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Analysis of the musical Hamilton
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Recommended: Analysis of the musical Hamilton
Everyone has heard of the hit musical Hamilton and the ingenious strategy of casting people of color in the roles of our nation's, very white, founding fathers and mothers. The Deaf West Theatre Company’s version of Spring Awakening also addressed the need for social change by casting both hearing and deaf actors who used sign language to tell the story, as well as the first person to appear on Broadway in a wheelchair. Shows like Hamilton and Spring Awakening illustrate how far we have come in making the already diverse theatre community an accurate representation of the diversity of America today.
I feel strongly that the importance of representation onstage is critical to the mission of broadening the types of people that can be influenced
In this essay Mura expresses his anger towards the Broadway production Miss Saigon. Mura “protest . . . [actor equality] against the producer’s casting . . . [Mura] felt disturbed that again a white actor, the British Jonathan Pryce, was playing
Generation X has finally taken out a lease on the future of theatre, and it looks like it is more than able to pay the "Rent" (Coulbourn 43). "Rent" is a musical for our time, for our generation and for generations to come. It has won numerous Tony Awards including best musical, book, score, lyrics, and ensemble performance. This musical is an excellent representation of cultural religion and it has had a profound impact on society both in the 90's and today. "Rent" is not only a representation of the culture of the new millennium but is an excellent representation of the faith of a new generation.
Hazel Bergeron in “Harrison Bergeron” is perhaps not the most obviously important character, when compared to the intellectual abilities of George Bergeron, she does not stand out. When comparing her to the great force that is Harrison, or the great beauty of the ballerina, again, she does not stand out. However, Hazel stands for much more than any of the other preceding characters, even Harrison himself. In the story of “Harrison Bergeron” Kurt Vonnegut establishes Hazel Bergeron as the light, sympathy, and, in some ways, foundation of the story; illustrating the kindness of humanity in the worst of times.
In the short story Harrison Bergeron by Kurt Vonnegut, Jr, the government takes fourteen year old Harrison Bergeron away from his parent George and Hazel. This all occurs during the year of 2081, and amendments 211, 212, and 213 are in play during this time period. Hazel is only allowed to have average intelligence, and her husband George wears a helmet on his head, which limits his thinking. Hazel and George are watching the television as two ballerinas dance, but they are wearing radios, which restrict them and make them dance the same. Hazel said if she was a handicap general she would make chimes ring on Sunday to make it religious. Hazel tells George to take a nap because he look tired from wearing the handicap bag that weighs in at forty pounds. She suggests he takes some weight out but for every weight he takes out he goes to jail for that many years. Also everyone would go back to his or her competitive ways in the community, and he doesn’t want that.
Moreover, Shakespeare was once again alluded to when the children started singing ‘’Totally Fucked’’ (74) referring to King Lear, a play in which, one of the main characters, Gloucester misjudges his son and disinherits him because he thinks he has betrayed him. This misjudgment can be transposed in Spring Awakening when Moritz’s father tells his son that he destroyed his father’s reputation because he failed. Also, this failure was only a conspiracy against Moritz, by making him fail, the school systeme would achieve his goal of getting rid of him. Indeed, because he struggles more than the other students at school, the teachers of his school sees him as a waste of time and a bad example for their school. This harsh talk from his father, combined with the fact that his teachers told him that he was a moron, is tragically going to lead Moritz to commit suicide. Once again, the insertion of Shakespeare’s song helps the reader to understand the criticism of the utopic idea of the perfect society in which everyone is perfect and
It is human nature to tell stories and to appreciate and participate in theatre traditions in every society. Every culture expresses theatre and may have their own traditions that have helped pave the way for how they are today. The involvement of African-Americans has increased tremendously in theatre since the nineteenth century and continues to increase as time goes on. African-Americans have overcome many obstacles with getting their rights and the participation and involvement of Theatre was something also worth fighting for. American history has played an important role with the participation of African-Americans in theatre. Slavery occurrence in America made it difficult for blacks in America to be taken seriously and to take on the characters of more serious roles. With many obstacles in the way African-Americans fought for their rights and also for the freedom that they deserved in America. As the participation of African-Americans involvement within the theatre increase so do the movements in which help make this possible. It is the determination of these leaders, groups, and Theaters that helped increase the participation and created the success that African-Americans received throughout history in American Theatre.
American Theatre: History, Context, Form. Edinburgh: Edinburgh Univ, 2011. Print. Scott, Freda L. "Black Drama and the Harlem Renaissance."
