An evaluation of Mamet’s Glengarry Glen Ross and Miller’s Death of a Salesman both depicts a protagonist that grapples with a moral discrepancy of ideals and disillusionment. This conflict is directly affected by a personal choice that later becomes irrevocable. Shelly from Glengarry Glen Ross and Death of a Salesman Willy, struggle to preserve their reputation. Intertwined with external pressure and family dynamics, these characters represent the quintessential elements of a tragic hero. The social standing of the two protagonists concerns the common man. A typical criteria of a tragic hero examines the plight of kings. However, Willy and Shelly do not come from an aristocratic background. Rather, their nobility lies in past achievements …show more content…
This later developed into delusion, as Willy often talked to himself and experienced hallucinations. Willy also enjoyed bragging, and frequently edited parts of reality when recounting the past. This was in favor of portraying a certain image of himself. In doing so, Willy created a facade of the perfect and well-liked man. Willy’s stories become so convincing that his family, as well as himself, believe that this representation is, in fact a true depiction. The ideology that charisma is the driving force to success is derived from Willy; he teaches this to his sons Biff and Happy. Miller writes in Willy’s conversation to his sons, “Be liked and you will never want. You take me, for instance. I never have to wait in line to see a buyer. “Willy Loman is here!” That’s all they have to know, and I go right through.” (Death of a Salesman 21). This ideology demonstrates that Willy fits into the role of a tragic hero, as his refusal to acknowledge the truth in reality, stems from his excess of pride. This ideal also applies when Willy refuses to acknowledge Biff’s poor performance in math class but is instead adamant that as long as he is well-liked by everyone, Biff will …show more content…
However, when faced with a sales contest with the stakes being employment or termination, Shelly is faced with a nearly impossible task. Shelly’s sales streak had declined over the years and was at a complete standstill. Under the financial pressures of paying for his daughter’s medical bills, Shelly exhibits little self-accountability in his choice of actions. Shelly is depicted as shifting his financial and career struggles onto external forces. Such as blaming a deteriorating economy, and the assignment of poor leads given to him by Williamson, seen in, “You're burning my ass, I can't get a fucking lead...you think that was luck. My stats for those years? Bullshit...over that period of time...? Bullshit. It wasn't luck. It was skill.” (Glengarry Glen Ross
At the beginning of the play it is evident that he cannot determine the realities of life, and so he repeatedly contradicts himself to establish that his conclusion is correct and opinion accepted. These numerous contradictions demonstrate that Willy is perturbed of the possibility that negative judgements may come from others. Willy strongly believes that “personality always wins” and tells his sons that they should “be liked and (they) will never want”. In one of Willy’s flashbacks he recalls the time when his sons and him were outside cleaning their Chevy. Willy informs Biff and Happy the success of his business trips and how everyone residing in Boston adores him. He mentions that due to the admiration of people he does not even have to wait in lines. He ultimately teaches his sons that being liked by others is the way to fulfilling one’s life and removing your worries. These ideals, that one does not need to work for success, demonstrate Willy’s deluded belief of achieving a prosperous life from the admiration and acceptance of others. This ultimately proves to be a false ideology during his funeral, when an insufficient amount of people arrive. Willy constantly attempts to obtain other’s acceptance through his false tales that depict him as a strong, successful man. In the past, he attempts to lie to his wife, Linda, about the amount of wealth he has attained during his
Willy Loman had the, “wrong dreams,” for his sons to become well-liked salesmen. Due to his own lack of popularity and success as a salesman, Willy forced Biff to try and become the salesman that he never was. However, Biff was an independent thinker unlike Happy and knew that he wanted nothing to do with corporate America. Still, Biff had more than just one reason why he did not want to be like his father which the reader discovers in the flashbacks throughout the story. In the story, Death of a Salesman, Arthur Miller’s unique use of flashbacks illustrates how Willy and his torn relationship with his sons was affected by his past failures as a parent.
