Graphic novels and comic books should be considered valid forms of a hybrid between literature and artwork, as well as an in-depth look at the public opinion of a given era. Graphic novels and comic books are as true a form of protest as any other pop-reference medium. Pre-World War II comic books employed a very visible symbolic relationship with the events dictating the course of history at the time. In rather flamboyant splashes writers and illustrators were able to create parodies of the world leaders they found fault. They would build scenarios for their prototypical “good guy” protagonist to triumph over the perceived global villain. This trend extended into more personal and realistic representations of real-life events despite the growing …show more content…
It was basically just a collection of newspaper strip reprints, featuring such Mutt & Jeff, Joe Palooka, Hairbreadth Harry, Reg’lar Fellers as well as other popular strip characters. While these comic reprints served the purpose of being a short, mildly amusing and readily accessible for of entertainment this wasn’t anything close to the contemporary comic known today. That came with the introduction of Adventure Comics #1, the beginning of an entirely new type of hero, a Superman. As Petty explains, Superman’s instant superstardom was easy to comprehend, “America was a nation of immigrants. People were coming from all over the world in search of “The American Dream,” [and] Superman, as the last survivor of the doomed planet Krypton, [was] the ultimate …show more content…
Despite their penchant for pacifism it become overwhelmingly clear that the writers and illustrators were strongly in favor of American intervention. The Superman writing team consisting of Joe Schuster and Jerry Siegel wrote Superman in the likeness of Nietzsche’s “Ubermench,” a figure who is willing to risk all for the sake of the enhancement of humanity, the perfect example of the post-moral man (Nietzsche). While the Superman team predicated their character on the philosophical ideals, Stan Lee and Jack Kirby invented Captain America to represent a more classical approach to the defense of the weak. Before Captain America there was Steve Trevor who exemplified the stereotypical Jewish-American physique; weak and small while exhibiting the strength of will that characterized American pop-culture at the time. The defining traits that both these characters had were their values, integrity, and the belief they had in their
Inspired by the way comics were able to illustrate the events of WWII I decided to investigate to what extent did comic books influence American perceptions during World War II. Comics turned into an apparatus to exploit racial and social contrasts and outlet for wartime purposeful publicity. The Golden Age of Comic Books portrays a period of American comic books from the late 1930s to the mid 1950s. During this time, present day comic books were initially distributed and quickly expanded in notoriety. The superhero model was made and some surely understood characters were presented, for example, Superman, Batman, Captain America, Wonder Woman, and Captain Marvel.
To your average white American kid, a comic book is cheap entertainment— a leisure, a novelty. Your run of the mill issue of "Superman," perhaps the most generic superhero of all, is something to be read once, maybe even merely skimmed, while in the bathroom or the doctors' office. When finished with it gets thrown away mindlessly or tossed aside to join a mounting stack of similarly abandoned stories of fantastical heroism. However in the eyes of the young Indian boy, Sherman Alexie, as depicted in his essay, "Superman and Me," a tattered comic found in a donation bin was much more than that— it was a life line.
Batman and Superman are superheroes whose qualities are exaggerated in a way that is reminiscent of the gods and heroes in The Odyssey. In Fact, the superheroes from comic books emerge from the epic tradition. Epics, as you know, celebrate the great deeds of one or more legendary heroes. This epic hero is generally involved with a quest to overcome hardship, and he (and it usually is a "he") succeeds. The hero performs superhuman exploits in battle, often saving or founding a nation or the human race itself. Sound familiar? And even in terms of the superhero's body, with his bulging muscles and larger‐than‐life qualities, such figures evoke the images of Baroque masculinity. What Becomes important in these retellings, then, is how the hero makes the journey, how he faces his obstacles, and what he learns in the process.
