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Love in the epic of Gilgamesh
Gilgamesh character development
Love in the epic of Gilgamesh
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Gilgamesh and Enkidu in the Epic Poem of Gilgamesh
In this paper, I seek to explore the identities and relationships between Gilgamesh and Enkidu in the epic poem of Gilgamesh, up through Enkidu’s death. I will explore the gender identity of each independently and then in relation to each other, and how their gender identity influences that relationship. I will also explore other aspects of their identity and how they came to their identities as well, through theories such as social conditioning. I will investigate the possibility that Gilgamesh and Enkidu enjoy a homosexual relationship, since modern times allow such investigations which only 20 years ago were considered extemporaneous to ancient texts by traditions western conventions. Conversely, I will also consider the possibility of a heterosexual male-male relationship in the terms of Platonic love. In addition to this, I will touch briefly at times on the unique relationship each has to a world that is caught up in a change from nature and natural things to what we call a civilized life, or an urban life.
In the beginning of the epic poem Gilgamesh, the main character Gilgamesh is conveyed as a generally immoral human, his genesis mythically coming from the gods. “Two thirds they made him god and one third man.” (19, Norton; “Gilgamesh”). He also is said to have a perfect body, which is a trait of godliness in many ancient cultures. “When the gods created Gilgamesh they gave him a perfect body.” (18, Norton; “Gilgamesh). Here again it is obvious that the myth says Gilgamesh is from the same stuff as the gods. He is known for taking whatever he desires “His lust leaves no virgin to her lover, neither the warriors daughter or the wife’s noble.” (19, Norton; “Gilgamesh”). He has the arrogance and audacity to simply take anything that he considers in his kingdom. Clearly, at least early on in the story, the actions of Gilgamesh mirror that of his mythical genealogy from the gods, who live by a different moral code than that of civilized humans. At the same time however, Gilgamesh is certainly portrayed in the story as magnificent and capable of incredible things, such as the building of the walls and Rampart in Uruk. “Climb upon the wall of Uruk; walk along it, I say; regard the foundation terrace and examine the masonry: is it not burnt brick and good?” (19, Norton; Gilgamesh). So at the ...
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...ith the fact that it seems death simply can not be escaped. This helps to change Gilgamesh a great deal, and in fact it is after this that Gilgamesh begins to change his way and is truly a “shepherd of the people.” In the end, Gilgamesh veils Enkidu like a woman (35, Norton: “Gilgamesh”). In fact, the text describes this as being veiled like a bride in this translation. So once again, even in death, it seems that Enkidu and Gilgamesh have moved to a very close and personal relationship with each other, which is certainly Platonic in nature, and even possibly sexually oriented in some way or another. In the end, it is unavoidable that in some way each is affected by the other, either to serve or remember the other and to be the fulfillment of each other.
Works Cited
Uknown Author. “Gilgamesh.” In The Norton Anthology of World Masterpieces, the
Western Tradition, Seventh Edition, Volume 1. Ed. Sarah Lawall and Maynard Mack. New York: W.W. Norton and Company, Inc., 1999. 18-35.
Doty, William G. Myths of Masculinity. New York: The Crossroad Publishing Company,
1993. 73-78.
Sayers, Janet. Sexual Contradictions. New York: Tavistock Publications Ltd., 1986. 23-34.
True love and immortality in life would be a dream come true to many people. To spend time with a special someone; the person one feels closest to; the so-called soul mate and to never have that high feeling of emotion end mentally and physically would greatly appeal to most people. But when death steps into the picture, even with all the pain and devastation, one starts to re-evaluate themselves and realizes the important things in life and puts it all into perspective. In The Epic of Gilgamesh, the main character, Gilgamesh, is a powerful, arrogant king and part god. Enkidu, Gilgamesh’s partner, is animal-like but later takes on more humanistic traits such as his contemplation’s of death. The friendship between Gilgamesh and Enkidu is a very powerful, loving friendship. Enkidu is Gilgamesh’s soul mate, not only acting as his friend but as a lover too. Enkidu’s presence in Gilgamesh’s life allows Gilgamesh to see what is truly good in life and to accept his mortality much easier.
The epic poem Gilgamesh is the first heroic epic of world literature. The role of the primary mortal woman mentioned in it is only to benefit and please men, and with little or no consideration as to how she feels...
Gilgamesh was a very self confident and at times that self confidence led to him to have little compassion for the people of Uruk at he beginning of the story. He was their king, but not their protector; he kills their sons and rapes their daughters. He felt like he was superior to others due to the fact that he was two-thirds god, his mother was a goddess Ninsun and one third human. This fact is the key to all of his actions. This is also what sets him apart from the hero Odysseus.
Science is a way of approaching the world, knowing why and how things around us are occurring. The scientific method allows scientists to be precise and focused. Through that medium, they can determine which hypotheses are consistently supported such that they become theories and which need more modification or rejection. This type of knowing can be tested and quantified. Scientists strive to make their observations as objective as possible, to be devoid of human interest. Scientists try to control all the variables ...
Understanding Gross Domestic product is central for understanding the business cycle and the progression of long-run economic growth (Hubbard & O’Brien, 2011, p. 631). The GDP is defined as the value-added of all goods and services produced in a given period of time within the United States (2008). The GDP is widely used as an gauge economic wellness and health of the country. What the GDP represents has a hefty impact on nearly everyone within our economy. As an example, when the economy is healthy, you will usually see wage increases and low unemployment as businesses demand labor to meet the increasing economy. The government has two types of economic policies used to control and maintain a healthy economy, fiscal policy and monetary policy. When economic growth is healthy it will have a positive on both individuals and businesses.
