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The best course of action, Orwell decides, would be to approach the elephant and see how it responds, but to do this would be dangerous and might set Orwell up to be humiliated in front of the villagers. In order to avoid this unacceptable embarrassment, Orwell must kill the beast. He aims the gun where he thinks the elephant’s brain is. Orwell fires, and the crowd erupts in excitement. The elephant sinks to its knees and begins to drool. Orwell fires again, and the elephant’s appearance worsens, but it does not collapse. After a third shot, the elephant trumpets and falls, rattling the ground where it lands. The downed elephant continues to breathe. Orwell fires more, but the bullets have no effect. The elephant is obviously in agony. Orwell
Throughout the story, Orwell described how he was heavily pressured by the Burmese into shooting an elephant, stating that he became "... an absurd puppet pushed to and fro by the will of those yellow faces behind" (Capote 583). Through Orwell's diction it became known that Orwell was hated by the majority of his residing village since he upheld the position of a sub divisional police officer for the British Raj in colonial Burma. Orwell was driven to killing the animal out of desperation of the public dropping all forms of hatred towards him. Although killing the elephant was against his will, Orwell went through with the deed earning a new profound identity known as the elephant
The essay “Shooting an Elephant,” was written by George Orwell. Orwell was a British author best known for his essays and novels. In “Shooting an Elephant,” the title essay of his 1950 collection, Orwell is a British Police Officer in Lower Burma. After an elephant comes rampaging through the village in must, killing an Indian man, Orwell is looked upon to take care of the problem. The intense scene causes Orwell to make a crucial decision, reflecting on the vicious imperialism with the military in Burma during this time. The author portrays his feelings through the theme of the narrative with feelings such as, guilt, hate, and pressured.
elephant: ?Here I was the white man with his gun, standing in front of the
In this story ,Orwell is taking part in imperialism by proving his power and dignity to the natives presenting imperialism metaphorically through the use of animals. He is using the elephant as a symbol of imperialism representing power as an untamed animal that has control over the village. He uses a large and very powerful animal to represent a significant metaphor for imperialism.. In doing so he leads to the understanding that the power behind imperialism is only as strong as its dominant rulers. Orwell?s moral values are challenged in many different ways, ironically enough while he too was the oppressor. He is faced with a very important decision of whether or not he should shoot the elephant. If he does so, he will be a hero to his people. In turn, he would be giving in to the imperial force behind the elephant that he finds so unjust and evil. If he lets the elephant go free and unharmed the natives will laugh at him and make him feel inferior for not being able to protect the...
In “Shooting an Elephant” writer George Orwell illustrates the terrible episode that explains more than just the action of “shooting an elephant.” Orwell describes the scene of the killing of an elephant in Burma and reveals a number of emotions he experienced during the short, but traumatic event. Effectively, the writer uses many literary techniques to plant emotions and create tension in this scene, leading to an ironic presentation of imperialism. With each of the realistic descriptions of the observing multitude and the concrete appeal of the narrator’s pathos, Orwell thrives in persuading the audience that imperialism not only has a destructive impact on those being governed under the imperialists’ oppressive power, but also corrupts
Every day, each individual will look back on decisions he or she have made and mature from those experiences. Though it takes time to realize these choices, the morals and knowledge obtained from them are priceless. In George Orwell’s nonfictional essay, “Shooting an Elephant”, a young Orwell was stationed in Burma for the British imperial forces, tasked to deal with an elephant who destroyed various parts of the village Moulmein while its owner was away. Backed by second thoughts and a crowd of thousands, he finds himself shooting the elephant and reflecting that it was not justified; however, it was a choice pushed by his duty and the people. Written with a fusion of his young and old self’s outlook on shooting the elephant, Orwell’s essay is a sensational read that captivates his audience and leaves them questioning his decision.
Orwell, George. “Shooting an Elephant.” The Brief Arlington Reader. Ed. Nancy Perry. Boston: Bedford/St. Martin’s, 2004. 334-339.
