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Argument essay on graffiti
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Argument essay on graffiti
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Art: the ultimate form of self expression. But, what constitutes an art? And, who decides? These very questions plague society as it tries to decide and define the official status of graffiti--art or vandalism? Because it has found its way into art galleries and because of the community of artists who challenge and inspire each other, graffiti should be considered art and as a way to express oneself. The origin and history of graffiti is not what one might expect. Believed to have been created by a Philadelphia high school student named Cornbread in 1967, it was a bold effort to catch the attention of a girl (De Melker). In this same time period, graffiti sprung up in New York as well. It was “one among many forms of social protest” during the 1960s, “an era marked by social unrest” (Prahlad). Graffiti artists, often known as “writers”, used graffiti as a form of protest, most clearly exemplified in the “‘bombing’ (painting) of subway trains in direct response to the bombing of Cambodia and Vietnam” (Prahlad). The graffiti movement reached its peak in the 1970s, also known as graffiti’s “golden age” (Ehrlich). “The modern graffiti movement, associated with the hip-hop culture of break dancing and rap music, started primarily among black and Latino teenagers in Philadelphia and New York in the late 1960s” (Derfner 30). The tagging phenomenon spread far and fast because these artists “usually wrote on subway cars, which had the advantage of moving their writing across the city” (Derfner 30). This dispersion increased the popularity of graffiti, and the movement spread from city to city, painting the nation. The influx of graffiti in urban cities raised some concerns with citizens. City officials were the main adversaries. So much s... ... middle of paper ... ...in Its Own Words." New York Magazine 3 July 2007: n. pag. New York Magazine. Web. 17 Nov. 2013. Eiserer, Tanya. "Dallas Will Try to Reduce Graffiti by Giving Artists ‘Free Walls’." The Dallas Morning News 22 Aug. 2012: n. pag. Dallas News. Web. 17 Nov. 2013. "Graffiti." City of San Antonio. N.p., n.d. Web. 17 Nov. 2013. Main, Frank. "Gangs Using Social Media to Spread Violence." Chicago Sun-Times 26 Jan. 2012: n. pag. Chicago Sun-Times. Web. 17 Nov. 2013. Prahlad, Anand. "Aerosol Art." Issues: Understanding Controversy and Society. ABC-CLIO, 2013. Web. 17 Nov. 2013. Watkins, Matthew. "Dallas’ First ‘Free Wall,’ in West Dallas, Gives Graffiti Artists a Legal Canvas." The Dallas Morning News 13 Apr. 2013: n. pag. Dallas News. Web. 17 Nov. 2013. "The Writing's on the Wall; Graffiti." The Economist 9 Nov. 2013: 40. Student Resources in Context (Gale). Web. 17 Nov. 2013.
Inside the yard now stands a freshly painted mural, sixty feet wide and twelve feet high. The work is the result of weeks of designing and planning, and with luck it might last as long on the train as it already has on paper. What the boys have done, what has taken place inside that trainyard, is a work of art. [Let us begin with a basic assumption. One may object to graffiti on social or moral grounds, but only in the most conservatist terms can it not be considered “art.” Any idea of art which does not go out of its way to disinclude vandalism will, in fact, contain graffiti. We will, then, put aside social and moral considerations for the duration, and consider graffiti as art.]
