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Symbolism in heart of darkness essay
Character of Kurtz in heart of darkness
Character of Kurtz in heart of darkness
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“Knowing your own darkness is the best method for dealing with the darkness of other people.” (Jung) Recognizing and understanding the evil within ones self can make it easier to recognize why some have fallen blind to their own evil. This basic idea is a major principle and theme throughout Joseph Conrad’s novel, Heart of Darkness, and is something that beomes apparent in the entire book. This novel includes many more themes on the premise of mankind’s darkness when man is put into certain environments. In Conrad’s novel, Heart of Darkness, he uses the literary elements of symbolism, characterization, and setting to illustrate the theme that when humans are surrounded by darkness they can become blind to the truth.
Symbolism is a powerful
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Fitting the matter perfectly, The Russian is the ideal model of the stated theme. The Russian is a man that has probably changed the most after spending time in the Congo. Being a man that was reduced to becoming a “disciple” of Kurtz and worshipping him much like the native Africans did. After witnessing the amount of control and authority Kurtz had, his own morals become astray. Stating that “Kurtz has enlarged my mind,” (Conrad 37) he had become envious of Kurtz so much, his own covetousness grew to the point that he wanted to be Kurtz. Kurtz is also an exemplary example of losing sight when being enclosed by darkness. Kurtz can best be represented by three changes in character that led to his demise. Firstly, Kurtz starts as a normal—if ambitious—man who realizes that to thrive in the congo, he has to act and become a god. Secondly, his insatiable hunger for ivory drives him to madness. Thirdly, as his greed grows he begins to show less and less restraint, morality, and consciousness until he is no more than an animal. His madness is indicated by Marlow's statement, “the jungle has got into his veins, consumed his flesh." (Conrad 29) The Russian and Kurtz were flawless examples of denoting a theme by use of
Watts, Cedric. 'Heart of Darkness.' The Cambridge Companion to Joseph Conrad. Ed. J.H. Stape. Cambridge: Cambridge University Press, 1996. 45-62.
In Joseph Conrad's Heart of Darkness, symbolism is quite prevalently used to portray the development of the heart of darkness. Conrad used a variety of symbols, including characters, objects, and ideologies.
According to his Intended, Kurtz was an admired man who had a “generous heart” and a “noble mind” (Conrad, 70). However, after his expedition into Africa, he became a changed man; an “insoluble problem” (Conrad, 50). The new Kurtz “[kicks] the very earth to pieces” (Conrad, 61). “Let us say – nerves, [go] wrong, and [causes] him to preside at certain midnight dances ending with unspeakable rites” (Conrad, 45). He has dropped all sense and morality and continues to live on according to his various lusts.
Asking the right questions is indeed an art form . It is however an even bigger burden to try to answer from an analytical presepective these subjective questions which inspire answers and explanations to the ultimate “why” and “how” . As readers we are obligated to carry with us an open mind, an analytical eye and room for suggestive arguments when trying to dissect a piece of writing. Joseph Conrad's novella Heart of Darkness offers the perfect platform for interpretation. With a dozen shades of foggy gray's, the short story is begging for a set of eyes that can see it through. Without proceeding too far into the novella, one can draw out a great deal of analytical suggestions as to what the title itself implies. The word Darkness seems to be a consistent theme throughout the book. So much so, that the amount of weight it carries has given it a special place on the cover. Many critics have found common ground on deciphering the interpretation of the word .The concept of darkness could be respresenting evil. However, some significant subjective questions remain unaswered: Exaclty which character in the novella has fallen victim to this evil? Is it Conrad himself, Marlow, Kurtz or the natives? All of them? Are there different forms in which this evil can manifest itself? Is it talking about darkness in the literal or figurative sense? Would we be considered naïve if we thought evil could be contained or is darkness a necessary evil we all posses and an undeniable part of our reality?
Language is undoubtably one of mankind’s greatest inventions — a series of sounds and symbols that are capable of transferring thoughts from one mind to another. However, even language falters in the face of comprehensively communicating the human experience. Chronicling the journey of Charles Marlow, Heart of Darkness, authored by Joseph Conrad, explores both demonstratively and implicitly the inadequacy of language. The ambiguous nature of the novel has led many readers to try fruitlessly to bring its arguments into focus. His points really lie in the peripherals of the text, as part of the vagueness and misrepresentation of reality itself. By purposely being ambiguous, deceptive, and sometimes meaningless, Heart of Darkness ironically demonstrates language’s inability to convey truth and meaning and consequently its tendency to deceive.
