In “Good Country People,” Flannery O’Connor uses symbolism as a representation of a character’s personality or identity. Joy (Hulga), the protagonist in the story, is an educated woman with a Ph.D., disabled, and has a heart problem. She is highly educated, but has her wooden leg stolen by a Bible salesman whom she seeks to seduce. Although, “Good Country People” expresses the tale of how Hulga’s artificial limb is stolen, looking under the surface we’ll realize that the wooden led represents Hulga’s pride and identity. Throughout the story Hulga pities herself because of the absence of her leg, and her heart condition. However, she positions herself over the rest of everyone because of her greater education to conceal how she truly feels about herself. Hulga’s arrogance and rudeness is merely an illusion to hide reality. It seems as if Hulga pursues for ways to be misunderstood by her family, so she claims to be atheist or nihilistic. Throughout the story, the reader begins to understand different sides of Hulga and the wooden leg accumulates meanings. …show more content…
Hulga Hopewell is illustrated as “large,” “hulking,” “poor, stout,” “square, rigid-shouldered,” “bloated, rude, and squint-eyed,” and “blank and solid and silent.” Hulga-large, single, intelligent, obnoxious- is constantly referred as girl, not woman, though she’s thirty-two years old. Hulga isolates herself for everyone and is ethically vacant. She projects ugliness onto herself, since society may potentially transmit ugliness onto her because of her disability. I believe she perceives herself as an unattractive, unlovable woman. Hulga consolidates herself against the world to function within the restrictions of her situation, represented by the wooden leg that Hulga identity has been trapped
“Good Country People” is a story about Joy Hopewell, a very well educated young woman living in the rural south. Joy lost a leg in a hunting accident when she was ten and since then had been forced to wear a wooden replacement. She also had a weak heart and it was this affliction that forced her to remain amongst these “good country people” whom she considered to be intellectual inferiors. Though she had great confidence in her intelligence she had very little self-esteem. Joys’ handicap made her feel ugly, so ugly that much to her mothers’ dismay, she had her name legally changed to the ugliest one she could think of, Hulga. One day a traveling bible salesman named Manley Pointer made a sales call and ended up having dinner with the family.
Symbols find their place within a narrative through a conscious desire of the author to create a pattern of meaning, while the reader on the other hand, attempts to re-construct these meanings by drawing upon conventional associations with events. Conventional symbols are thus internalized in our mental consciousness and associated with what we take to be their predisposed meanings. That is, our minds works to form preconceived mental pictures of what these symbols should universally represent. "13 Happiness Street" is thus a narrative that gains much of its significance through the subversion of conventional symbols against our expectations.
He has qualities of “good country people” by selling bibles and “not attending college but devotes his life to Christian service” (178). His appearance and name is a great symbol that signifies of something that is not real which connects to Hulga’s name. Manley’s name has an impact towards Hulga because his name signifies a manly figure which is a missing part in Hulga’s life. On the other hand his last name Pointer symbolizes great divulge of something amazing that will stand out in Hulga’s way. However his name is seen as a false and in reality symbolizes the emptiness of a male presence and the revelation that her life consists of only falsities. O’Conner also used a great mirror description between a bible and his name. Manly pulled out two bibles though one “was hollow and contained a pocket flask of whisky, a pack of cards and a small blue box with printing on it” (192). O’Conner used this hallow bible filled with several profane and contrary items as a symbolism to expose the meaning of Manley’s true self character. Manley is seen as a true nihilist, and through his name, hollow bible and false Christian morals he has revealed himself towards Hulga, as a true meaning of simply believing in nihilistic
He takes advantage of others by using religious beliefs to his advantage, exactly the opposite of what Christians do. This allows speculation that his supposed “Bible” that is, in fact, a hollowed out Bible filled with whiskey and condoms. Hulga tells the Bible Salesman: “You’re just like them all — say one thing and do another. You’re a perfect Christian.” (467). The comment made by Hulga suggests that she now sees the hypocrisy that is connected to religion, but throughout the whole story, Hulga’s view of hypocrisy is limited. This is a powerful revelation that for the audience because it suggests that she is a hypocrite too. Hulga believes that she is above conventional morality sheds religion to pursue philosophy, so she can live an ethical life than religious people around her. But with all her knowledge, it only makes her blind to where she cannot see her own
The story is center around a small cast. In it Mrs. Hopewell and her daughter Joy, who had her name changed to Hulga, live on a farm with their tenants Mrs. Freeman’s and her two daughters- Glynese and Carramae. Interestingly, Mrs. Hopewell calls the Freeman Girls, Glycerin and Caramel while refusing to call her own daughter anything but Joy. “Good County People”, is told through the interactions of this dysfunctional gaggle of ladies, and their chance encounter with the Bible selling con-artist Manley Pointer. It is a story of a few not so, “Good Country People.”
In the play Joe Turner's Come and Gone, by August Wilson, symbolism plays a very important part in conveying the true meaning of the story to the reader. August Wilson uses symbolism to suggest an intangible condition or truth about the characters in Joe Turner's Come and Gone, and as the story progresses each symbol accrues complexity beyond the original meaning. August Wilson's complex use of symbolism is grossly demonstrated through Mr. Wilson's use of the road, Martha Pentecost, and Herald Loomis.
