In Clint Eastwood’s Gran Torino (2008), the main character Thao Vang Lor struggles to fulfill the male role in a Hmong household, and initially Thao is introduced washing dishes, considered “women’s work”. To obtain his masculinity, Thao has two paths to choose. The first is to join his cousin’s gang, which will inevitably lead to jail. The other option is to accept the tutelage of his neighbor Walt Kowalski, who will teach him to be a self-sufficient American man. Thao accepts his help, and Walt guides him to manhood, by teaching him work ethic, and by giving him a job and a car. Through Walt’s sacrifices and teaching Thao now possesses the ability to live free from gangs and delinquency. In the scene, “The Men of their Houses,” Thao is washing dishes in the background between two older family members in the foreground; this staging establishes Thao’s inferiority and subservience within this family. In the scene he is very disconnected from the family, as he washes dishes by himself in the kitchen while the rest are socializing. Thao’s grandmother remarks that, “He does whatever his sister orders him to do” (10:30), this quote affirms that he is not the man of the house, and that he is passive and unassertive. The scene displays Thao as weak and unable to become the man of the household, …show more content…
The scene opens with a low angle shot showing Walt on an elevated platform looking down at Thao. The angle setup in this shot portrays Walt as a figure of authority. Walt proceeds to have Thao beautify the surrounding houses, with shots cutting from Thao working, to Walt overlooking the work. In these shots Thao is shown to be struggling and performing very physically demanding tasks, however at the end of these cuts Thao is shown smiling at his own callouses. The shot signifies that Thao has learned an appreciation for his own hard
Although the nursing profession has emerged tremendously since the 19th centuries and many great accomplishments and changes has taken placed over the years, however there were presented issues from the film “Sentimental Women Need Not Apply” that were striking to me as they are still very relevant in both the nursing field and in our society.
4. Theme - Gender Roles Throughout this play, many characters equate cruelty and violence with masculinity; Lady Macbeth questions her husband’s masculinity in order to manipulate him to help her achieve her ambitions--goals that she cannot have as a woman. In an attempt to manipulate and convince Macbeth to follow through with Duncan’s murder, she mocks his worries, asking him “Hath it slept since? /
AIn the movie, The Grudge (2004), a woman is used to play the four big roles, which are the main character, supporting character, victim who dies early, and the evil creature, which is the dead mother who is now a ghost. The main character, Karen Davis, is an exchange student who works at the same place as one of the supporting characters as a care-worker. Throughout the movie, she learns about the events that brought the ghost into existence, while simultaneously being followed by the ghost. In the end, she attempts to kill the ghost, but it survives and continues to follow her. One of the gender stereotypical characteristics of the main character was her job as a care-worker. Care-workers are people who care for others such as children,
Stereotyping, racial slurs, and labeling and norms are seen and used on a daily basis and can be observed in virtually any aspect of life, from race to religion. These aspects are used repeatedly throughout the popular movie “Gran Torino.” Clint Eastwood plays the raunchy character Walt Kowalski, a Korean War Veteran, whose memories from the war continue to haunt him. His values, and beliefs, lead him to pass judgment upon others that he encounters. He doesn’t seem to get along with anyone in his decaying Detroit neighborhood, but an unlikely bond with his Hmong neighbors leads him to redemption, coming face-to-face with the same catastrophic bias that’s consuming the community gang members that have consumed him.
The ideology of male dominance has existed since the beginning of mankind. In the play A Streetcar Named Desire, by Tennessee Williams, it is especially apparent that Stanley, who is a working class man, feels the need to assert and reassert this principle of power constantly. Williams makes clear, through the character of Stanley, that the yearning for others’ recognition of their power and capability is the motive behind men’s masculine inclinations.
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.
Is a human being defined solely by his or her genetic makeup, or do other factors play a part? If so, do those factors have to be tangible, like environment, or can they be more nebulous, like spirit? In the 1997 film, Gattaca, the writer and director Andrew Niccol imagines a “not-too-distant future” in which it is possible to genetically engineer children with desired characteristics such as height, hair color or IQ. Even though the ability to create customized human beings exists, some people are born the old-fashioned way.
In today 's society, gender stereotyping of men and women has influenced the society’s actions and how it has reflected in recent years. Everyday stereotype is being used whether if it’s on movies, workplaces, playgrounds, homes, or even magazines. There is gender diversity in the movie Grease which took place in 1978. This movie focuses on several different types of stereotyping throughout the movie. Two specific characters in which we are able to use as an example of gender stereotyping are Sandy and Danny. There has always been a specific boundary between a male and a female gender. The femininity side that is shown in the movie Grease of how it is described by the character Sandy of how women were once portrayed back in the day has changed
We’re all familiar with the stereotypes and myths about what it means to “be a man.” The victorious leader gets what he wants using aggression and does not accept failure; he is smooth with the ladies, and he is often good with a gun. He is usually rich and in control, especially in control of women, like a father who loves his daughter dearly but will be damned if she’s going to go out dressed like that. The list could go on and on with the stereotypes. But the Coen Brothers’ cult-classic film, The Big Lebowsk (1998), with its hero “The Dude,” contradicts these notions of masculinity. The Coen brothers offer several familiar stereotypes of masculinity (the Vietnam vet, the successful capitalist, an oversexed bowler, some aggressive German nihilists), yet it is these characters that throughout the film are shown to be absurd, insecure, and even impotent. It is these stereotype men that the Coen brothers criticize. “Sometimes there’s a man,” says the narrator over and over again, pointing out the Dude’s non-stereotypical masculinity as the true representation of what it means to be a man. The brothers then illustrate that the men who give no thought to their identity, who ignore the pressure to conform to cultural expectations, are to be regarded as “real men.”
