliff. Heathcliff's internal conflicts affect how all of the other characters interrelate. Heathcliff throughout the book never does anything honorable or dignified. Heathcliff creates whirlwinds of problems by just being present, sometimes, by not even doing a thing. Heathcliff's problems not only the affect the Earnshaw's but also their neighbors Edgar & Isabella Linton.
Heathcliff comes to live with the Earnshaw's, which also includes their children Catherine and Hindley. As Graham Holderness states, "The 'gipsy brat' old Mr. Earnshaw brings home with him has neither name nor status, property nor possessions. He emerges from the darkness, which is the outside of the tightly-knit family system: an outsider who tests the family by introducing an alien element into a jealousy-guarded system of parental and filial relations, of inheritance and possession." (Holderness 30) Heathcliff wonders weather he is good enough for the Earnshaw's, if he will be able to be a part of the "tight-knit family system" that they had created. Heathcliff feels that he is unworthy of the affection that he so desperately needs. This creates conflict with the other members of the Earnshaw family.
Heathcliff's most important need is the need to be loved. Catherine is the only person who can do this for him. (Holderness 30) Catherine and Heathcliff's relationship is addictive. Debra Goodlett quotes Stanton Peele author of "Love and Addiction" which says that "An Addiction exists when a person's attachment to a sensation, an object, or another person is such as to lessen his appreciation of and ability to deal with...
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...ng Heights. He starts out trying to receive love and ends up creating love. He seems to change along the way throughout all of his internal and external conflicts.
Bibliography:
Bibliography
Benvenuto, Richard. Emily Bronte. Boston, Mass: Twayne Publishers, 1982.
Berg, Maggie. Wuthering Heights: The Writing in the Margin. New York, NY: Twayne Publishers, 1996.
Articles
*"Making the Territory Heathcliff, Edgar and Homosocial Desire"
Bronte, Emily Wuthering Heights. Harmondsworth: Penguin Books, 1975.
Leone, Bruno, ed. Wuthering Heights: Literary Companion Series. San Diego, CA: Greenhaven Press, 1999
Articles
*"Love and Addiction in Wuthering Heights" by Barbara Gates
*"Heathcliff is both Tyrant and Victim" by Graham Holderness
*"The theme of Haunting" by Rachel Trickett
*"Heathcliff's Monomania" by Graeme Tytler
Wuthering Heights went through its own transformation throughout the novel. Wuthering Heights is a good novel to show that everyone and everything has the ability to change. Almost every character’s appearance or personality is altered in some way.
Healthcliff- An adopted member of the Earnshaw family. As a child, he was sullen and
Heathcliff and Cathy have a sadistic relationship. They are only truly in love when they are hurting each other. As Catherine lay dying, she wants Heathcliff, her love, to join her in death. She pleads to him:
From the beginning of the novel and most likely from the beginning of Heathcliff's life, he has suffered pain and rejection. When Mr. Earnshaw brings him to Wuthering Heights, he is viewed as a thing rather than a child. Mrs. Earnshaw was ready to fling it out the doors, while Nelly put it on the landing of the stairs hoping that it would be gone the next day. Without having done anything to deserve rejection, Heathcliff is made to feel like an outsider. Following the death of Mr. Earnshaw, Heathcliff suffers cruel mistreatment at the hands of Hindley. In these tender years, he is deprived of love, friendship, and education, while the treatment from jealous Hindley is barbaric and disrupts his mental balance. He is separated from the family, reduced to the status of a servant, undergoes regular beatings and forcibly separated from his soul mate, Catherine. The personality that Heathcliff develops in his adulthood has been formed in response to these hardships of his childhood.
Heathcliff cried vehemently, "I cannot live without my life! I cannot live without my soul!" Emily Brontë distorts many common elements in Wuthering Heights to enhance the quality of her book. One of the distortions is Heathcliff's undying love for Catherine Earnshaw. Also, Brontë perverts the vindictive hatred that fills and runs Heathcliff's life after he loses Catherine. Finally, she prolongs death, making it even more distressing and insufferable.
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Shapiro, Arnold. “‘Wuthering Heights’ as a Victorian Novel.” Nineteenth Century Literary Criticism. Vol. 16. Eds. Joann Cerrito and Paul Kepos. Detroit: Gale Research, 1992. 108-110.
