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The red scare and conformity
A essay on the red scare
A essay on the red scare
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Good Night, and Good Luck
Good Night, and Good Luck, directed by George Clooney is a mostly historically accurate film of the timeline of McCarthy’s communist ‘witch hunt’ taken from the point of view of the famous news show, CBS News. The movie follows the story of Edward Murrow, the host of the show See It Now, and his coverage of McCarthy and his pursuit to eliminate communism in America. After analyzing the film, one can find little anomalies in the events showed during this historical movie. This includes the use of characters, props, and music during the film. One of the most interesting choices of the movie is how Joseph McCarthy’s impact on America is portrayed. For one, Clooney did not cast anyone to play the role of Senator McCarthy.
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Joseph and Shirley’s relationship shows how difficult it was to be married coworkers, especially during the 1940’s, as many workplaces did and still don’t allow for relationships between coworkers and are promptly told they will be fired at the end of the film due to many layoffs occurring in the corporation and speculation that the two were together. Shirley does not wear her wedding ring whilst at work and talks to Joseph in a polite matter. Mr. Wershba on the other hand, is not as careful and still makes sly comments if the couple is ever alone together in a room. This shows how women were expected to act proper and work well despite any outside conflict (emotional distress, hormones, etc.), whilst men were given lenience on these policies. Women are also shown to be given easier tasks than the men in the film, such as being secretaries and running information around the office for the male journalists. The film keeps with the fashion of the time period as well, showing women in short-sleeved dresses and simplistic makeup and men with suits and slicked-back/gelled hair. These male and female stereotypes are not the only time period generalities depicted
May begins by exploring the origins of this "domestic containment" in the 30's and 40's. During the Depression, she argues, two different views of the family competed -- one with two breadwinners who shared tasks and the other with spouses whose roles were sharply differentiated. Yet, despite the many single women glamorized in popular culture of the 1930's, families ultimately came to choose the latter option. Why? For one, according to May, for all its affirmation of the emancipation of women, Hollywood fell short of pointing the way toward a restructured family that would incorporate independent women. (May p.42) Rosalind Russell in His Girl Friday and Scarlett O'Hara in Gone with the Wind, for example, are both forced to choose between independence and a happy domestic life - the two cannot be squared. For another, New Deal programs aimed to raise the male employment level, which often meant doing nothing for female employment. And, finally, as historian Ruth Milkman has also noted, the g...
During the Talladega 500, Cal Naughton Jr., Ricky Bobby's former best friend, pulled ahead of Ricky, allowing him to slingshot around his car and pass Jean Girard. Though Cal and Girard were teammates at Dennit Racing, Cal disregarded this and jeopardized his team's success to aid Ricky in the movie Talledega Nights: The Ballad of Ricky Bobby. This moment was crucial to Ricky, he having fallen from grace, going from NASCAR's top driver to being let go by Dennit Racing. The love Cal exhibited was a selfless form of love that was centered entirely around Ricky's happiness, not his own. Because of this selflessness, Cal compromised his own agenda, winning for Dennit, and disregarded personal consequence in hopes that Ricky would win the race. If you truly love someone as Cal loved Ricky, you must sometimes compromise your own interests for their benefit.
McCarthy simply stresses imagery, setting, and conflict all of which show that effortless decisions can lead to great outcomes.
Discriminating gender roles throughout the movie leaves one to believe if they are supposed to act a certain way. This film gives women and men roles that don’t exist anymore, during the 60s women were known to care for the family and take care of the house, basically working at home. However, a male was supposed to fight for his family, doing all the hard work so his wife didn’t have too. In today’s world, everyone does what makes them happy. You can’t tell a woman to stay at home, that makes them feel useless. Furthermore, males still play the roles of hard workers, they are powerful compared to a woman. However, in today’s world a male knows it isn’t right to boss a woman around, where in the 60s, it happened, today women have rights to do what they want not what they are
... middle of paper ... ... When people today hear McCarthy’s name, most automatically think ‘liar, he was crazy, he ruined peoples lives.’ Some people, however, would say that ‘yes, he may have been wrong on most of his points, but he knew what was happening and he had been desperately trying to warn the people about Communism.’
The tendency to go soft on McCarthyism has been evident in popular culture as well. The presentation of a special Lifetime Achievement Award to director Elia Kazan at the 1999 Oscar ceremony is the most flagrant and controversial example. Another example of the current vogu...
