In “The Birthmark,'; by Nathaniel Hawthorne, Georgiana’s futile attempt to be flawless by cooperating in her own murder doesn’t make her any wiser, especially because such a sacrifice does not earn her closeness with her husband. The character of Georgiana epitomizes the virtues upheld by the conventions of her time; she is beautiful, docile and has no ambitions of her own other than to make her husband happy. In addition to this apparent perfect union is a "singular mark, deeply interwoven, as it were, with the texture and substance of her face" (Hawthorne 11).
The birthmark is differently interpreted by all. Initially Georgiana thinks of the birthmark, as “a charm,'; and Aylmer knows not “whether to term [the birthmark] a defect or a beauty . . .'; (Hawthorne 11). Most persons of her own sex refers it as “the bloody hand,'; that “Quite destroy(s) the effect of Georgiana’s beauty . . .'; (Hawthorne 11). While her admirers “were won’t to say that some fairy at her birth-hour had laid her tiny hand upon the infant’s cheek, and left this impress [the birthmark] there in token of the magic endowments that were to give her such sway over all hearts'; (Hawthorne 11). Georgiana’s casual approach towards the birthmark reveals while she answers “No, indeed,'; when her husband asks her “has it never occurred to you [Georgiana] that the mark upon your cheek might be removed?'; (Hawthorne 10). Aylmer however visions the birthmark as Hawthorne says “small blue stains which sometimes occur in the purest statuary marble . . .'; (11).
Later on “Georgiana soon learn(s) to shudder'; as her husband’s hatred towards the birthmark considerably increases (Hawthorne 12). Aylmer’s obsession soon starts reflecting in Georgiana. She at this point ignores all warnings and falls prey to her husband’s ambition of removing the birthmark, of which, he although is “convinced of the perfect practicability . . .'; (Hawthorne 13). Georgiana learns from Aylmer’s dream that, there might be a situation in the course of the operation when he might be “inexorably resolved to cut or wrench it [her heart] away'; (Hawthorne 13). Her recent interpretation of the birthmark overshadows this dream as she now even at the “remotest possibility'; wants that “the attempt be made, at whatever risk'; (Hawthorne 13).
Aylemer’s dream however is not the only warning that Georgiana receives. Aylmer to gain confidence in her wife and to declare success in his new venture performs a couple of experiments, which results futile.
Aylmer’s desire to make his wife perfect is doomed to failure because perfection, Hawthorne suggests, is the exclusive province of heaven that cannot be found on earth. Because she becomes an ideal being, completely unmarried, Georgiana is no longer able to exist in this world. The birthmark has references to life, death, nature, beauty, insecurities and disgust.
“The Birthmark” and “My Last Duchess” are two very different works, from two completely different genres. “The Birthmark” is a short story written by Nathaniel Hawthorne, and “My Last Duchess” is a poem written by Robert Browning. Although, these are two different genres, they have very similar themes and parallels. These works explore the problems with power and control in marriages at two different time periods and places and shows what it can drive a man to do. “The Birthmark” has a lot of symbolism, imagery and allegory. This story is about a pretty normal newlywed couple, Aylmer and Georgiana. “Such a union accordingly took place, and was attended with truly remarkable consequences and a deeply impressive moral. (2)” This quote is very interesting because the word “union” means many things. From one perspective it can mean the marriage between Aylmer and Georgiana, and on the other hand it could refer to the union of Aylmer’s love for Georgiana and science. Aylmer is thoroughly devoted to his career in science, and he was recently married to Georgiana so he is just getting to know what being married is like. The birthmark is the conflict in their marriage and in the story, Aylmer isn’t into Georgiana’s birthmark and he requests for her to allow him to remove it. He soon realizes that taking off the birthmark isn’t as simple as it seems because it is interwoven into Georgiana’s face. Georgiana then allows Aylmer to remove the birthmark, even though she knows he isn’t a successful scientist. The liquid that Aylmer has Georgiana drink slowly kills her, and Aylmer is shown to be a complete fool. The actual birthmark itself is the main symbol used throughout the story. “My Last Duchess” is a poem about a Duke who showing someone ...
Sullivan, Wilson. “Nathaniel Hawthorne.” In New England Men of Letters. New York: Macmillan Co., 1972.
In “The Birthmark,” Aylmer is the force of evil that wants to change Georgiana, who is an innocent character. She eventually comes to believe in his opinions and he corrupts her self-image. Aylmer thinks he can make Georgiana perfect and change what Georgiana got naturally. As previously mentioned, he eventually causes Georgiana’s death with this search for perfection. Hawthorne takes advantage of tying in his ideals with the story to illustrate, once again, that striving for physical perfection can be
...ection. By removing the birthmark from Georgiana’s face, Aylmer has taken away her humanity thus leading Georgiana to her death. Georgiana cannot live anymore because she is no longer a human being. Therefore claiming that science has its limits over nature and if those limits are crossed the consequences could be fatal.
The story’s tone is one of romantic controversy, a dilemma at a high level of existence. The scientist’s love for his craft competes very intensively with his newfound love for his wife. It is also very psychological, strictly dealing with the raw mind of its subjects as if the ominous narrator told the story from inside their mind, rather than observe it from the outside. He describes the processes that one may take to reach a certain degree of knowledge and to find the elixir of life, which is described in this story as the ultimate goal of the scientific community. Also, the narrator is very opinionated about events in the story.