Heathcliff is obsessed with catherine. He's so obsessed with her that he as remind his heart to beat Heathcliff has obsessive checking. Repeated doubts, such as wondering if one has hurt another person; wondering if one locked the door. Brinkerhoff, 22. “I discovered the yell was not ideal.
Through self-centered and narcissistic characters, Emily Bronte’s classic novel, “Wuthering Heights” illustrates a deliberate and poetic understanding of what greed is. Encouraged by love, fear, and revenge, Catherine Earnshaw, Heathcliff, and Linton Heathcliff all commit a sin called selfishness.
In the novel Wuthering Heights by Emily Bronte, Heathcliff is an orphan boy brought to Wuthering Heights by Mr. Earnshaw, who has two children of his own already - Catherine and Hindley. Heathcliff changes over the course of his life by the following; Heathcliff begins by getting along well with Catherine Earnshaw, however, Catherine Earnshaw is introduced to Edgar Linton and Heathcliff becomes jealous of their forming relationship, and once Catherine has passed away after delivering Edgar’s child, Heathcliff becomes haunted by her ghost, and wishes to only be united with her in death.
Catherine Earnshaw is the daughter of Mr. Earnshaw and his wife; Catherine falls powerfully in love with Heathcliff, the orphan Mr. Earnshaw brings home from Liverpool. She was born at Wuthering Heights and was raised with her brother Hindley. Catherine loves Heathcliff so intensely that she claims they are the same person but does not marry him because Hindley has degraded him after their father's death so her desire for social advancement motivates her to marry Edgar Linton instead, a neighbour from Thrushcross Grange and he is handsome and rich, another reason for Catherine marrying him. She is quite passionate about Heathcliff though, and does not want to give him up. She becomes ill when Heathcliff and Edgar fight, and dies in childbirth.
Wuthering Heights is a novel which deviates from the standard of Victorian literature. The novels of the Victorian Era were often works of social criticism. They generally had a moral purpose and promoted ideals of love and brotherhood. Wuthering Heights is more of a Victorian Gothic novel; it contains passion, violence, and supernatural elements (Mitchell 119). The world of Wuthering Heights seems to be a world without morals. In Wuthering Heights, Brontë does not idealize love; she presents it realistically, with all its faults and merits. She shows that love is a powerful force which can be destructive or redemptive. Heathcliff has an all-consuming passion for Catherine. When she chooses to marry Edgar, his spurned love turns into a destructive force, motivating him to enact revenge and wreak misery. The power of Heathcliff’s destructive love is conquered by the influence of another kind of love. Young Cathy’s love for Hareton is a redemptive force. It is her love that brings an end to the reign of Heathcliff.
Wuthering Heights, written by Emily Bronte, has 323 pages. The genre of Wuthering Heights is realistic fiction, and it is a romantic novel. The book is available in the school library, but it was bought at Barnes and Nobles. The author’s purpose of writing Wuthering Heights is to describe a twisted and dark romance story. Thus, the author conveys the theme of one of life’s absolute truths: love is pain. In addition, the mood of the book is melancholy and tumultuous. Lastly, the single most important incident of the book is when Heathcliff arrives to Edgar Linton’s residence in the Granges unannounced to see Catherine’s state of health. Heathcliff’s single visit overwhelmed Catherine to the point of death.
Wuthering Heights. 1847. The. Ed. Richard J. Dunn, Ph.D. 4th ed.
During the first half of the book, Catherine showed different types of love for two different people. Her love for Heathcliff was her everything, it was her identity to love and live for Heathcliff but as soon as she found out how society views Heathcliff, she sacrificed their love and married Edgar Linton in the hopes of saving Heathcliff from Hindley and protecting him from the eyes of society. In her conversation with Nelly, Cathy who professed her love for Heathcliff quoted “My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning: my great thought in living is himself.” Catherine proved Nelly Dean that the only person who can make her feel pain and sorrow is Heathcliff. The extent of her love was uncovered when she sang her praise of “I am Heathcliff” because this was the turning point in the book that allowed the readers to truly understand and see the depth of Cathy's love for Heathcliff. On the other hand, Catherine's love for Edgar wasn't natural because it was a love that she taught herself to feel. It might have come unknowingly to Cathy but she did love Edgar as she said “My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees.” Cathy knew that it was not impossible to love Edgar for he was a sweet and kind gentleman who showed her the world but unlike ...