Ginny’s as a Barren Whore in A Thousand Acres
Into her womb convey sterility,
Dry up in her the organs of increase,
And from her derogate body never spring
A babe to honor her.
(King Lear, I.iv. 285-288)
Within the logic of the novel, it is soon established that Ginny understands and feels external reality through her body, and the most important instance of this is her bodily urge to have children. The sight of Rose's daughters, contrasted with her own miscarriages, Ginny says, "affected me like a poison. All my tissues hurt when I saw them, when I saw Rose with them, as if my capillaries were carrying acid into the furthest reaches of my system"(8).
The body of any subject, it can be argued, is also a social body, not only a site of signification for the subject her- or himself, but for other people and society in general. In her despair and jealousy after losing Jess to Rose, Ginny expresses the problematic belief that having children somehow is a universal marker of human worth. This view of her own body as a failure both biologically and socially; that her body "had failed to sustain Jess Clark's interest, to sustain a pregnancy"(307), signals that she is still within the confines of a patriarchal system that sees women as property on a line with animals and the earth. The system, of which Larry Cook is the King, is able to criticize a childless woman, especially when she is "old for a breeder"(13).
It is no wonder, then, that Ginny goes on trying to have children even after Ty egotistically wants to stop trying because he can't take the disappointment. It becomes a way for Ginny to reclaim control over her body, a secret project through which she can live a second life that is free from social imperatives that ultimately originate with the transcendental signifier, the great "I AM"(211) of Larry Cook. It is telling that her reflections upon her "secret world", full of "secret, passionate wishes" are interrupted by a sudden reminder that her past and present life is dominated by her father's world and her father's wishes (26-27).
This secret world and these secret wishes are thwarted, in fact it turns out that they have always been illusions because nitrates in the water have caused her infertility. A Thousand Acres continually makes connections between patriarchy and capitalism, critiquing exploitation of women and nature in industrial farming alike.
In the beginning years of Janie’s life, there were two people who she is dependent on. Her grandmother is Nanny, and her first husband is named Logan Killicks. In Their Eyes Were Watching God, “Janie, an attractive woman with long hair, born without benefit of clergy, is her heroine” (Forrest). Janie’s grandmother felt that Janie needs someone to depend on before she dies and Janie could no longer depend on her. In the beginning, Janie is very against the marriage. Nanny replied with, “’Tain’t Logan Killicks Ah wants you to have, baby, its protection. ...He done spared me...a few days longer till Ah see you safe in life” (Hurston 18). Nanny is sure to remind Janie that she needs a man in her life for safety, thus making Janie go through life with that thought process.
Lily’s idea of home is having loving parent/mother figures who can help guide her in life. Because of this desire, she leaves T. Ray and begins to search for her true identity. This quest for acceptance leads her to meet the Calendar Sisters. This “home” that she finds brightly displays the ideas of identity and feminine society. Though Lily could not find these attributes with T. Ray at the peach house, she eventually learns the truth behind her identity at the pink house, where she discovers the locus of identity that resides within herself and among the feminine community there. Just like in any coming-of-age story, Lily uncovers the true meaning of womanhood and her true self, allowing her to blossom among the feminine influence that surrounds her at the pink house. Lily finds acceptance among the Daughters of Mary, highlighting the larger meaning of acceptance and identity in the novel.
Janie’s previous husbands—Logan and Joe—and Arvay’s husband, Jim Meserve, “sometimes play more the role of substitute parent than that of a husband” (Roark 207). Clearly, this type of relationship impedes one’s self-actualization (including the recognition of one’s personal desires and aspirations). While a father figure is completely...
When looking into the history of our culture, there are many subtopics that fall under the word, “history.” Topics such as arts and literature, food, and media fall into place. Among these topics reside sports. Since the beginning of time, sports have persisted as an activity intertwined with the daily life of people. Whether it is a pick-up game of football in the backyard, or catching an evening game at the local stadium, sports have become the national pastime. According to Marcus Jansen of the Sign Post, more specifically, baseball is America’s national pastime, competing with other sports (Jansen 1). Providing the entertainment that Americans pay top dollar for, live the role models, superstars, and celebrities that put on a jersey as their job. As said in an article by Lucas Reilly, Americans spend close to $25.4 billion dollars on professional sports (Reilly 4). The people that many children want to be when they grow up are not the firefighters or astronauts told about in bed time stories. These dream jobs or fantasies have become swinging a bat or tossing a football in front of millions of screaming fans. When asked why so many dream of having such job, the majority will respond with a salary related answer. In today’s day and age, the average athlete is paid more than our own president. The cold hard facts show that in professional sports, the circulation of money is endless. Certain teams in professional baseball and football are worth over millions of dollars. Consequently, the teams who are worth more are able to spend more. The issue that arises with this philosophy is virtually how much more? League managers, team owners and other sports officials have sought out a solution to the surfacing problem. Is it fair to let...