Willy Loman becomes incredibly involved in work-related matters, instead of the happiness surrounding his family life. He discourages Biff to take his own path, and instead, nearly forces him to become a salesman, in hopes that Biff will be more successful than he turned out to be. Willy tells Biff that his dreams will “cut down (his) life…!” Willy cannot simply hope for Biff and Happy to attain satisfaction in life, which is the element that Willy misses. He is so consumed by the idea of success that he had not once stopped to reflect on being a good father or loving his wife. Having an affair was one of his main problems-he could not put enough love into his family, so he put it anywhere else he could. He visited his mistress on business ventures, which is the only aspect of his life he truly appreciated. Therefore, his home life became full of lies, Biff saying that they “never told the truth for ten minutes.” Miller is, again, critiquing American households, since their typical values revolve more around money and presentation than a loving, kind, and caring home. Willy had a family who loved him, but he neglected to notice this, which lead to his unhappiness. Never placing any type of value of love and kindness can cause a person to become cold and bitter, which is exactly what Willy became. He may have avoided suicide if he had realized the love and care he could have been surrounded
The play, “Death of a Salesman” written by Arthur Miller, presents Willy Loman, as a salesman, who fails to earn a living and slowly loses his mind. Willy continuously seeks the past to find out where he went wrong. During his years in life, Willy wanted his two sons, Biff and Happy to become someone they’re not; Willy wanted them to become a salesman like him. However, because of his obsession in the American Dream of easy success and wealth, he created a life full of lies for himself and his sons. In the end because of “his misconception of himself as someone capable of greatness” leads to his downfall and the end of his life (Death of a Salesman).”
Willy Loman is a 60 year old senile salesman who desperately wants to be a successful salesman; however, his ideas about the ways in which one goes about achieving this are very much misguided, just as his morals are. He believes that popularity and good looks are the key to achieving the American dream, rather than hard work and dedication. He not only lives his entire life by this code, but instills his delusional beliefs in his two sons Biff and Happy. As a result, his sons experience similar failures in their adult lives. Willy led a life of illusion, lies and regret which not only ruined his life, but gad a negative impact on the lives of family as well.
Arthur Miller’s play Death of a Salesman follows protagonist Willy Loman in his search to better his and his family’s lives. Throughout Willy Loman’s career, his mind starts to wear down, causing predicaments between his wife, two sons and close friends. Willy’s descent into insanity is slowly but surely is taking its toll on him, his job and his family. They cannot understand why the man they have trusted for support all these years is suddenly losing his mind. Along with his slope into insanity, Willy’s actions become more aggressive and odd as the play goes on. Despite Willy and Biff’s “family feud”, his two sons Happy and Biff truly worry about their father’s transformation, Happy saying: “He just wants you to make good, that’s all. I wanted to talk to you about dad for a long time, Biff. Something’s – happening to him. He – talks to himself” (Miller 21). Willy, as a father, cares about his children but he wishes they would do better. He believes Biff should have been an athlete. According to Harrington, “Even figuratively, Willy is haunted, and particularly in Biff’s failure to achieve success as a sports figure” (108). This haunting is part of what led to Willy’s slow plunge into madness. As Willy’s career in sales fails, he also fails, even failing his family. Heyen adds: “He didn’t have anything of real value to give to his family, or if he did, he didn’t know what it was” (48). His debilitating flashbacks and delusional hallucinations with Uncle Ben cement his horrifying realizations that he has let down his family. Willy Loman blames the economy for his downfall in his career. In one of his more extreme outbursts he exclaims, “There’s more people! That’s what’s ruining this country! Population is getting out of control. ...
Willy is a multi-faceted character which Miller has portrayed a deep problem with sociological and psychological causes and done so with disturbing reality. In another time or another place Willy might have been successful and kept his Sanity, but as he grew up, society's values changed and he was left out in the cold. His foolish pride, bad judgment and his disloyalty are also at fault for his tragic end and the fact that he did not die the death of a salesman.
To begin, Willy’s methods of searching for likeability are erroneous. He believes that the superficiality of attractiveness goes hand in hand with being well liked. Willy’s downfall started with his impression of Dave Singleman, an 84 year old salesman. According to Willy, he had “…the greatest career a man could want.” Sure this man was liked in cities around the world, but Willy’s altered perception of the American dream masked the realities of his life. Willy failed to see that instead of being retired at 84, Dave Singleman was unwed, still working, and in the end “dies the death of a salesman”; alone and without love. Believing in this dream, ultimately leads Willy to his hubris; too proud to be anything but a salesman. Throughout the play, Charlie often asks Willy, “You want a job?” Instead of escaping his reality of unpaid bills and unhappiness, Willy’s shallow values lead him to refuse the switch from him attractive job, to that of a carpent...
