Hamlet's Insane Character Analysis

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“Hamlet is obviously insane, don’t you think?” To quote Hamlet Act III, Scene III, Line 92, “No” (Shakespeare 3.3.92). Hamlet is far from “obviously insane”. In fact, Hamlet is far from “obviously anything”. He is one of the most dynamic characters in English literature. Hamlet cannot be understood by being read. People try to analyze Hamlet’s motives and actions, but they are missing out on a major part of Hamlet’s character: his physical embodiment. The lingering question that a reader is left with after reading Hamlet is if Hamlet is insane or not. But a reader could read and reread and still be left unsure, because it is impossible to tell. To make an accurate decision on the sanity of Hamlet, he must be brought to life on stage. Even then the sanity of the character fluctuates from performance to performance. In the first act of the play Hamlet decides he is going to act insane, because he is bothered by his mother, Gertrude, marrying his uncle, the King, after the death of his father. Hamlet says “Here, as before, never, so help you mercy, /How strange or odd some’er I beat myself /(As I perchance hereafter shall think meet /To put an antic disposition on)” …show more content…

Hamlet’s sanity cannot be determined by reading the play alone. Hamlet was written to be seen as a performance, with the characterizations of the characters changing with the performers. Marvin Rosenberg explains this concept in his essay, The Masks of Hamlet. Rosenberg describes Hamlet as a blank slate. Shakespeare created Hamlet to be a mold, and the actor playing him must decide how to fill that mold. He states, “There have been gentle Hamlets, fierce Hamlets, intellectual Hamlets, passionate Hamlets, sophisticated Hamlets, naïve Hamlets, melancholy Hamlets, spirited Hamlets, and more—each striving to integrate the widest possible range of notes into the character” (Rosenberg xi). Rosenberg discusses Hamlet’s characterization in depth with his discussion of Act III, Scene

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