The citizens of Rome loved to go to these bloody warfares. In the city of Rome, these events were held in the Colosseum. An arena so large that it could hold 50,000 spectators and host fights between men and animals.
Regulating the Leagues (sidebar). (n.d.). Issues and Controversies. Retrieved from Facts on File database. (Accession No. 501450)
...m. This huge circular arena was the pinnacle of the Roman Gladiatorial games, and though it isn't fully intact, it is a great reminder of ancient culture. Though today these games seem inhumane and unnecessary, to their ancient culture it was a vacation from everyday stress. Even the Emperor was said to understand that though money and grain would satisfy and individual, large spectacles were necessary for the contentment of the masses' (wes civ).
Many events took place at the historical Colosseum. Most of the events that were scheduled involved either death and/or destruction. A few of the events were chariot racing, the feeding of Christians to lions, and gladiator fights. At a causality rate nearly 50% died each ‘show’. The chariot racing, which was very popular with the Romans, was held at the Circus Maximus and was seen as a family event. Many people today see Roman entertainment as cruel, but not all forms of entertainment
Shirley Jackson’s stories often had a woman as the central character who was in search of a more important life other than the conventional wife and mother. These characters however were often chastised for their refusal to conform to a woman’s traditional way of life. Much like her characters, throughout Shirley Jackson’s life, she also rejected the idea of fitting into society's perception of a woman's role.
From the start of the book we can see that women in the book are
Marie, who is a product of an abusive family, is influenced by her past, as she perceives the relationship between Callie and her son, Bo. Saunders writes, describing Marie’s childhood experiences, “At least she’d [Marie] never locked on of them [her children] in a closet while entertaining a literal gravedigger in the parlor” (174). Marie’s mother did not embody the traditional traits of a maternal fig...
Through her three marriages, the death of her one true love, and proving her innocence in Tea Cake’s death, Janie learns to look within herself to find her hidden voice. Growing as a person from the many obstacles she has overcome during her forty years of life, Janie finally speaks her thoughts, feelings and opinions. From this, she finds what she has been searching for her whole life, happiness.
For example, “to the people of ancient Rome the arena of gladiatorial combat was a reflection of the awesome strength, power, and indeed civilization of their mighty empire, whose territorial achievements had been secured through military violence” (Baker 18). This evidence suggests that gladiatorial combat was the mechanism that fueled the Roman identity to the rest of the world. In addition, the games acted as a ceremonial tribute to its participants. For instance, “life expectancy in Rome was not high, and the vast majority could not reasonably expect to live far beyond the age of thirty. It was thus extremely important to meet one’s death with courage, honor and dignity – indeed, to look on death with contempt; a Roman citizen had only to visit the arena to witness these qualities in awesome abundance” (Baker 19). The strength of Roman culture that was mentioned previously is identified in each citizen. Rome paved the way for paying tribute to your country, and dying for it with honor. To showcase just how important, the games were to Roman society, they constructed various arenas to pay homage to the sport. As the sport continued to gain popularity, “just about every Roman city had its own amphitheater. The most majestic, the Colosseum, held 50,000 spectators and offered every sort of diversion from circus acts to reenactments of historic naval battles on the flooded arena floor. Roman emperors spent vast
“Jane Eyre” by Charlotte Bronte is a novel about an orphan girl growing up in a tough condition and how she becomes a mature woman with full of courage. Her life at Gateshead is really difficult, where she feels isolated and lives in fear in her childhood. Her parents are dead when she was little, her dead uncle begged his evil wife, Mrs. Reed, to take care of Jane until she becomes an adult. But Mrs. Reed does not keep her promise, no one treats Jane like their family members even treats her less than a servant. By the end of this essay it will be proven that Jane’s life at Gateshead has shaped her development as a young woman and bildungsroman.
Society has changed a lot in the last couple of decades, though, at the time set in the play Who’s Afraid of Virginia Woolf?, the stereotype was very much alive. Even today echoes of this archaic family model still exist. Being normal, and adapting to society, can often lead a person to feel a sense of belonging in the short term. However, the penalty for conforming is that the individual can be lost. Giving up your personal goals, in the pursuit of those passed down from your family can lead to a lifetime of regrets. Basing decisions on societal norms can also have devastating consequences, leading the individual to become lost in a mundane life that is not of their choosing. Martha and George created a fictional son for their private needs to take away from the failure they felt as married individuals by not being able to conceive a child. Nick and Honey started their marriage to fill their roles as future parents in the expected family dynamic. Confronting each couple is a personal failure resulting in an unrealized future. Neither couple has a desire to admit their shortcomings for fear of judgment from the other couple. The play, Who’s Afraid of Virginia Woolf? displays how the desire to be normal and successful, in the eyes of our peers, impacts our life