Gilgamesh who has always gotten what he wanted could not save Enkidu from death. The death of Eknidu effected Gilgamesh and the way the character would evolve from the death of his friend. The friendship with Enkidu allows Gilgamesh to see the reality of death. When Enkidu dies then Gilgamesh becomes obsessed with his own mortality. “What my brother is now, that shall I be when I am dead.” (Gil. 31)
In the beginning, Gilgamesh is a fantastic athlete and warrior. As one would expect from an individual who is two thirds god and one third man, his beauty, strength and courage surpassed all others. He built great walls for his city and temples for the gods. Gilgamesh's flaw, however, is that he is a poor king. He is known for sleeping with virgins before their wedding night, stealing children, and exhausting his men.
Gilgamesh was considered a hero because he had many great qualities, such as loyalty, perseverance, and heroism. Although these are heroic traits, he also had his flaws and was self-righteous, selfish, and prideful. Gilgamesh was a great man and was seen as flawless and “perfect in strength” (4). He represented almost a human version of a god; therefore, making it hard to see his flaws because he seems so ideal. He appeared like the perfect man that had absolutely nothing wrong with him. He was very courageous and this was evident when he states, “There dwells in the forest the fierce monster Humbaba, [You and I shall] kill [him] [And] wipe out [something evil from the land]” (18). This statement shows both a heroic quality and a flaw in Gilgamesh. It shows his heroism and how he felt that he could accomplish great things. His statement also shows how prideful he was because he always wanted the glory and wanted to be seen as the hero. This comes from the fact that he was part human and part god and he knew how amazing everyone thought he was and felt that he needed to live up to that expectation. This can be seen as both positive and negative because it shows his determination, but yet shows his pride. Being prideful is not necessarily a good thing because in this situati...
The first sign of a sincere change in Gilgamesh arises as a result of the birth of Enkidu. From the beginning, a powerful link developed between Gilgamesh and Enkidu. The bond was as powerful as that between man and woman. The wise Ni...
Enkidu was created to be Gilgamesh’s equal and his soul mate. ‘“You made him… now create his equal; let it be as like him as his own reflection, his second self, stormy heart for stormy heart’” (14). So the goddess of creation, Aruru “dipped her hands in water and pinched off clay, she let it fall in the wilderness” and created Enkidu (14). Before Gilgamesh had met Enkidu he loved him; ‘“… I bent down, deeply drawn towards… [Enkidu]… I loved it like a woman and wore it at my side”’ (16). Enkidu had “virtue in him” (14). He was also “innocent of mankind” (14). After Enkidu was civilized the wild animals would not be near him. He felt ...
Many themes are incorporated into the story line of Gilgamesh. These include three very important concepts: death is inevitable, immortality is unachievable, and friendship is a necessity.
Perhaps one of the main reasons the Epic of Gilgamesh is so popular and has lasted such a long time, is because it offers insight into the human concerns of people four thousand years ago, many of which are still relevant today. Some of these human concerns found in the book that are still applicable today include: the fear and concerns people have in relation to death, overwhelming desires to be immortal, and the impact a friendship has on a person’s life. It does not take a great deal of insight into The Epic of Gilgamesh for a person to locate these themes in the story, and even less introspection to relate to them.
The whole reason Gilgamesh takes this journey to search for eternal life is due to the death of Enkidu, with whom he was close with. Before all of the events occurred, Gilgamesh had never thought about the topic of death. It’s as if it never crossed his mind; as though he would live forever. He went through phases along his journey. The first was not accepting reality, the second was fighting for eternal life, and the last was accepting reality. Now, his aspirations for immortality are no longer apparent as he enters the last stage.
In order to lessen the fear of that power being used for crude purposes, Gilgamesh enacts a civilizing campaign of Enkidu. The prostitute sent to seduce Enkidu is done with the intent that “the wild beasts that shared his life in the hills will reject him” (Gilgamesh 64). Though meaning the literal animals of the forest Enkidu originally lived with, this line may also serve a metaphorical purpose as well. The “wild beasts” or thoughts of pure animal reason also are assumed to leave Enkidu’s mind and Enkidu realizes “wisdom was in him, and the thoughts of a man were in his heart” (Gilgamesh 65). Gilgamesh’s own creation appears to have been done with civilizing intent. After all, Gilgamesh is decidedly two-thirds god and one-third man (Gilgamesh 61). However, Gilgamesh’s motivations lead him to take actions to the detriment of his people. This is particularly true in regards to leadership. Previous to discovering Enkidu, it appears Gilgamesh’s actions are thoughtless towards his own people including enforcing the doctrine of prima nocta (Gilgamesh 68). After learning that everlasting life is not his destiny, Gilgamesh takes his own self-aggrandizing actions and reverses them. These motivations direct him to enact his great building projects. As the civilizing of Enkidu was defined in the parameters of participating in social
There has been a lot of controversy around gender assignment. Some believe that all individuals should fit into the male or female category. Others feel as if they were born into the wrong gender assignment and have no true allegiance to either role. According to Linda Brannon in her book Gender Psychological Perspectives, individuals who do not or cannot identify as male or female are placed into a third sex group. Characteristics of individuals who fit into the third sex category is based upon culture. New Guinea, India, Afghanistan, and Native American cultures all have different methods of identifying third sex individuals.