On February 26, 1973, Mayor John V. Lindsay’s graffiti task force drafted an anti-graffiti plan that featured “increased security measures in those areas of the city where security may deter vandalism.” As crime increased in majority black and Latino neighborhoods, police detectives associated graffiti in these areas with the violent crimes surrounding it. Technically, the police had reason to prosecute graffiti as a crime; the term graffiti addressed the illegal defacing of public and private properties. When Bernie Jacobs of the New York City Transit Police asserted that, “graffiti is not an art...I can sure as hell tell you [it’s] a crime,” Style Wars viewers see how vehemently detectives disparaged graffiti work and writers. Despite the fact that writers of color fought hard for free expression, racial profiling continued to constrain the process of getting the materials needed to make graffiti. Writer Skeme stated that, only “niggas who be high when they come from school...break windows,” and then commit violent crime; nevertheless, a white youth commented that “everybody [thought]” black and Puerto Rican kids wanted to rob aerosols and spray-paint from stores. Even though most graffiti writers of color did not commit violent crime, police detectives still labeled graffiti writers of color who wanted to buy artistic
Graffiti or street art is considered an art form because it includes aesthetic criteria, incoherence and nonstandard presentation. Graffiti has been developing since the late 1960’s. The origins of graffiti go back to the beginnings of human social interaction. Graffiti has been found in uncovered, ancient Egyptian monuments and graffiti was preserved on walls in Pompeii. Also, graffiti art is colorful and complex. Graffiti artists need a considerable amount of skills to complete their artwork, they need to have creativity for using spray paint. The concerns of modern graffiti art originated in New York and it was known first as New York Style Graffiti. The novel Let the Great World Spin written by Colum McCann discusses graffiti art in New
“This world is but a canvas to our imagination” (Thoreau). The world is quite literally a canvas for graffiti artists, and these two opinion editorials cover the desire for this medium of art to be appreciated and showcased. Eric Felisbret wrote “Legal Venues Celebrate Graffiti as an Art Form” which was published on July 16, 2014 in the New York Times. Felisbret’s article was about creating more legal venues to showcase graffiti. Kathy Grayson wrote “L.A. Graffiti Exhibition, ‘Art in the Streets,’ belongs in N.Y.C.,” which was published on June 26, 2011 in the New York Daily News. Grayson wrote her article to persuade readers that “Art in the Streets” belongs in New York. The articles were simultaneously the same and very different in their content. Even though the specific messages were diverse the purpose was to persuade the discourse community, who value law, education, and their community, into having graffiti displayed as art. These two
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
If one drives south on I-69 enough, they may begin to remember that “Bob loves Brenda” or that some bodies, only referred to as we, “hate people.” These things are written on the bridges, billboards, and road signs of the interstate to advertise the artist’s message to the general public, while drivers are left to think why should they care who loves who and who hates what. Graffiti is a part of the world that people see everyday and whether it is truly artful or a visual impediment is up to the individual.
Castleman, Craig. "Getting up: Subway Graffiti in New York." The MIT Press (1982): n. pag. Digital file.
"Tracing the Roots of Modern Street-Art and Graffiti." Tracing the Roots of Modern Street-Art and Graffiti | WebUrbanist. WebUrbanist | From Urban Art & 3D Graffiti to Abandoned Cities. Webist Media Publishing, 22 Apr. 2009. Web. 05 Dec. 2011. .
Although many people believe that graffiti is vandalism, it is in fact art because many museums display graffiti, people are interested in it, and it displays beauty and emotional power. Many people have learned to appreciate graffiti as an art form and have opened their eyes to the beauty and emotional power it holds. From the video on CBS News, “Is Graffiti Art or Vandalism,” Laura Fanning (museum visitor) explains at 1:42 “. now I see it as more of a commentary and a statement of ‘I’m leaving my mark’.” This quote exhibits a museum visitor whose perception of graffiti changed when she went to a museum that displayed graffiti.
The Graffiti community is, although they will not admit, a bunch of aesthetic filled souls. Everyone gathers recognition in this community. “Graffiti isn't something a normal person does, I have been through a lot of situations just cus I do what I do,” my subject explains. These artist ARE outcasts, for a good. They express culture and it is something they get a feel for. It is brilliant, even with the trouble.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Graffiti has been on the rise in popularity since its beginnings fifty years ago. Danielle Crinnion provides a brief history of graffiti arguing that “Philadelphia
The beauty of art is that everyone has a different opinion of what they consider art. A highly debated topic is if graffiti can be considered art. Technically speaking, it is usually vandalism but people believe it is also art. Although it is in fact vandalism, graffiti is still art because it is self-expression of the individual and can even convey powerful messages that can reach out and affect the everyday person.
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around till the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.