Hamlet Pride And Wrath

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The seven deadly sins are very much alive in society today. Of these seven, the two most common are pride and wrath. In William Shakespeare’s play Hamlet, pride and wrath lead to the downfalls of some of the main characters. Pride is defined as a high or inordinate opinion of one's own dignity, importance, merit, or superiority, whether as cherished in the mind or as displayed in bearing, conduct, etc. (Fowler, F. G., H. W. Fowler, and R. E. Allen 1984). It has been said to be the sin from which all others arise. In Hamlet, Hamlet's excessive pride leads him to make crucial mistakes that contribute to his downfall.
From the beginning of the play, Hamlet believes he is superior to those around him, and that those around him are easily fooled by his words. For example, upon being questioned by his mother about why he still seems bothered by his father’s death, he tells her that he does not simply seem to be grieving, he is, and that his displays of grief cannot “denote [him] truly,” because “they are actions that a man might play,” while his sorrow is real (Shakespeare I.ii.76-86). This claim reveals Hamlet’s belief that his outward nature cannot reveal his inner one, and, as Skulsky notices, “gives no grounds for exempting other people’s mysteries from the same iron law” (Skulsky 477).
Despite Hamlet’s initial implication that it is humanly impossible to decipher another’s inner nature based on his or her external actions, it quickly becomes apparent that Hamlet feels that doing so is not outside of his ability. When his father’s ghost reveals that Claudius murdered Old Hamlet, Hamlet declares, “O my prophetic soul!” as if he knew, based on Claudius’ exterior, that Claudius killed Old Hamlet (Shakespeare I.v.40). A prophetic s...

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...portant since you do not have a strong bond with that person. Hamlet uses the advantages he has to create a mad persona of himself, which is believable, to gain his revenge on.
Though written decades ago, William Shakespeare’s Hamlet is still read, studied, and enjoyed by readers everywhere simply because it is still relevant. The seven deadly sins played a role throughout this play, particularly excessive pride and a thirst for wrath. But, these sins exist in the very same world the reader lives in, as examples throughout this paper have proven. Hamlet, who character in particular is extremely intelligent and also extremely prideful, has been designed to be dynamic, with conflicting feelings of cowardice and vengeance, of love and mistrust, and of pride and pity. This dynamic character was driven to his own downfall by his own excessive pride and need for revenge.

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