In a world dominated by technology, reading novels has become dull. Instead of immersing into books, we choose to listen to Justin Bieber’s new songs and to scroll through Instagram posts. We have come to completely neglect the simple pleasures of flipping through pages and getting to finally finish a story. Sherman Alexie and Stephan King’s essays attempt to revive this interest in books that has long been lost. They remind us of the important role that reading plays in our daily lives. “The Joy of Reading and Writing: Superman and Me,” for instance, demonstrates how being literate saved the narrator from the oppressive nature of society. The author explains that even though he was capable of reading complex books at an astonishingly young
In the 40s, comic books had a large audience. There would have been at least a dozen people in your class who read comics, claims Chabon. A few years later in the 70s, there would have been less than a dozen but more than one or two people who read comics. Now, it is hard to find more than a few people that you know who actually read comics. If you read comics today, you are considered unique. Children are loosing interest in everything that stimulates the mind in a positive way. Chabon claims that the obvious decline in interest in comic books should make authors want to take initiative and fix the
The difference between a superhero, as we know from movies and comics, and a traditional hero is rather unclear for many people.. In modern times, a superhero is often a being with supernatural abilities. For example, the movies depict them as individuals with super strength, night vision, the ability to climb walls, and so on. The majority of audiences have been spoiled with these unrealistic depictions and are unable to recall the real or “traditional” hero. In the texts, The Epic of Gilgamesh, The Book of Job, and Bhagavad Gita, heroes are not “as seen on television”, but something more. The heroes in these stories carry great strengths such as wisdom, patience, and pride. To illustrate these characteristics, the protagonists themselves
Hughes, Jamie A. "Who Watches the Watchmen?: Ideology and 'Real World' Superheroes." Journal of Popular Culture39.4 (2006): 546-557. SPORTDiscus with Full Text. EBSCO. Web. 25 Feb. 2010
The question of whether or not an author can claim that his or her work is original has been in debate for many years now. This, compounded with the question of whether or not an author can adequately understand or express his or her own work or if the interpretation and understanding belongs in the hands of the readers or the critics, has placed the role of the author under serious scrutiny. This is especially noticeable in an age where so many works of literature are analyzed and critiqued by every reader and critique before turning the work into a movie or play, causing it to be further analyzed and discussed. Therefore, the purpose of this paper is to examine the various concepts of the author’s role, originality, and intent, using the graphic novel The Crow by James O’Barr as an example of a work of literature.
The world of comics enables comic-artists to create a whole other dimension of consciousness. The scale of emotions is enormous, allowing complete freedom for the comic-book drawer to paint a world of new understanding. As coming-of-age memoirs, Persepolis I and Persepolis II tell the story of Marjane Satrapi’s struggle to realize her true self in a world torn apart by civil unrest. Marjane Satrapi’s minimalistic drawing style enables the books Persepolis I and Persepolis II to convey the gruesome concept of death in a larger-than-life manner.
There are many superheroes in the world with many different abilities. Many people would argue that many heroes are connected by some point or another. Though it is true that there are several correlations between the hero Beowulf and Superman, also known as Clark Kent, there are also quite a few differences. Beowulf is the hero of the of an old English epic passed down form word of mouth. On the other hand, Superman is a comic character in the DC universe. Even though Beowulf and Superman’s stories vary drastically they are similar in their travels and abilities.
Persepolis: The Story of a Childhood is a graphic novel written by Marjane Satrapi that illustrates the issues with growing up an Iranian child during times of conflict and political unrest. Following the childhood life of Satrapi, a first-hand view of unrest is given to the audience in a simple art form and well-paced story that is easy to follow and stay interested in. Persepolis: The Story of a Childhood is a prime example of why the genre of graphic novel functions well as a vessel to convey the issues in the Middle East while still telling an entertaining story of Satrapi’s childhood. The importance of graphic novels as a genre is often lost in the association with comic books, although graphic novels offer a much more comprehensive view
Every child in the United States has heard or read the Marvel and DC comics books. If you have not then you have probably have heard of their characters like the famous star spangled hero, Captain America, or the Dark Knight himself, Batman. Both Marvel and DC has influenced the children and adults of American in its darkest times. The great wars affected many by its poisonous grasps, and its victims sought comfort with the antidote provided by the marvelous illustrators and writers of comic books. Now their cinematic counterparts are here to inspire the 21st century. The Marvel and DC cinematic universes have similar content, they both have unique characteristics that set them apart.
...ort the same element that this graphic novel supports. These people rushing to the aid of the woman (Moore and Gibbons XI, 25, panel 7) suggest that a true hero is not always in a costume, and does not always cover his/her face, however heroes are ordinary citizens that put their own issues aside just to help others.
Most people believe that graphic novels are just an art book with minimal text. They believe it is just for entertainment for kids or young adults. They think that graphic novels are just like comics. But to get to the point, graphic novels are just like all the other novels. They are a piece of literature that tells a story and pulls out the reader’s imagination, so that they feel that they are a part of the story or can even relate to the story. Graphic novels have changed and developed into such remarkable pieces of literature and should be accepted by all scholars to be placed in that category. According to John Ridley, “There are still some people out there who believe comic books are nothing more than, well, comic books. But the true cognoscenti know graphic novels are-at their best-an amazing blend of art, literature and the theater of the mind”.
The Lone Ranger, Zorro, Batman, Superman are some of the characters that we stereotypically constitute as heroes. They are known to fight with courage without fear of death. They destroy the enemy within a blink of an eye. They fight using their own body strength, superpower, or some kind of weapon. They come to the rescue miraculously and leave without a trace. They are mysterious. We are unable to identify who they are underneath the masks and disguises. Yet, we praise them and ignore the real heroes that surround us regularly, ordinarily. “All of us …like to believe that in a moral emergency we will behave like the heroes of our youth, bravely and forthrightly, without thought of personal loss or discredit” (O’Brien 39). In other words, we are quite oblivious to the ordinary people of the world that are, in fact, the true heroes.