Gerard Manley Hopkins (1844–89). Poems 1918, Spring and Fall: To a young child
MÁRGARÉT, áre you gríeving
Over Goldengrove unleaving?
Leáves, líke the things of man, you
With your fresh thoughts care for, can you?
Áh! ás the heart grows older 5
It will come to such sights colder By and by, nor spare a sigh
Though worlds of wanwood leafmeal lie;
And yet you wíll weep and know why.
Now no matter, child, the name: 10
Sórrow’s spríngs áre the same.
Nor mouth had, no nor mind, expressed
What heart heard of, ghost guessed:
It ís the blight man was born for,
It is Margaret you mourn for.
Gerard Manley Hopkins was an innovator whose poetry was not published until decades after his death. Hopkins was born in Stratford, Essex, which is
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It has a direct clarity of rhyme, which it almost sounds like a nursery rhyme. The speaker addresses the child, trying to understand how she thinks and feels. "Ma’gare’t, are you gri’eving / Over Goldengrove unleaving?" (Lines 1-2 Norton) It seems as though the speaker is attempting to meet the child on her terms by using this diction. He is implicitly making the connection between the turning of the seasons and death. While the turning of the season will bring a new spring, human seasons will bring a final departure and final "fall" (Ellis 151). The next two couplets imply that his knowledge of man is more important and melancholy than the falling of the leaves. "Lea’ves, like the things of man, you / with your fresh thoughts care for, can you?" (Lines 3-4 Norton). This reflective tone allows us to experience the sympathy the speaker feels toward the child. The sorrow she feels at the present time will not go away as she grows older. Its presence will remain, but for different …show more content…
"A’h! a’s the heart grows o’lder / It will come to such insights colder / By and By, nor spare a sign / Though worlds of wanwood leafmeal lie; / And yet you will weep and know why" (lines 5-9). The use of alliteration helps to emphasize the ultimate reality of this child’s pain. The tone becomes stronger and less sympathetic. …"yet you will weep and know why"(line 9), is both the child’s and Hopkins's recognition of mortality.
The final couplets offer an accurate depiction of the poem’s true meaning. "It is’ the bli’ght ma’n was bo’rn for, / It is Margaret you mourn for" (lines 14-15 Norton). Nature’s silent eloquence of death has caused Margaret to intuitively realize that there are other sources of death and grief, not life. (153 Ellis) It is almost as though she comes to terms with her spirit of adulthood and fate. This could also be a way of Hopkins coming to terms with his
Christopher Morley’s poem “Nursery Rhymes for The Tender-Hearted” is a simple poem it is a parody to the nursery rhyme “Twinkle Twinkle Little Star”. This poem is about a roach that is in the house. The speaker is the roach he is telling everything that happened while he was running and everything in the pantry. In “Nursery Rhymes for The Tender-Hearted” there was a roach who was very sneaky, fast and smart.
lust. To his Coy Mistress is a pure lust one even though in parts may
“Those Winter Sundays” by Robert Hayden, “My Father as a Guitar” by Martin Espada, and “Digging” by Seamus Heaney are three poems that look into the past of the authors and dig up memories of the authors fathers. The poems contain similar conflicts, settings, and themes that are essential in helping the reader understand the heartfelt feelings the authors have for their fathers. With the authors of the three poems all living the gust of their life in the 1900’s, their biographical will be similar and easier to connect with each other.
The speaker in “Five A.M.” looks to nature as a source of beauty during his early morning walk, and after clearing his mind and processing his thoughts along the journey, he begins his return home feeling as though he is ready to begin the “uphill curve” (ln. 14) in order to process his daily struggles. However, while the speaker in “Five Flights Up,” shares the same struggles as her fellow speaker, she does little to involve herself in nature other than to observe it from the safety of her place of residence. Although suffering as a result of her struggles, the speaker does little to want to help herself out of her situation, instead choosing to believe that she cannot hardly bare recovery or to lift the shroud of night that has fallen over her. Both speakers face a journey ahead of them whether it be “the uphill curve where a thicket spills with birds every spring” (ln. 14-15) or the five flights of stares ahead of them, yet it is in their attitude where these two individuals differ. Through the appreciation of his early morning surroundings, the speaker in “Five A.M.” finds solitude and self-fulfillment, whereas the speaker in “Five Flights Up” has still failed to realize her own role in that of her recovery from this dark time in her life and how nature can serve a beneficial role in relieving her of her
During the time period of the emancipation proclamation multiple black authors were becoming educated enough to write works of poetry. Such works have influenced and persuaded the minds of white people all over America to this very day. It also gave their own people a work of art to turn to for their own history. The poets have ventured into modern day eras also, and still have the same topics at hand. The main idea of these poetry pieces was on their ancestors in Africa but also of course of the modern problem of slavery. Langston Hughes was the first influential black poet. Lucille Clifton and Colleen McElroy are modern poets but is a black woman who has other views on slavery but also very similar looks on their historical past. All of the poets all mentioned their historical background in Africa. Langston Hughes, Lucille Clifton, and Colleen McElroy all wrote about their ancestors and of slavery, and some of the same references were of the rivers, and the connection between the people even though they are literally worlds apart; a difference between the poems was the desire for freedom and the freedom that was already existing in the modern day poetry of Lucille Clifton and Colleen McElroy.
