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Chapter 5: Ancient Greece
History essay on ancient greece
History essay on ancient greece
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Recommended: Chapter 5: Ancient Greece
The knowledge about Ancient Greece is in dedication to its pottery. Due to its relative durability over the years, whether intact or in pieces, the history of Greece survived. Greek pottery thrived from 1000 BCE to 400 BCE and was meant for everyday use. Potters produced a variety of styles of all shapes and sizes with abstract, historical, and mythological designs showcasing everyday Greek life. Pottery back then was made similar to nowadays; pottery was made by shaping clay on a wheel, decorating the pot, and then heating the clay in a kiln. Despite the aesthetic achievements of Greek ceramics it was never respected as fine art. Greek pottery has evolved over the centuries creating a new decorative style for each period, these styles are Protogeometric, Geometric, Orientalizing, black-figure, red-figure, and white ground. After …show more content…
Black-figure pottery was a popular style from 620-480 BCE. Athens soon became the main spot for Greek pottery. The black-figure style had “black figures painted on a light inset background panel, while the surrounding vase surface is a deep, lustrous black” (“Greek Pottery”). The Black-figure style was made by applying a clay slip to the outside of the vessel. The vessel was then fired in an oxidation kiln which turns the slip red. With no oxygen the clay turns black. Next the potters trim and cut lines into the slip or add white and purple mixtures of clay and pigment to depict the details. During this period, painters and the potters started signing their work. Famous black-figure potters/painters were Sophilos, Exekias, the Amasis Painter, Kleitias, Andokides, Ergotimos, Lydos, Euthymides, and Nearchos. Kleitias is known for painting over two hundred figures in six friezes in the François Vase. Exekias an Attic painter is known for being master of technique. The Amasis Painter signed his name on twelve works all recognizably painted by the same
The durability of clay has brought forth an immense abundance of Greek pottery, a craft mastered by Athenian artists. Archeologists have found hundreds of varieties in creation, shape, function, style, and artwork in Archaic vases. The museum has been blessed with one of these priceless artifacts; it is the duty of this establishment to accumulate as much data as possible surrounding the vase. In first identifying technique, dimensions, and condition, as well as describing shape, ornament, and figural scenery, one may then begin to analyze the vase. This serves the general purpose of understanding where the artifact stands in Greek culture and history. Through the examination and research of figural scenes, it is then possible to compare these to other scenes and styles of the same and other painters. Finally, one can then hypothesize where, why, and how this piece was used.
I am a pottery maker for the king of Crete. I create very elaborate pottery for the king. Two of the types of pottery are known as Kamares ware and Marine Style. These two types of pottery are some of the best pottery that has ever been made in our time. Our pottery is created with a flowing, naturalistic shape and design. We pottery makers put images of animals, sea and plant life on our pottery.
This artifact is a terracotta volute-krater crafted by the Greeks in 450 B.C. That was during the classical period. The painter of the Wooly Satyrs was given the credit for this bowl. During that time, Greeks had just gained a great victory in the Persian Wars. However, Greeks rarely illustrate their history in their art. Instead, they would design images of the mythological wars between the Greeks and the Amazons. That was widely popular in the fifth century and was known as Amazonmachies. The terracotta volute-krater, which is a bowl used for mixing water and wine, includes those depictions of Amazonomachy. In fact, wall paintings that contained Amazonmachy were the influence for these volute-kraters. During the fifth century, Attic vase painting was well known, where iconography, displaying myths, and portraying a Greek male’s life was a usual occurrence.
The wide rimmed ring of space located at the top of the lekythos was commonly decorated with a pattern called palmette. Discovering a palmette pattern is not unusual to find on a lekythos, and many other types of ancient Greek pottery. The different variations in color, design, pattern, intricacy and brushstroke can help determine the ancient painter. Because the colors were not fired directly on the white-ground, they are not necessarily as permanent as the black gloss; therefore overtime the vivid colors and detailed decoration will
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
- Priest of Troy being punished by the Gods for warning against accepting horse from the Greeks. Sea serpents attacked him and his sons. Beautiful anatomy.