Thomas Putnam Many characters have their good and bad side, their are those who are mostly good and mostly bad. However, when you come across the character like Putnam, many things aside good comes to their mind. He is shown to be a character who does not change, but one who reveals more about him. In fact, his past is not any better to begin with.
In these chapters, Edna begins to realize the futility and oppressiveness of her life as a housewife and with Robert gone, she loses the one aspect of joy and adventure in her life. We see this transition most clearly on page fifty-one. Here we see Edna become extremely annoyed at her husband's reading of the business cards. She finds the triviality of his actions ridiculous, she asks why he was "taking the thing so seriously and making such a fuss over it" (51). However, she also found his actions to be aversive because of how controlling they are.
Walking into the Grieb Theatre with both skepticism and little knowledge of the play that I was about to see, I exited with a little connection to some of the actors and a sense of mild disappointment from the play, although I thought to myself how difficult it must have been for the actors and the director to constantly feel the pressure about bringing up a topic of racism and discrimination to the community audience.
When people don’t hear what they expect to hear from a performer it, from my experience, made them uncomfortable to think that I didn’t sound how they expected, and that my perceived identity was in fact being warped through the use of my voice. Maybe the way to think about this is that the voice although, as Connors writes, it comes from us, it is not part of our body. It is separate once the sound comes away from us and into a space and therefore can assume an identity of its own. The counterproductive side of it is that the way I look will still always restrict how I am cast even if my voice is capable of more, however the results of project do continue to raise questions both ethically and culturally about if this should be the case and perhaps shows such as Hamilton (Miranda, 2015) with its colour blind casting and purposeful ethnic reversals, and Miscast (MCC Theater, 2016), the gender bending cabaret show could help change this within the musical theatre
The musical Hamilton, by Lin-Manuel Miranda tells of Alexander Hamilton’s impressive journey from an all but irrelevant street child, to one of the most important men in American politics. It is based off of a true story of growth, heroism, and determination. In writing this musical, Miranda takes a dry, historic story, and turns it into a captivating performance. His project to take the story of Alexander Hamilton and make it relatable to the average American is extraordinarily successful, mostly because the methods by which he does this are unprecedented. His unique methods and practices have resulted in Hamilton being so popular that it was awarded a record breaking sixteen Tony nominations (Paulson). The musical tells how Hamilton doesn’t
The Broadway musical that’s sweeping Americans off their feet with instantaneously charming lyrics, relatable characters, and a captivating take on American history. There’s nothing to dislike in this uproarious hit. But yet, people manage to nitpick down to one thing; the racial diversity of this musical masterpiece. Starring a Puerto Rican lead, a biracial Founding Father, and a Chinese-American Elizabeth Hamilton, people shifted in their seats. Apparently, this shift wasn’t too uncomfortable, because seats continued to fill.
The 2000s/ 2010s brought in a wave of movie musicals- adapted from the stage shows. These brought new audiences into the theatre world, and for the first time in 20 years, brought a love to some of the timeless musicals. With slightly altered songs to appeal to a newer audience, these films brought in much needed money into the industry, with films including: Les Misérables, Phantom of the Opera, Rent, Hairspray, Mamma Mia, Fame- and many more. Together with this, musicals began to push the concept of the songs in them, with a wave of new styles being written. Rap musicals such as ‘Hamilton’ and ‘In The Heights’, Pop musicals including ‘Waitress’ and ‘Dear Evan Hansen’ and Rock musicals of ‘American Idiot’ and ‘Spring Awakening’. Together they pushed boundaries of a ‘traditional’ musical theatre sound, and brought in something never before seen. Due to the influence of ‘Rent’, controversial issues and themes began to be explored more, such as Teen suicide, Murder, Ethnic barriers and everything else, which brought with them, a world of opportunities. It was clear that musical theatre was once again showing for a promising
For example, in David Henry Hwang’s opera we see a breakdown of common stereotypes within the Asian culture and a new appreciation from an Asian American perspective concerning the nuts and bolts of what the standard Asian man was made out to be. Though this may seem like a minuscule play with little impact on the rest of the theatrical world. But in all actuality this was only the beginning of an immense number of plays that expressed a new outlook emerging in the Western World. Every group should have the right to take the stage and express their talents within the realm of acting, writing, production, music or any other component of theatrical art. Through the medium of theatre many groups can express their opinions on racism, sexism, violence within relationships and challenge the ideal for what society makes them out to be.