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The history of the portrayal of women in literature
Depiction of women in literature
Gender in literature
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When facing the reality of their mortality, people often panic and make impetuous actions. Hong, from Taking a Husband by Ha Jin, is forced into a decision marriage as a result of her father’s death. The death of Hong’s father signifies that she would be her family’s last hope to rise from poverty and come to power. Under the pressure of time, Hong must decide who to marry in order to gain power bring prestige to her family. Hulga, from Good Country People by Flannery O’Connor, would try to find freedom with her already shortened lifespan. Desperate to be freed from the chains of her mother, Hulga must decide whether her mortality is enough to convince her to go on a date with a stranger. While the constraint on time forces Hong to take a husband by chance with lots, it also contributes to Hulga’s impulsive decision to go out with a complete stranger. …show more content…
Before her father’s death, Hong had lived a comfortable life, as her father held a position of power. However, “After her father died of bone cancer, life was hard for the Chens. [...] By now, both the mother and daughter had experienced the difficulty and humiliation caused by lacking power in their own hands. (Jin 560)” Along with the hardships after her father’s death came the realization of Hong’s purpose in life―to elevate her family’s place and prestige in society. Blinded by her pursuit for power, Hong would eventually find herself at a standpoint, suddenly having to choose a husband and marry for power. Facing a deadline for her choice, Hong picked her husband through lots, as she did have love for any of her suitors. As did Hong, Hulga would also fail to properly set out her life due to the restraint of
Flannery O'Connor's "Good Country People" is a story told through the examination of the relationships between the four main characters. All of the characters have distinct feelings about the others, from misunderstanding to contempt. Both Joy-Hulga, the protagonist, and Manley Pointer, the antagonist, are multi-faceted characters. While all of the characters have different levels of complexity, Joy-Hulga and Manley Pointer are the deepest and the ones with the most obvious facades.
...f Hulga’s attitude towards life and other people. She may be smart, but she has low self-esteem and to make her feel better about herself she treats everyone around her with distain. By acting like this she feels like she has control over her life.
"Good Country People", by Flannery O’Connor, presents us with a look into the monotonous lives of three women living together on a rural farm. All three women are set in their old-fashioned ways, having experienced very little of life, out on the farm. A bible salesman named Manley Pointer, appearing like nothing more than simple, "good country people"(1), pays them a visit one day. It turns out that this simple countryboy is actually a brilliant con artist who scams the pretentious daughter, Hulga (also known as Joy) into removing her wooden leg, which he proceeds to steal. A great change in Hulga is triggered by her experience with Manley Pointer. Although it was a cruel scam, the bible salesman helps her to see the truth about her education and human nature. Hulga realizes that in addition to book smarts, people skills are also crucial in navigating the real world.
In Hemingway’s “Hills like White Elephants” and Wallace’s “Good People,” both of the young females, Jig and Sheri, experience an unplanned pregnancy and must decide whether an abortion is the right choice. While the former story employs dialogue to depict the relationship of an adventurous, carefree couple in the 1920s, the latter uses third person limited point of view to show a faithful young couple whose religion is their source of morality. Thus, Wallace digs much deeper since both religion and love are a factor in Sheri’s ultimate decision. The enigmatic endings of both stories leave us questioning Jig and Sheri’s choice and its impact on the future of their relationship with their respective partners. The text suggests that Jig will not comply with the American’s wish of aborting the baby because of her vision and the indicative dialogue between her and the American, and Sheri will conform to her religious beliefs and carry the child. Whereas Jig will leave the American due to his lack of obligation, Lane Dean Jr. will marry Sheri in his effort to be a good person.
However, as an adult Lim Hue-lieng removed himself from the Lim household and created his own life separate from his family. Then only to become part of his father’s house once again, he agreed to marry Lim A-pou (Wolf 50). They had two children together, but their relationship was formal at best. He hardly spent time with his wife (Wolf 51). Instead, he formed a relationship with his mistress and second wife, Lim So-lan. In Lim Hue-lieng’s instance, the tradition, although upheld, was not respected since he spent more time with Lim So-lan. His marriage to his foster sister hardly interested him and did not affect his life as much as his marriage to Lim his second
The characters and their traits in the short story, “Good Country People,” play a major role in enhancing the plot of the story. The short story’s main character, Hulga Hopewell, is a physically impaired thirty-two-year-old woman who uses her physical complications as
The beginning of the book starts out with Liang’s typical life, which seems normal, he has a family which consist of three children, two older sisters and him the youngest, his two sister’s reside in Changsha 1 his father has an everyday occupation working as a journalist at a local newspaper. Things start to take a turn early in life for Liang Heng, his families politics were always questioned, the mistake mad...