Greek pottery, depicting mythological and heroic scenes, and statues, portraying the human form often made in the image of gods, were meant to honor the gods (Adkins & Adkins 372, 376). Once again, the detailed artwork was a cultural achievement. Around this time we see the rise of the polis along with its prosperity, and the rise of centers of political, religious, philosophical, and artistic development. Hesiod says all things in the universe arose from Chaos, the nothingness from which the first objects of existence appeared.
Ancient Greece has set the tone for the standard of how great sculptures were crafted. Therefore, a classic example of this form is the Fallen Warrior from the East Pediment, taken from the ruins of the temple of Aphaia. With its mythology and architectural styles, Ancient Greece has undoubtedly changed the way sculptures were made and still inspires many artists to this day.
I chose to do my research paper on Egyptian pottery because in my art appreciation class I was most fascinated with the ancient Egyptian era. I found this website that explained all about how pottery they made helped them function in everyday use. It also told me a lot about how the made everything.
Black-figure painting was first established in Corinth, c 700 BCE then Athens was influenced by the technique and got control over it (Cartwright, 2012). The entire process was made out of iron clay found in the area mixed with potash pigment, water and leave it evaporate under the sun until it’s thick and settle. Move on to wedging process where human used energy to make the clay combine together and create the smoothness. The forms of potter are made on the potter wheel and are control by human’s hands, which is fascinating because people will have respect toward a finished product. After shaping the entire form, it’s then bake inside a kiln until it turns black (Britannica, 2014). Black-figure painting usually presents a storytelling by depicting animals or people in silhouette and sometime th...
All in all, the artworks of Mesopotamia, Ancient Egypt, Aegean cultures, and Ancient Greece have similarities that not only reflect objects and images, but also the media, style and representation, these cultures are vastly exclusive works ranging from triangular depictions of form, to breezy depictions of nature, to sturdy architectural innovations for their citadels. Because of the existence of these major cultures of art in our world, it has made what art is today. These four unbelievable time periods have learned from each other and improved the way they accomplish their art techniques. These amazing cultures set a foundation that we were able to build on for thousands of years now with much more to come.
Ancient Greek sculptures were the mix of Egyptian and Syrian styles. In 800 to 300 B.C., Greek sculptures had a powerful inspiration throughout the centuries. The Greek sculpture was divided into seven periods: Mycenaean, Sub-Mycenaean or Dark Age, Proto-Geometric, Geometric, Archaic, Classical, and Hellenistic (Collins 1). Greek sculptures were created by using marble, bronze, stone, and limestone, but bronze was in most demand. The most common production to make Greek sculpture is the lost-wax method. First, the sculptors would make clay inside the core, almost the size of a figure which was then coated in wax. Then, they would replace the melted wax with bronze. When the bronze became solid, the sculptors would remove the clay. Finally, the sculpture would be polished and added with other decorations. Most Greek sculptures were in a freestanding of a human form because Greeks saw beauty in human body form. Early Greek statues were rigid and straight, but later on, the Greek adopted more natural relaxed pose: knees and arm bent, and head turned. Greek artists captured the human pose in a way never seen before with concerns in proportion, pose, and perfection of the human body (Cartwright 1). Most of these statues are signed by artists, so there are six famous sculptors in Ancient Greece. The f...
Greek art progressed through four divisible periods from ninth century B.C. to the second century B.C. The primary subject matter for all of these periods was humans. (Sowerby, 150) Each period progressed further than the last with developing the human form and making it continually more realistic and natural. (Boardman, 275) The most basic human forms were depicted in the Geometric period where triangles and ovals were used to make a rough human form. The Archaic period came next with artists slowly moving away from set geometric figures and incorporating more human detail into their art. Great change in art came in the Classical period. Sowerby states this by saying: "The classical artist concentrates up...
Perhaps one of the most defining and easily identifiable aspects of the ancient Greek culture was the immortalization of humans and gods in sculpture. Sculpture had existed in the world for thousands of years before the ancient Greeks made their stake in the art, but the Greeks added an entirely new set of aspects to their sculptures. Unlike the Egyptian and Mesopotamian sculpture centuries earlier, the Greeks set forth not just to capture the image of a man but to capture that which made him a man. The Greeks set in place three base tenants to display the tone of a sculpture. Through the use of Humanism, Realism, and Idealism the ancient Greeks were able to capture humans and gods forever in marble.
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground