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Renaissance vs medieval art
Renaissance vs medieval art
Key concept of change between Medieval and Renaissance in art
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Artistic styles are constantly changing. Incidentally, most famous artists tend to be masters of a specific style of art. Every period of art is influenced by the former periods, creating a blurred line where the periods end and beginning. The artists who work in between two distinct periods create a noteworthy blend of both styles. One such artist, Giovanni di Paolo, worked with influences from both the Medieval and Renaissance periods. Medieval and Renaissance art are completely different styles, but Paolo worked to create his own style that fused the two. Medieval art describes the period spanning from Early Christian art all the way to Gothic art. With so many different styles included in this span, come different standards. Paolo focuses on perspective, which was one of the elements that began in Medieval art, but was perfected in Renaissance art. The Renaissance occurred in Europe as literally the rebirth of classical Greek and Roman ideals. Typical early Renaissance art incorporates perspective and realism (Kleiner). Paolo was born at the end of the Medieval period, and although his influences are unknown, it can be inferred that Medieval masters along with Early Renaissance learning influenced him (Damiani). The Medieval and Renaissance periods lasted a significant amount of time, and their overlap is relatively small, but this is when Paolo thrived. Artists were becoming independent artists with individual techniques instead of artisans. Throughout his career, Paolo painted book illuminations as well as panel paintings. Although Renaissance art marked a decline in sacred art, Scenes from the life of St. John the Baptist are a series of six panels that show Paolo’s developing style. Included in these is figure one, St. Joh...
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Kleiner, Fred. Gardner's Art Through the Ages: A Global History. International ed edition. Wadsworth, January 2008.
Moffitt, John F. Painterly perspective and piety religious uses of the vanishing point, from the 15th to the 18th century. Jefferson, NC: McFarland & Co., 2008. Print.
Moxom, Philip S. "The Boyhood of John the Baptist." The Biblical World, Vol. 10, No. 6. (Dec., 1897), pp. 454-461. JSTOR. University of Chicago, Dec. 1897. Web. 20 Oct. 2009. .
Smith, Marilyn. "Giovanni di Paolo." The Oxford Companion to Western Art. Ed. Hugh Brigstocke. Oxford Art Online. 17 Nov. 2009. .
Zuffi, Stefano. Gospel Figures in Art. Minneapolis: Getty Trust Publications: J. Paul Getty Museum, 2003. Print.
Giovanni Pietro Rizzoli also known as Giampietrino spent the vast majority of his known career developing drawings and paintings of nude women from roman mythology under the leadership of the great Leonardo Da Vinci. Under the influential scope of Leonardo, Giampietrino replicated myriad artworks of leonardo’s displaying the importance of honoring the great artists of the late fifteenth and sixteenth centuries, especially those such as Leonardo who remain a significant figure in the discourse of the canon of art in contemporary art society. Although he developed his own techniques and manipulations to refine his own work and bring forth a change in the development of the renaissance and baroque style of art, Giampietrino closely followed the methods taught in the Lombard school of art and those of his mentor Leonardo Da Vinci. Giampietrino’s similar style of painting to Leonardo can cogently be seen in his painting Lucretia and a plethora of other paintings, which convey the influence of the Lombard school from the incorporated formal elements such as color, form, content, and subjec...
The Art Bulletin, Vol. 57, No. 2 (Jun., 1975), pp. 176-185. (College Art Association), accessed November 17, 2010. http://www.jstor.org/stable/3049368.
Turner, Jane. "Bellini, Giovanni." The Dictionary of Art. Vol. 3. New York: Grove, 1996. 657-68. Print. This book provided a wealth of knowledge and information regarding everything involving the artist Giovanni Bellini. The information was extremely detailed and was used in writing both the biography and analyses.
Stanton, Graham. Gospel Truth?: New Light on Jesus and the Gospels. Valley Forge, PA: Trinity Press International, 1995. Paperback.
Van Eyck’s work of the Ghent Altarpiece was not simply a representation of symbols that alluded to Christianity. Van Eyck’s vivid sense of the actual world allowed him to be able to reconstruct reality along with its endless limitations. His audience was so extensively involved with his paintings that it may seem almost esoteric. T...
Baptist Publication Society, 1886). Clarke, Adam; ed. ; pp. 63-63. Clarke's Commentary (New York: Abingdon-Cokesbury Press, 2003). no date. Criswell, W. A. & Co., W. A. Expository Notes on the Gospel of Matthew (Grand Rapids: Zondervan).
Much of the art created during the Renaissance was geared toward religion, and with Michelangelo this was no exception. By th...
The painting is of a young St. John the Baptist preaching to his congregation. St. John is an important figure in Catholicism not only for his preaching and baptisms in the River Jordan, but for his role as the last prophet and the forerunner of Jesus Christ. His preaching foretells the coming of Christ as the Messiah, and thereupon Christ’s baptism, the voice from Heaven told St. John that Jesus was God’s son. This piece by Calabrese captures John at the height of his oration. Fixed atop a decrepit tree trunk yet grappling for stability, John is shown here in his ascetic attire composed of camel hair, holding his staff and scroll bearing the words “Ecce Agnus Dei,” which translates into Beho...
Kleiner, Fred, Gardner's Art through the Ages: A Global History, Fourteenth Edition The Middle Ages, Book B (Boston: Wadsworth, 2013), 348.
Johnson, Brian D. "Thomas and marturia: John 20:24-31." Proceedings (Grand Rapids, Mich.) 25, (January 1, 2005): 172.. ATLA Religion Database with ATLASerials, EBSCOhost (accessed April 10, 2014).
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Kleiner, Fred S. Gardner’s Art through the Ages: The Western Perspective. Vol 2.13th ed. Boston: Wadsworth/ Cengage Learning, 2010.
Stokstad, Marilyn. Art History. New York: Prentice Hall Inc. and Harry N. Abrams Inc. 1995.
The Spiritual in Art : Abstract Painting 1895 – 1985 (New York: Los Angeles County Museum of Art/Abbeville Press, 1985)
Michelangelo was arguably one of the most influential artists of his time and all time. He was also known as the “il divino,” meaning “ the divine” (Harris). Many people often think of Michelangelo as just a painter, but he was also a sculptor, poet, and architect. He achieved many of his greatest works at young ages, and died when he was 89. Most of his greatest works were done during the “High Renaissance.” The High Renaissance was a period that began sometime in the 1490’s and ended in 1527. It was the climax of visual arts in the Italian Renaissance, and contains some of the best works of art such as the marble statue of “David” and “The Last Judgement” on the ceiling of the Sistine Chapel both done by Michelangelo. The most popular