Grizzly Man Analysis

This mise-en-scene will define the role of animals in the anthropomorphic relationship between a human being and a grizzly bear in the film Grizzly Man (2005) by Werner Herzog. Berger’s analysis of the ancient relationship between human beings and animals is defined through the anthropomorphic proximity of animals that has become increasingly disconnected in the modern era. Herzog’s film, Grizzly Man, is about a man named Timothy Treadwell that sought to reconnect human beings with bears outside of controlled settings. One scene in the film expresses this mise-en-scene of the reconnection with ancient anthropomorphism in Treadwell’s interaction with a bear named The Grinch. This important part of the film shows the interrelationship between Treadwell and a dangerous bear, which reconnects man with animals as part of this filmmaking process. Herzog’s presentation of Treadwell’s filming of the anthropomorphic relationship in mise-en scene of proximity with a wild bear captures this relationship in cinematography. In essence, a scene mise-en-scene analysis of the anthropomorphic

Anthropomorphism was the residue of the continuous use of animal in metaphor. In the last two centuries, animals have gradually disappeared (Berger 11).

In this context, the increasing distance of human beings from animals in the wild is a major aspect of anthropomorphic behavior, which has decreased in the modern era. In Herzog’s documentary film, Grizzly Man, the documentary form of filming defines how one man, Timothy Treadwell, sought to reconnect with wild animals, especially with the grizzly bear. These aspects of documentary filmmaking are an important part of Berger’s understanding of how animals are observed in a historical context, since Treadwell actively seeks to gain closer proximity to wild bears outside of controlled