Clint Eastwood’s film “Gran Torino” traces the end of the life of Walt Kowalski. He has recently gone through a lot – the death of his beloved wife, his distant relationship with his son, his emotional scars from the Korean War and his bad health. All these things stop him from living a proper life. He doesn’t care about himself much – he smokes even though he is sick, he doesn’t eat a lot, he refuses to confess even though that was his wife’s last wish. However, all this changes when he meets the Hmong Family that lives next door. At the beginning he detests them because of their similarity to the Koreans, but later, as he gets to know them, they become the family that he was never able to have. The story traces the psychological changes in Walt’s character due to his unusual bond with the Hmong family, which changes are one of the main strengths of the film.
Gran Torino embodies racial slandering, stereo typing, and discrimination to a high degree and unfolds into a beautiful picture of friendship, true family values, and retaliation at its finest. Racism is an obstacle for potential relationships. This film is a prime example of how race sometimes gets in the way of friendships. Clint Eastwood plays a war veteran who appears to have been forced into racism after serving in the war. A silent racial segregation exists in society today and this segregation is present throughout the film Gran Torino. We find ourselves grouping together
In today’s world, men and women are perceived equally by the society. In the past, authority and control define men while women are given the characteristic of helplessness. Men are able to get hold of high positions while women usually are subservient to them. In movies, we would usually see women portray roles that are degrading due to the stereotypical notions they associate with this gender group. Moulin Rouge, a movie set during the 1900s narrates the story of a courtesan woman, Satine, as she undergoes hardships to earn money, experiences love but unfortunately, due to her irrational choices, faces tragic consequences at the end. Satine is a symbol of how women are being treated by the society during the era before post-feminism, where men have superiority over women. As the plot develops, Satine transforms from a worthless prostitute to someone who is courageous and willing to face her fears in order to attain her aspirations. Psychoanalyst theory and feminist analysis are apparent throughout the film. The male gaze, fantasy and feminism are three topics that will be covered in depth in this essay through relating it to the movie.
Gran Torino is a suspense film directed by Clint Eastwood, which portrays the relationship between a 78-year-old Koran war veteran and his neighbors who are from Laos. The main character, Walt is a racist who still has memories from the horrors of war and has a dislike for anyone, including his own family. After his young neighbor Thao is coerced by his cousin’s gang into stealing Walt’s prized Gran Torino, a unusual relationship forms between the pair. Walt starts to respect Thao and his culture while fulfilling a fatherly role that Thao is lacking. Eventually, Walt has to confront the gang knowing that the confrontation will end in his death. Apart from the stereotypical, get off my lawn quote, this film depicts the relationship of family concerning the care for older adults, the struggle with despair and meaning later in life, and the morality of a good death. This paper will address each of these themes.
The film Gran Torino directed by Client Eastwood challenges The issues of stereotypes through the attributes of contemporary assumptions of status, gender and ethnicity. Exploring the themes of absence of a male dominate figure, enabling protagonist Theo to be a feminine figure exploits the idea of gender portrays the Hmong men to be stereotyped.Ethnicity and status also express multiple meanings through the cinematography and the Hollywood narrative style illustrates many representation of the western and eastern cultures These key terms gender, ethnicity and status all intertwine with each other during the entire film. The Hmong culture have been stereotyped by the western culture concerning that the American way is the only way which evidently challenges the ideas and ideologies of the Hmong society. the film illustrates the idea of realism but underlines the factor that cultures outside of America should obtain the manners and ideas of an American to survive in society. there is clear indication that classical Hollywood narrative, mis en scene and cinematography style can support stereotypes about gender, ethnicity and status.
Feminist theory was derived from the social movement of feminism where political women fight for the right of females in general and argue in depth about the unequality we face today. In the aspect of cinema, feminists notice the fictitious representations of females and also, machismo. In 1974, a book written by Molly Haskell "From Reverence to Rape: The treatment of Women in Movies" argues about how women almost always play only passive roles while men are always awarded with active, heroic roles. Moreover, how women are portrayed in movies are very important as it plays a big role to the audience on how to look at a woman and how to treat her in real life due to the illusionism that cinema offers. These images of women created in the cinema shapes what an ideal woman is. This can be further explained through an article 'Visual Pleasure and Narrative Cinema' written by a feminist named Laura Mulvey in 1975. She uses psychoanalysis theories by Sigmund Freud to analyze 'Scopophilia' which is the desire to see. This explains how the audience is hooked to the screen when a sexy woman is present. In a bigger picture, where Scopophilia derives from, 'Voyeurism' is also known as feeling visual pleasure when looking at another. Narcissism on the other hand means identifying one's self with the role played. It is not hard to notice that in classical cinema, men often play the active role while the women are always the object of desire for the male leads, displayed as a sexual object and frequently the damsels in distress. Therefore, the obvious imbalance of power in classical cinema shows how men are accountable to moving the narratives along. Subconsciously, narcissism occurs in the audience as they ...