George Eliot’s The Lifted Veil

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George Eliot’s The Lifted Veil

When George Eliot’s gothic story The Lifted Veil appeared in Blackwood’s in 1859, her partner George Henry Lewes was busy publishing his study of human anatomy, The Physiology of Common Life (1859). Intriguingly, this work of Lewes’s contains a brief tale which is as strikingly morbid as Eliot’s own. Unlike her story, his is not fictional — it is a scientific anecdote prefacing a detailed discussion of the respiratory system — but like The Lifted Veil its dark melodrama recommends it as “not a jeu d’esprit, but a jeu de melancolie.”[1] It concerns the case of a suicidal Frenchman, M. Déal, who, disillusioned by an unremarkable life and lack of reputation, resolves to exit the world in such a way as to remedy his perceived failings. To do so, he determines to asphyxiate himself on the poisonous fumes of burning charcoal while recording in a narrative the experience of his rapid demise. This testimony, he thinks, will be of much use to science, and so confer on him posthumously the intellectual dignity hitherto lacking in his life. Accordingly, he plans his suicide with the orderliness of an experimental scientist, as Lewes explains:

I have thought it useful, in the interest of science,’ he wrote, ‘to make known the effects of charcoal upon man. I place a lamp, a candle, and a watch on my table, and commence the ceremony. It is a quarter past 10; I have just lighted the stove; the charcoal burns feebly’. (Lewes, 1859, pp.347‑8)

Having begun the macabre experiment, Déal awaits his fate and prepares to document his deteriorating condition at strict ten-minute intervals. Very soon he reports a thick vapour filling the room and the beginnings of a violent headache as his pulse becomes agitat...

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