Recently, a British Police Officer was called upon to attend to an escaped elephant in Moulmein (Lower Burma). During his rampage, the creature trample a hut, multiple vendor stands in the bazaar, and trampled a rubbish van. The officer set off on his mission, taking information from locals about the elephant’s wherebeing. Seconds before he located the animal a group of children ran by and shouts of anguish where heard. As he rounded the corner the officer found that the elephant had trampled a coolie. He says, “He was lying on his belly with arms crucified and head sharply twisted to one side. His face was coated with mud, the eyes wide open, the teeth bared and grinning with an expression of unendurable agony,” (Shooting an Elephant). After
When he finial find the elephant Orwell say “I knew with perfect certainty that I ought not to shoot him.” But when he lays his eyes on the crowd he changes his stance to “but I did not want to shoot the elephant.”(Orwell 199). He felt guilty for shooting the elephant when he describe that the elephant worth more alive than dead, but despite the many reason not to shoot the elephant, he took a shot. Orwell describes “when I pulled the trigger I did not hear the bang or feel the kick …I fired again into the same spot…I fired a third time. That was the shot that did it for him.”(199) the shooting of the elephant represent the Burma people trying to stay alive and over powering by the
In the story “Shooting an Elephant,” by George Orwell, Orwell is a police officer in lower Burma. He was disrespected by the people. One night, an elephant broke its chains and escaped. The elephants keeper, the only person that could tame the elephant, set out on a journey in the wrong direction so he was 12 hours away. That morning, the elephant appeared in the town. Orwell hears a report that the
Throughout "Shooting an Elephant" by George Orwell, he addresses his internal battle with the issues of morality and immorality. He writes of several situations that show his immoral doings. When George Orwell signed up for a five-year position as a British officer in Burma he was unaware of the moral struggle that he was going to face. Likewise, he has an internal clash between his moral conscious and his immoral actions. Therefore, Orwell becomes a puppet to the will of the Burmese by abandoning his thoughts of moral righteousness. This conflicts with the moral issue of relying upon other's morals, rather than one's own conscience.
The symbolic story in the Shooting an Elephant is an attack towards imperialism. Orwell presents the ironic truth that imperialism benefits neither the imperialist nor the countries they colonize. It is perhaps sad to see that men were once willing to buy in to the fraudulent and ephemeral glory that imperialism have offered. Hopefully, men have learned their lessons and no other animal will be sacrificed for men's greed.
Initially, the readers know the officer is not fearful of the elephant (48). However, Orwell’s writing seems to say otherwise, he describes the officer having a flashback of the natives “corpse” (48). If the situation did not frighten the officer why is it Orwell mentions the concept again to the reader? Also, it is in human nature to fear death. Although, there also lies another alternative reason why the officer is not fearful. According to Orwell, the officer believes if he dies like the native it might evoke laughter from the natives who are watching him (48). Therefore, readers are persuaded the officers’ decision to shoot the elephant derives from his fear of humiliation. However, there is an alternative interpretation of the officer’s actions some readers perceive. According to Barry Hindess, writer of “Not Home in the Empire”, he proposes the officer’s reaction is not fear, but rather is an anxiety of being a laughing-stock (364). He bases his hypothesis on the assumption Orwell’s essay. Orwell mentions if the officer were to advance closer to the elephant it may cause a disruption and cause the elephant to rampage, which might lead to the officer to defend himself and shoot at the elephant (47). However, Orwell acknowledges the officer may make an error in his trajectory, which will lead to his death (47, 48). It is clear from Orwell’s writing; the officer must
...o the wrong spot cause the poor animal to die "very slowly and in great agony." In spite of Orwell putting "shot after shot into his heart and down his throat," the elephant lives thirty minutes after its "tortured gasps" force Orwell to leave. Many years later, Orwell still seems bothered by the fact that pride, not necessity, caused him to destroy the animal.
Orwell?s extraordinary style is never displayed well than through ?Shooting an Elephant,? where he seemingly blends his style and subject into one. The story deals with a tame elephant that all of a sudden turns bad and kills a black Dravidian coolie Indian. A policeman kills this elephant through his conscience because the Indians socially pressurized him greatly. He justified himself as he had killed elephant as a revenge for coolie.