In Good Country People, Flannery O’Connor explores the complexities of human behavior and how common stereotypes shape the response that these behaviors receive. The title, Good Country People, suggests this work of fiction will tell a tale of modest people living in the countryside as they display neighborly etiquette by performing a series of good deeds for one another. The expectation is that the characters will set an admirable example of how one should conduct his or her life, and thus challenge the reader to embark on a journey of personal improvement. However, this is not a tale of such inspiration, instead it presents characters whose lives (and actions) are quite complicated. None of the characters can be classified exclusively
Her artificial leg is made from wood, not flesh and bone. Her “superior intelligence” comes from books, not real world experiences. In actuality, Hulga’s artificial leg and “superior intelligence” are completely useless. Hulga’s poor eyesight symbolizes her blindness to reality. Hulga’s poor vision prevents from seeing through Manley’s disguise as a good country boy. Instead of seeing what’s inside of people, Hulga only sees superficial traits. Hulga’s eyeglasses do not help her to see Manley’s wicked intentions. Hulga spends all of her time reading philosophy books to learn about the world, instead of learning about the world through real interaction. Hulga also associates her doctoral degree with her intellectual superiority to “good country people.” Hubbard states that Hulga defines good country people as people who can be easily seduced because of their simplicity and lack of knowledge. It is ironic that a young, simple-minded boy could manipulate an intellectually superior woman. Hulga’s weak heart symbolizes her emotional weakness to seduction and her lack of compassion for others (Oliver). Manley seduces Hulga to the point where she wants to be a part of him. O’Conner states that Hulga allowing Manley to remove her artificial leg “was like surrendering to him completely. It was like losing her own life and finding it again, miraculously, in his.” Because Hulga
Hulga lost her leg at the young age of ten, and being reminded for the entire episode, she is stripped of the capacity for both hope and joy. Hulga’s deformity, has helped shaped her as a character. She used to be insecure about her wooden leg, but now she believes it defines her quality, besides her education. She takes care of it by herself and never lets anyone see it. Therefore, this type of attitude and the lack of faith in God is represented as the cause of her to go donwhill, since she lets Manley take off her leg, she becomes very susceptible. She doesn’t know how to live without it, she panics, and Manley ends up stealing it and abandoning her in the loft.
The first name Manley, might suggest to the reader that he will fill a male void for Hulga. The reader is told that Mr. and Mrs. Hopewell are devoiced and there is no other mention of her father in the story. Also, the fact that Hugla sees herself as being hideous suggest that she probably doesn’t have many if any male suiters. While the last name Pointer, could suggest that he will most likely reveal, or point out something in Hugla’s life. Manley is a skilled conman and is able to trick both Mrs. Hopewell, who believes that he is good christian and Hulga, who thinks she is to smart to be fooled by anyone. At the end of the story the reader learns that not only is Manley not a bible salesman, but that his name isn’t even Pointer. “You needn’t to think you’ll catch me because Pointer ain’t really my name. I use a different name at every house I call”(O’Connor 1644). He then goes on to say to Hulga “ you ain’t that smart”(O’Connor 1644). Manley had tricked Hulga into thinking that he was a good Christian and that he was interested in her sexually, but really what he wanted was her false leg and some might also suggest to humiliate her.
Joy-Hulga’s devotion is mostly focused on the care of her wooden leg. She “took care of it as someone else would his soul, in private and almost with her own eyes turned away” (1643). This line demonstrates a sincere side to Hulga and the reality that every human worships
The story “Good Country People”, by Flannery O’Conner is a work that uses characterization in a new and interesting way to help shape and present the characters of this story. One of the main characters is Hulga Hopewell, also known as Joy Hopewell. This characters name plays a very ironic role in the story. Through the use of such a peculiar name O’Conner helps to develop and build the characteristics of Hulga. In the story “Good Country People” the use of the name Hulga (Joy) Hopewell helps to further build upon the characterization of Hulga and give the reader a deeper understanding of the character.
By definition joy means a great feeling of pleasure and happiness. In Mary Flannery O'Connor's short story Good Country People, Joy Freeman was not at all joyful. Actually, she was the exact opposite. Joy's leg was shot off in a hunting accident when she was ten. Because of that incident, Joy was a stout girl in her thirties who had never danced a step or had any normal good times. (O'Connor 249). She had a wooden leg that only brought her teasing from others and problems in doing daily activities. Joy was very rude as well. In the story it speaks of her comments being so rude and ugly and her face so glum that her mother's boss, Mrs. Hopewell, would tell her if she could not come pleasantly than for her to not come at all. (O'Connor 249).
Symbolism is commonly used by authors that make short stories. Guin is a prime example of how much symbolism is used in short stories such as “The Ones Who Walk Away from Omelas” and “Sur.” In both of these stories Guin uses symbolism to show hidden meanings and ideas. In “The Ones Who Walk Away from Omelas” there is a perfect Utopian city, yet in this perfect city there is a child locked in a broom closet and it is never let out. A few people leave the city when they find out about the child, but most people stay. Furthermore, in “Sur” there is a group of girls that travel to the South Pole and reach it before anyone else, yet they leave no sign or marker at the South Pole. Guin’s stories are very farfetched and use many symbols. Both “Sur” and “The Ones Who Walk Away from Omelas” have many symbols such as colors, characters, objects, and weather. The four types of symbols that Guin uses help the readers understand the themes in her short stories. Although her stories are farfetched, they need symbolism in them or the reader would not understand the theme; therefore the symbols make Guin’s stories much more enjoyable.
In “The Horse Dealer’s Daughter,” symbols are used to fulfill the quest of happiness and love. This love story has many symbols, which show hidden meaning. One can fully understand a story, if one can point out certain symbols. Symbols create ideas and images for the reader to better understand the story. (Symbol)Mabel, one of the two main characters in this story, is depressed and suicidal. After her mother died, she feels like there is nothing to live for. Her mother was the love and joy in her life; without her, she is lost. All she has left is her house, which she is extremely proud of, and her brother, which she seems not to care for. She decides to release herself from her troubles by drowning herself in a pond. The other main character, Dr. Fergusson, sees her and tries to save her life. This pond is a strong symbol with many meanings. It is a start of a new experience, and a change of two people’s lives.