In the essay I hope to explain why I picked each poem and to suggest
Everyone in the world has one thing in common. Every single person wants love. Ted Hughes’s beautiful poem “A Moon-Lily” uses an extended metaphor to compare a moon-lily to love. At the poem’s beginning, the speaker describes the “moon-lily” as “marvelously white” (1). The speaker uses the color white as a symbol of purity, wholeness, and completeness. A person feels whole and complete when they are in love. The speaker is implying that the flower is love and that the love is pure. The persona uses this image of love to describe the type of love one person tries to give to another. In this poem the person giving the love is the woman and the person refusing their love is the man. In Hughes’s “A Moon-Lily” the speaker compares a moon-lily to
In the opening paragraphs of his first chapter, Emerson finds that nature, like stars is always present and creates a reverence in the observer, but is also always inaccessible (14). Emerson also brings forth the idea that not everyone can really observe nature, but one must have the correct mental/spiritual state, as a child might. He discusses the improving aspects one can find in nature - youth, reason, and faith. Intrigued by visual perceptions, he claims that he looses contact with everything but nature becomes a 'transparent eye-ball' and feels that "I am part or parcel of God" (16). Emerson's emphatic words are perhaps the best description of the enthralling emotions of a 'sublime' experience as possible.
Dual Enrollment English was the first real college-level class I ever had. I actually have taken other college-level classes before it, but Dual Enrollment English was the only course that gave me an accurate representation of how college will really be like and what it will expect of me. My journey through Dual Enrollment English began with a sense of fear and self-defeat and ended with a sense of satisfaction and confidence with many highs and lows along the way. This portfolio catalogs the evolution of my writing during my two semesters in Dual Enrollment English including seven different types of papers as well as each of their respective drafts and tutor feedback.
For my poetry paper I chose to examine poetry from the family album. The family album stood out to me significantly because I thoroughly enjoyed all of the poems because I had a personal connection with it. Family has always been an important part of my life and I think this particular album speaks volume. This album has many levels to it, some deeper than others. I feel that from reading poetry, it expands our ability to think and form ideas that we would have not thought about before. Poetry gives readers the ability to make connections on a deeper level and see things from a different perspective. The two poems that spoke to me in this album specifically were “Those Winter Sundays” By Robert Hayden and “Begotten” by Andrew Hudgins. These two poems are both similar because they are from a son’s point of view, talking about their parent(s). “Those Winter Sundays” was one of my all-time favorite poems from this album because it shows a hard working father who is dedicated to his family, but does not get any recognition for his hard work.
“The power of imagination makes us infinite.” (John Muir). Both John Muir and William Wordsworth demonstrate this through their use of language as they describe nature scenes. John Muir studies nature and in his essay about locating the Calypso Borealis he uses scientific descriptions to grab his reader’s attention and to portray his excitement at finding the rare flower. William Wordsworth on the other hand shows his appreciation for the beauty of nature and its effect on a person’s emotions in the vivid visual descriptions that he gives of the daffodils in his poem ‘I wandered lonely as a cloud.’ Wordsworth with his appreciation of beauty and Muir through scientific descriptions provide an indication of the influence that nature has had on them as they capture their reader’s attention both emotionally and visually through their personal and unique use of tone, diction, syntax and vocabulary.
Child and Insect is a lovely poem about the disappointment in life, which a little boy is just running into and starting to realize. Robert Druce has portrayed a simple but very appealing image of a very humane situation in a child’s life. The writer has delivered his massage to the readers trough a game of the little boy and the grasshopper. Child and Insect is a poem filled with great a variety of literary terms such as alliteration, symbolism, onomatopoeia, repetition, comparison, contrast, personification and run on lines which work all together in order to reveal three different stages in the poem characterized by a drastic change in the mood and the tone of the writing.
Robinson Jeffers was a prominent American poet in the modern day era who changed the format of poetry with his prophetic and enlightening writings including “Hurt Hawks” and “Oh Lovely Rock”.
Judith Wright is a respected Australian poet is also known as a conservationist and protester. Her poetry has captured the most amazing imagery of Australian Culture. For Australian students to understand their own culture and history it is necessary to study the best poetry and Judith Wright’s poetry is definitely some of the best.
The goal of this course is to use the lens of food and drink to examine some of the larger themes in world history. Food and drink are a fascinating subject, as they are one of the few aspects of history that are both ubiquitous but also handled in vastly different ways across the globe. Though food and drink will not allow us to deeply examine every trend and event in world history, such a task is not possible in one semester, they will provide students with a sort of world history skeleton on which they can apply future in depth studies of events and civilizations throughout world history. During this semester we will be tracing the effects food and drink have had on civilization, culture,