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The life of franz kafka relating to metamorphosis
The metamorphosis metaphor
Metamorphosis allegory
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Gregor's Obsession with Money Exposed in Franz Kafka's Metamorphosis
In his story The Metamorphosis, Franz Kafka gives us the story of Gregor Samsa, a young man who wakes up one morning to find himself transformed into an insect-like creature. Gregor, however, remains strangely indifferent to his plight, in a manner that seems inhuman to most readers. This is not due to a lack of omniscience on the narrator's part that causes the indifference to go unmentioned, and neither is it due to inobservance on the part of Gregor to the point of not noticing that he has been changed into an insect. Rather, Gregor does not pay much attention to his new form as an insect because his life as a human lacked many ordinary human characteristics. In other words, Gregor was mentally not human even before his change in physical form.
Just after his metamorphosis, Gregor makes an important observation on his job as a traveling salesman:
"Oh God," he thought, "what a grueling job I've picked! Day in, day out - on the road. The upset of doing business is much worse than the actual business in the home office, and, besides, I've got the torture of traveling, worrying about changing trains, eating miserable food at all hours, constantly seeing new faces, no relationships that last or get more intimate. To the devil with it all!" (4)
Most "normal" people would claim that meaningful relationships constitute the core of the human experience. But Gregor's concerns seem much more mundane. He begins with complaining about the quotidian problems of his job and only in the end reaches that which is really important - and then he immediately goes on to continue thinking about his job. He is obsessed with work, "a tool of the boss, without brains...
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...c. But we could also interpret this sentence in the opposite light, to assert that Gregor is an animal by dint of his ability to feel. This is supported by Gregor's ruminations on his plan to send Grete to the Conservatory: "...and it was his secret plan that she who, unlike him, loved music and could play the violin movingly..." (27, italics added). Thus, Gregor as a human being could not derive pleasure from music, indicating that he lived in a deprived, insect-like emotional state.
As we have seen, Gregor's mental life was extremely limited even before his physical metamorphosis. Perhaps Kafka intended this story as a means of pointing out that many people in an increasingly capitalist society, like Gregor, become more and more obsessed with money and thus live a mechanical life, like an insect. Thus, they sequester themselves from the pleasures of the soul.
Leo, John. "The Amount of Violence on Television Has Been Exaggerated." Media Violence: Opposing Viewpoints. Ed. William Dudley. San Diego: Greenhaven, 1999.
The two con-artists go through many towns playing the same tricks and scams on the gullible townspeople hoping to make money. They put on acts in the novel such as the "Nonesuch" that get them almost killed as they run out of each town. These scenes, which prove as examples of the foolish society are not in the film.The naiveté of the Wilks sisters is disturbing to Huck who attempts to help them stop the frauds from stealing their inheritance. The movie is dissimilar to the book in that it concludes with Mary Jane and her two sisters as the heroes who save Jim from being hanged and Huck from dying of a gun wound.
When comparing Franz Kafka and his personal life to The Metamorphosis it is obvious in more ways than one that he was writing a twisted story of his life. The emotional and physical abuse Gregor goes through are similar to what Kafka went through in real life. They were both abused and neglected by their fathers when they were disappointed with them. Kafka uses Gregor transforming into a bug as a way of exaggerating himself, trying to express his feelings and point of view. When writing, Kafka felt as if he was trapped in his room which he referred to as "the noise headquarters of the apartment". Gregor was an exaggeration of this because he could not leave the house to escape the noises and abuse.
One morning, Gregor awakens to find himself with the body of a beetle. Although it never explains how Gregor morphed into a beetle, or shows that Gregor gives much thought to having the body of an insect, Kafka gives the strong impression that Gregor is extremely devoted to his work and is the sole support for his family, none of whom work themselves. Gregor devoted himself to a life of work and self sacrifice, following ...
In Franz Kafka’s The Metamorphosis, the transformation of the character Gregor from a man to one of the most hated insects, a vermin, may seem exaggerated and ridiculous, becoming more so over the course of the story the action builds and the emotions and ideas of the characters in the story begin to change and become more prominent. Kafka’s intention, however, is to expose and explore the impoverishment of human psychology with respect to the ways in which changes in one’s circumstances and conditions reshape notions people have of the way they believe in justice and mercy which will be explore further in this analysis of Gregor Samsa.
Prior to his metamorphosis, Gregor already resembles a working cockroach, living an automated life under the conditions of exploitation, discouraging his own life for his family’s basic and materialistic needs. This is shown when Gregor’s mother makes her claim: “You know that boy has nothing but work in his head! It almost worries me that he never goes out on his evenings off” (Kafka 95). This establishes the idea of G...