Colacurcio, Michael J. The Province of Piety: Moral History in Hawthorne's Early Tales. Cambridge: Harvard University Press, 1984.
Lathrop, G. P., ed. "Hawthorne, Nathaniel." The Reader's Encyclopedia of American Literature. Binghamton, New York: Vail-Ballou, 1962. 439-40. Print.
These demonstrations of psychotic refusal rebuff and even execute off-the ladies and respect the male characters the completely discharge lives they appear to be all along to look for. This kind of cacophony has driven some effective researchers to a more distrustful perspective of the "woman 's rights" of Hawthorne 's work, and, to be sure, of its claim to liberator, or "subversive," or socially basic compel all the more to a great extent. The best of these contentions don 't preclude the legitimacy from securing Baym 's example, or the presence of an intensely thoughtful recognizable proof amongst Hawthorne and, say, Hester (The Scarlet Letter has a tendency to be the critical content here.) But these pursuers see not a submitted, women 's activist Hawthorne but rather an undecided, even a tormented man, attracted capably to contain the subversive conceivable outcomes unleashed by his own particular beset
Since ours is an age that has found irony, ambiguity, and paradox to be central not only in literature but in life, it is not surprising that Hawthorne has seemed to us one of the most modern of nineteenth century American writers. The bulk and general excellence of the great outburst of Hawthorne criticism of the past decade attest to his relevance for us (54).
It takes one person to begin expanding a thought, eventually dilating over a city, gaining power through perceived power. This is why Socrates would be able to eventually benefit everyone, those indifferent to philosophy, criminals, and even those who do not like him. Socrates, through his knowledge of self, was able to understand others. He was emotionally intelligent, and this enabled him to live as a “gadfly,” speaking out of curiosity and asking honest questions. For someone who possesses this emotional intelligence, a conversation with Socrates should not have been an issue-people such as Crito, Nicostratus, and Plato who he calls out during his speech. (37) The problem is that many of the citizens of Athens who wanted Socrates dead, lacked that emotional intelligence and thought highly of themselves. So of course they become defensive when Socrates sheds light on the idea that they may be wrong. As someone who cared most about the improvement of the soul, Socrates would have made a constructive role model to the criminals of Athens, as he would go on saying, “virtue is not given by money, but that from virtue comes money and every other good of man…”(35) Socrates was able to benefit everyone alike as he had human wisdom- something that all the Athenians could relate
...nbsp; As the Holocaust began it was easy for the average non-Jewish German to look the other way because they were pretty much unaffected by the new laws and degrees. When the Nazis established concentration camps in the 1930s, the number of inmates ranged in the thousands. It wouldn't be until the 1940s that the death camps and gas chambers that killed millions would be implemented.
In the 'Birthmark';, a story that is more than a century old Georgiana and her husband Alymar are searching for physical perfection, much like we do today. In addition they manifested their obsession with physical perfection much like we do today. Georgiana was born with a crimson birthmark in the shape of a hand. This birthmark was on her cheek. One day Georgiana discovers that this birthmark 'shocks'; her husband and he is deeply bothered by it. Georgiana finally realizes this after Alymar says 'Georgiana . . . has it ever occurred to you that the mark upon your cheek might be removed?'; After discussing the birthmark several times with her husband, a talented scientist, Georgiana decides to have it removed by him. It is never stated in full detail exactly how Alymar is going to remove this birthmark, we assume that it will be a surgical procedure. At one point in the story Georgina says to her husband 'If there be the remote possibility of it .
The tone adopted by Hawthorne from the inception of the narrative toward Aylmer urges the reader to respect Aylmer’s scientific ambition—directly his triumph of head over heart, but indirectly his objectification of Georgiana and subsequent attempts to fix something that she never thought was a flaw. Not only is Aylmer’s obsession with getting rid of her birthmark selfish in that he does it for “the sake of giving himself peace” (647) rather than any desire to make his wife happy, he also admits to feeling guilt over his tyrannical treatment of her. For example, his “horror and disgust” in response to her facial blight rarely escapes her notice, and when she reacts poorly to his “convulsive shudder,” he attempts to soothe her and “release her mind from the burden of actual things” (650) as if she is an empty-headed infant in need of a pacifier. Furthermore, in response to her desperate request for its removal, he isolates her from humanity, administers potentially harmful concoctions into her rooms and body without her knowledge, and ultimately—and rapturously—succeeds in shrinking the mark at the cost of her
Every man before has always complimented Georgiana on her sweet imperfection. People would tell her all the time that true beauty was in that little blemish. Aylmer, being the man of Science wanted to change what nature had created. Typically, we all know better than to go against Nature, but not Aylmer. Georgiana finally agreed to let her husband remove the birthmark due to a frightening dream Aylmer had encountered. Aylmer started working on a potion to remove Georgiana 's birthmark. As soon as Georgiana sipped the potion, she suddenly falls into a deep coma-like state. The birthmark magically disappears from Georgina 's face. However, as the birthmark fades away, so does Georgina 's life. Hawthorne uses Georgiana 's character to symbolize beauty in this story. Georgiana is already made perfect in the eyes of Nature and all other men, expect Aylmer. Aylmer, representing Science, tries to change Georgiana 's beauty that Nature has created. Aylmer was successful in removing the birthmark, but unsuccessful in keeping Georgiana alive. Aylmer was too intertwined in Science to realize that Georgiana was perfectly made by Nature. Nature paid Aylmer back for trying to correct Georgiana 's face by taking the life of his beloved