As Marlow assists the reader in understanding the story he tells, many inversions and contrasts are utilized in order to increase apperception of the true meaning it holds. One of the most commonly occurring divergences is the un orthodox implications that light and dark embody. Conrad’s Heart of Darkness brims with paradoxes and symbolism throughout its entirety, with the intent of assisting the reader in comprehending the truth of not only human nature, but of the world.
The mind is a wonderful thing. It allows us to think on three very different levels. One we choose to express, one we don’t choose to express, and one we do not even know exists. All these stages of thinking are clouded over in Joseph Conrad’s The Heart of Darkness. Three menacing forces occur that completely take over the white man to act inappropriately. They accuse others of acting savage, when they violently act against people of other cultures. They conform to specific beliefs, and push aside their subconscious thoughts. These men also have an abundance of ignorance that makes them feel false superiority. The Heart of Darkness reaches into the minds of readers, to prove that all of civilization is surrounded by an abundance of forces that can fog our mind, and darken our hearts.
Because of his over bearing personality, the Africans begin to look to Kurtz as a sort of god, and he begins to work with the idea. Had this occurred in society, he would have been checked: “Kurtz, stop being so silly.” But! In the jungle no one is there to keep him within societal boundaries- and the immense power he has begins to take hold of him. Kurtz is folding further and further into himself. The perfect example of this is the pamphlet Kurtz wrote. It seems that, though his actions say differently, when he is in the act of writing- something he learned in the civilized world- he can still function. He can still perform the, what is considered a solely human, trait of consciously thinking about and considering his own actions. Even when he talks about the pamphlet- he knows he wrote something and that it was good and important. Finally however, he writes at the bottom, “exterminate the brutes,” and the old Kurtz is gone.
Heart of Darkness is a kind of little world unto itself. The reader of Conrad’s Heart of Darkness should take the time to consider this work from a psychological point of view. There are, after all, an awful lot of heads and skulls in the book, and Conrad goes out of his way to suggest that in some sense Marlow's journey is like a dream or a return to our primitive past--an exploration of the dark recesses of the human mind.
Every story has a plot, but not every story has a deeper meaning. When viewed superficially, Joseph Conrad's Heart of Darkness is a tragic tale of the white man's journey into the African jungle. When we peel away the layers, however, a different journey is revealed - we venture into the soul of man, complete with the warts as well as the wonderful. Conrad uses this theme of light and darkness to contrast the civilized European world with the savage African world in Heart of Darkness.
Conrad, Joseph. “Heart of Darkness.” Norton Anthology of British Literature. 7th Edition. Vol. B. Ed. M. H. Abrams, et. al. New York: W. W. Norton, 2001.
Beyond the shield of civilization and into the depths of a primitive, untamed frontier lies the true face of the human soul. It is in the midst of this savagery and unrelenting danger that mankind confronts the brooding nature of his inner self. Joseph Conrad’s novel, Heart of Darkness, is the story of one man's insight into life as he embarks on a voyage to the edges of the world. Here, he meets the bitter, yet enlightening forces that eventually shape his outlook on life and his own individuality. Conrad’s portrayal of the characters, setting, and symbols, allow the reader to reflect on the true nature of man.
Heart of Darkness by Joseph Conrad may be a narrative about colonisation, revealing its drawbacks and corruption, but it may also be understood as a journey into the depths of one’s psyche, if taken at a symbolic level.
The "Heart of Darkness," written by Joseph Conrad in 1899 as a short story, is about two men who face their own identities as what they consider to be civilized Europeans and the struggle to not to abandon their themselves and their morality once they venture into the "darkness." The use of "darkness" is in the book's title and in throughout the story and takes on a number of meanings that are not easily understood until the story progresses. As you read the story you realize that the meaning of "darkness" is not something that is constant but changes depending on the context it used.
The main character in Conrad's novel, Heart of Darkness, isKurtz. Kurtz no longer obeys the authority of his superiors who believe that he has become too extreme and has come to employ "unsound methods" (Coppola, 1979; Longman, 2000). Marlow is sent to retrieve Kurtz from the evil influences in the Congo, and a wild journey on a tainted river ensues. Along the way, Marlow learns about the real Kurtz and finds himself identifying with and becoming dangerously fond of the man.