The horrors of history are passed on from generation to generation in hopes that they will never occur again. People look back on these times and are appalled at how horrendous the times were; yet, in the 1950s, history repeated itself. During this time, Joseph McCarthy, a United States senator from Wisconsin, began accusing people of being communists or communist sympathizers, which is parallel to the Salem witch trials in the late 1690s when innocent people were accused of practicing witchcraft. One of the people McCarthy accused was author and playwright Arthur Miller. To express his outrage at McCarthy’s actions, miller wrote The Crucible, intentionally drawing similarities between the McCarthy hearings and the Salem witch trials.
being a Communist, with the only source being a report on how his father reads a Serbian newspaper. (Clooney) Without genuine evidence from a credible source, an argument is as good as a blatant claim. McCarthy’s “evidence” is in fact unsubstantiated in itself. Therefore, his accusations contain no basis, and lack the foundation needed to provide solid and subs...
The Bad and The Beautiful (1952) and State and Main (2000) are films within films that unmask Hollywood Cinema as a dream factory and expose the grotesque, veneer hidden by the luxury of stars. The Bad and the Beautiful, directed by Vincent Minnelli, is a black and white film narrated in flashback form. The films theatrical nature requires more close-ups than wide-screen shots to capture the character’s psychological turmoil. For example, Fred and Jonathan’s car ride is captured in a close-up to signify their friendship; however their relationship deteriorates after Jonathan’s deceit. While the camera zooms out, Fred stands alone motionless. Here, Fred is captured from a distance at eye-level and he becomes ostracized by the film industry and
Miller uses similarities between Abigail and Procter and real people from the McCarthy era, relations with characters Danforth, Hathorne and Hale with organizations from the McCarthy era and the method of choosing a controversial topic similar to communism to show allegory. The strategies Miller used to craft this play included using literary terms and features, setting, plot events and characters to convey his overall criticism of the time period. The McCarthy era greatly contributed to Arthur Millers development of the plot of this play and the ability to connect with the audience and make them relate what they saw to their own lives.
Moonlight is a motion picture with a tender, heartbreaking story of a young man's struggle to find himself, told across three chapters in his life as he experiences ecstasy, pain, and the beauty of falling in love, while grappling with his own sexuality and dealing with his more difficult past. Moonlight describes a touching way of those moments, people and unknown forces that shape our lives and make us the way we are. A major theme of Moonlight is the black male identity and its interactions with sexual identity. The motion picture combines acceptance and love with pain and narrow-mindedness. In it’s simplicity the movie is a chronicle of the childhood, adolescence and burgeoning adulthood of a young black man growing up in a rough neighborhood of Miami.
In the documentary “Fed Up,” sugar is responsible for Americas rising obesity rate, which is happening even with the great stress that is set on exercise and portion control for those who are overweight. Fed Up is a film directed by Stephanie Soechtig, with Executive Producers Katie Couric and Laurie David. The filmmaker’s intent is mainly to inform people of the dangers of too much sugar, but it also talks about the fat’s in our diets and the food corporation shadiness. The filmmaker wants to educate the country on the effects of a poor diet and to open eyes to the obesity catastrophe in the United States. The main debate used is that sugar is the direct matter of obesity. Overall, I don’t believe the filmmaker’s debate was successful.
The film, Out in the Night documents a 2006 case in which a group of young African American lesbians were accused of gang assault and attempted murder. The film portrays how unconscious bias, institutional discrimination and racism contributed to the convictions of seven African American lesbian women. Three of the women pleaded guilty to avoid going to trial, but four did not. Renata Hill, Patreese Johnson, Venice Brown, and Terrain Dandridge maintained their innocence and each were charged with several years in prison. I cried through out the documentary because it dawned on me that it’s not safe for women, especially gay women of color. The four-minute incident occurred in Greenwich Village where Dwayne Buckle sexually and physically harassed
Prompt: How have your films changed/aided the popular view of this era of American History?
The Prestige is a movie about magicians that turn into enemies when a magician’s wife dies in an accident on stage. Angier’s wife dies when she is doing a trick with him and another magician Borden. Borden is possibly the one that caused her death depending on the kind of knot he tied for the trick. Throughout the movie we see several different parts of what we have seen or read in the recent chapters. Anywhere from love and attraction to aggression to the law; this movie seemed to have it all.