Willy is blind to the reality around him. This blindness, is his tragic flaw like that of Oedipus Rex. Willy is a dreamer who is unable to face the realities of a modern day society. Willy builds his whole life around the philosophy that if a person is well likedand good looking, he will be successful. Willy says to Biff, "I thank Almighty God that you are both are built like Adonises." Later, Willy makes the comment, "Be liked and you will never want." His need to be well liked is so strong that his choices throughout his life, and his blindness to the reality around him, prevents Willy from realizing his dreams and values were flawed.
Introduction Death of a Salesman and Glengarry Glen Ross are two plays which attempt to validate the key values that have been strongly advocated for by capitalism. The two plays dwell on somewhat similar themes, but these themes are presented in different styles. Both Miller and Mamet hold a similar interpretation of success in that the success of the main characters in the two plays is measured from a material standpoint. According to Miller and Mamet, these characters will do anything within their reach to stay ahead of other members of the society (the system/principle of capitalism), but as fate would have it, tragedies befall them in the end. Nevertheless, Miller and Mamet interpret these themes from different perspectives.
In the play, The Death of a Salesman by Arthur Miller,Willy Loman, an unsuccessful businessman struggling to support his family is completely out of touch with reality throughout the plot line. Many characters throughout this play and their interactions with Willy have shown the audience his true colors and what he thinks is important in life. His constant lying and overwhelming ego certainly does not portray his life in factual terms, but rather in the false reality that he has convinced himself he lives in. Being raised by Willy, Biff and Happy are becoming failures and have no motivation to work hard to achieve anything in life. Throughout this novel, Biff has a few recurrences with stealing.
In conclusion, Millers’ work portrays the death of the American dream while Mamets’ work takes that death and uses it for social criticism on capitalism and the world it has created. Death of a Salesman is modern in that it has a common man as the tragic hero and his downfall is during modern times, it adds irony to Aristotle’s nature of tragedy, it has a clear plot and characters, is subjective, and has a clear distinction between high culture and low culture. Overall, it is a warning to the audience to make sure they do something meaningful with their lives rather than chase the capitalistic American dream. Glengarry Glen Ross is considered a postmodern play because it doesn’t create meaning for its characters lives, doesn’t try to make any point across to the audience other than entertainment, is playful, and it doesn’t give us any catharsis.
In Miller’s Death of a Salesman, Willy Loman’s warped view of the American Dream caused tragedy in his family because he stressed the importance of popularity over hard work and risk-taking over perserverence. *Willy grew up believing that being "well-liked" was important to becoming a success. He believed that being well-liked could help you charm teachers and open doors in business. *He is proud that the neighborhood boys flock around Biff and respond to Biff’s athletic abilities, and in the same breath scoffs at the nerdy Bernard, who is too focused on school and his studies to be popular. Even though Biff turns out to be a failure as an adult, Willy holds on to the hopes that a business man who Biff met years ago will offer him a terrific job if Biff can be his old likeable self and recapture the confidence and grace he had as a teenager.
Throughout his life, Willy Loman thinks of himself as well-liked in the play "Death of a Salesman" by Arthur Miller. It is the most important attribute to him. Willy lived his life thinking he had thousands of friends all over the New England territory and that he would be recognized anywhere he would go. He boasts this to his sons and they think he is the greatest man on Earth. He raises his two sons, Biff and Happy, to be well-liked and Willy does not care about their grades. He believes they will be better prepared for the business world if they are well-liked, and does not think education matters as much as personality, appearance, and physical skill. Although he has set high standards for sons, his morals are being well-liked, he thinks he is the best salesman in his firm, and he claims to be extremely loyal to his family; despite this, he is none of these.
Willy Loman equates success as a human being with success in the business world. When Willy was a young man, he heard of a salesman who could "pick up his phone and call the buyers, and without ever leaving his room, at the age of eighty-four, make his living." (81) This salesman is Willy's inspiration; someday to be so respected and so well known that he can still provide for his family, even at an old age. Of course, Willy is no good at being a salesman because his heart isn't in it. The only time Willy puts his heart into anything is when he works with his hands, and his son, Biff, comes to realize this. "There's more of him in that front stoop than in all the sales he ever made." (138) Willy never comes to the realization that it is not being a salesman that he cares about, but rather being well known and, perhaps more importan...