Thanks to the miracle of television the average American child watches 8,000 murders and 100,000 acts of violence before finishing elementary school (Early Concerns 113). Television violence is responsible for the increase in childhood violence. Watching violence is a popular form of entertainment, and watching it on television is the number one way that children are exposed to violence. Local news shows provide extensive converage of violent crimes in order to increase their ratings (Felson 96). Violence usually refers to physical aggression and aggression is usually defined as any behavior involving intent to harm another person (Sege 34).
addition the average American child will witness over 200,000 acts of violence on television including 16,000 murders before the age of 18 (DuRant, 445). Polls show that three-quarters of the public find television entertainment too violent. When asked to select measures that would reduce violent crime “a lot”, Americans chose restrictions on television violence more often than gun control. Media shows too much violence that is corrupting the minds children, future leaders of our society. In a study of population data for various countries sh...
Society also has expectations of Gregor that he cannot escape even when he is locked up in the room that eventually becomes his grave. On one of his agonizing sleepless nights he is still thinking of his workday and of people he mingles with on a daily basis. He realizes that instead of helping him and his family, they were all inaccessible and he was glad when they faded away(Kafka 43). Gregor receives no help from the society that he is so loyal to.
In The Metamorphosis by Franz Kafka, Gregor Samsa is dehumanized after and prior to turning into a giant insect. Before his transformation, Gregor had a lonely and tiring life of being a commercial traveler, paying off his parents debt. He always worried about the train connections in his constant traveling, and was not able to become intimate friends with his casual acquaintances. Before his transformation, Gregor feels dehumanized because of the constant pressure from his boss and family to do his job.
There have been researches that have shown that the estimated child, once passed elementary, will have been introduced to eight thousand murders, and more than one hundred-thousand acts of some sort of violence on television. Those numbers show a dramatic change in the way television shows have increased their violence rate. With numbers like these, violence can be extremely harmful to a child. In recent studies it has been proven that once children are put in front of a television, their concentration cannot be broken or wrecked. Most children who watch these violent shows have been less patient, more aggressive, and more likely to have lower grades than the children who watch television shows like Mr. Rogers. The more the child watches these violent shows, the faster he or she will unnaturally speed up the impact of the
In The Metamorphosis, by Franz Kafka, Gregor’s evolution to an insect symbolizes the loss of thorough communication, representing the disconnection of the individual from his family and his surroundings. Through this metamorphosis, the once loving family begins to remove itself from any past interactions with Gregor. In addition, the setting and surroundings of Gregor completely overcome him and persuade him to lose hope. The family and surroundings, not the change to an insect, lead Gregor towards death. Not only do the uncontrollable surroundings change Gregor, but so does the family.
Using symbols, Kafka illustrates the story which is not just about Gregor’s transformation but it is more than that. The entire Metamorphosis is an allegory about Gregor changing into a vermin, symbolize that he wanted to free himself from his family obligation. “As Gregor Samsa awoke from unsettling dreams one morning, he found himself transformed in his bed into a monstrous vermin” (Kafka 7). He thought his transformation was a dream but he soon realizes that it was reality. Gregor was the source of the income for his family and was employed in a job he did not like. “What a grueling profession I picked! Traveling day in, day out” (Kafka 7). This is ironic because Gregor was forced by his father to choose the alienated career. Mr. Samsa was indebted to his boss; working as a traveling salesman he would have pay off his father debt. Working as traveling salesman made Gregor alienated socially and mentally. The word transformation does not only app...
One of Franz Kafka's most well-known and most often criticized works is the short story, "Die Verwandlung," or "The Metamorphosis." "The Metamorphosis" is most unusual in that the first sentence is the climax; the rest of the story is mainly falling action (Greenburg 273). The reader learns that Gregor Samsa, the story's main character, has been turned into an enormous insect. Despite this fact, Gregor continues to act and think like any normal human would, which makes the beginning of the story both tragic and comical at the same time. However, one cannot help but wonder why Gregor has undergone this hideous transformation, and what purpose it could possibly serve in the story. Upon examination, it seems that Gregor's metamorphosis represents both his freedom from maintaining his entire financial stability and his family's freedom from their dependence upon Gregor.
Television violence, and media violence in general, has been a controversial topic for several years. The argument is whether young children are brainwashed into committing violent real-world crimes because of violent and pugnacious behavior exposed in mass media. In his article “No Real Evidence for TV Violence Causing Real Violence”, Jonathan Freedman, a professor of psychology at the University of Toronto and author of “Media Violence and Its Effect on Aggression: Assessing the Scientific Evidence”, discusses how television violence, claimed by the Federal Communications Commission (FCC), does not cause real-world aggression among adolescents. The FCC determined to restrict violent television programming to late night hours only because their “scientific research” proves of increasing aggression among young viewers (Freedman Par. 2). Freedman goes on to explain that the FCC has no substantial scientific evidence stating that there is a correlation between fictional violence and real-world aggression among young audiences. He has completed research in 1984 and 2002 on the relationship between media violence to actual acts of violence on the street. Because he has completed research projects related to this topic, Freedman’s statistical evidence shows that there is a reduction in youth violence and it essentially does not cause real-world crimes (Freedman Par. 1). The FCC continues to claim that exposure to media violence does in fact increase aggression, and yet their readers continue to believe their fabrications. Freedman argues that people who research media violence tend to disregard and omit the opposing facts. No one type of violence is more effective on aggression than another type. There is no evidence showi...