...of a minor character in the story but she is referred to as having two emotions, “forward and reverse”. This is important because when a person is forced to go in reverse they must face something or learn something they don’t want to know about themselves. This seems to be what happens during the course of the story for Joy-Hulga. Although all the characters in the story are stuck in reverse, the only character that is forced to realize her weakness, which destroys the façade that she created is Joy-Hulga. It seems that in this story as in life the most high and mighty suffers the greatest fall. Joy-Hulga was the one who perceived herself to be the high and mighty of the characters. This attitude is displayed with many of her comment to Mrs. Hopewell. Perhaps when Joy-Hulga remarks to Mrs. Hopewell, “Woman, do you ever look inside?” she should’ve taken her own advice.
However, this “ladder of success” was not as simple as it seemed. First of all, the class of both families will be a huge barrier. We are not even talking about freedom to love here, there is no such thing in late imperial China. Although we can’t say that love doesn’t exist even in such systems, such as Shen Fu and Chen Yun, but most marriages are not about love. Rather, it was about exchange of values. For example, when two families want to become business partners, the parents of the family will have their son and daughter married, so the two families will have closer bonding which made the business much easier. In this sense, we can see that the couple is simply a tool. In the same sense, the families which has not much “values” can only have marriages with the same class of families. Meaning for a women to climb up the ladder of success is not quite possible as the class of her family is a huge deciding factor for marriage in the
All over the world, marriage is one of the main things that define a woman’s life. In fact, for women, marriage goes a long way to determine much in their lives including happiness, overall quality of life whether or not they are able to set and achieve their life goals. Some women go into marriages that allow them to follow the paths they have chosen and achieve their goals while for other women, marriage could mean the end of their life goals. For Janie, the lead character in Zora Neale Hurston’s Their Eyes Were Watching God, who was married twice first to Joe sparks, and to Vergile Tea Cake, her two marriages to these men greatly affected her happiness, quality of life and pursuit of her life goals in various ways, based on the personality of each of the men. Although both men were very different from each other, they were also similar in some ways.
Family became an important aspect in Mah’s life. In the Chinese culture family is typically a vital part of the way of life. Mah may have been ashamed the way her first marriage ended and did not want the same with this man she met named Leon. Leon is a Chinese immigrant and family is his priority. Mah and Leon marry and have two girls, Ona and Nina. They form a family like connection more than ever before. Leon was a fairly stable man and loved his family. Mah and Leon were b...
The first Memoir of 1795 was addressed to the heir of her natal family and took the form of a public appeal in her effort to reestablish her family’s moral legitimacy and honorable family tradition. Before we explore her memoir, it is important to note that she felt responsible for her family’s downfall – believing that her marriage into the royal house had led to directly their suffering and decline. Beyond the scholarly merit of her stories, they are important in the view Lady Hyegyong provides of the court life and the strict Confucian beliefs that stress filial piety, loyalty and virtue. To being with, the move from
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
While traditional Confucianism plays a large role in the problems faced by the Kao family, it is the combination of both Confucianism and modernization that brings the family to its knees. Chueh-hsin is a huge factor in the novel for many reasons. It is because of him that his little brothers Chueh-min and Chueh-hui realize how unfair the old system of arranged marriage was. They witnessed their older brother Chueh-hsin go along with tradition and release a lake of tears over the years because of his willingness to let his elders determine his future instead of himself. Chueh-hsin was in constant reflection of what he should have done to save his happiness and the joy of the woman he loved, Mei. In the end Mei is so overwhelmed with unhappiness that she stops treating herself well, gives up in life and withers away and dies.
In “Hills Like White Elephants” and “The Story of an Hour”, the woman in each story imprisons in the domestic sphere. In “Hills Like White Elephants”, the woman in this story conflicts between keeping the baby or getting abortion although the relationship with her boyfriend would not improve as he said. In “The Story of an Hour”, even though Louise Mallard, an intelligent, independent woman understands that she should grieve for Brently, her husband and worry for her future, she cannot help herself from rejoice at her newfound freedom. The author of this story, Kate Chopin suggests that even with a happy marriage, the loss of freedom and the restraint are the results that cannot be avoid.