How and why is a social group represented in a particular way? The popular American Television Show from 1990-1996, “The Fresh Prince of Bel-Air, represents the African-American community differently than the Caucasian community. “The Fresh Prince of Bel-Air” tells of a tale of a poor youth from West-Philadelphia who moves in with his aunt and uncle in the rich community of Bel-Air, California. The main character as described, Will Smith, learns a lot about where he is and what type of lifestyle he grew up in and how they differ. Will’s friend, “Jazz”, is from Compton, California and is often booted off the property (literally) by Will’s uncle, Phillip Banks. “Jazz” is from a rough neighborhood and his behaviors are often looked down upon …show more content…
Will was different, not only was he African American, but he also grew up in an impoverished community, a rare breed in a community filled with professional Caucasian persons. Also, the show probably wanted to show what would most likely happen if a situation like that occurred, with some exaggeration of course. Another reason is that not only were Jazz, Will, and Carlton African American, but also they were teenagers soon to become young men and that not many minorities grow up in rich communities and are as lucky or privileged as Will and Carlton. An example of this is Jazz. He was always at the Banks’ residence and was always around Will because that initial bond of their common upbringings brought them together however Will was still socially superior to him, leading their relationship to be brought apart by the parental forces of Phillip and Vivian. Phillip and Vivian were trying to civilize Will. This also happened with Huckleberry Finn and Miss Watson and Tom Sawyer. Huck didn’t want to be civilized and yes, even though Will liked the perks of having rich Family, he didn’t necessarily want to grow up and pursue a professional career to get there. Tom Sawyer is kind of like a Jazz, The main character’s best friend that often gets into mischief and are looked down upon by the community surrounding …show more content…
Its subtle stereotypical themes throughout the series where common, providing the audience with humor, which was one of the main focuses with this series. The combination of humor and minority occupational and economic success attracted viewers, especially those caught in the cycle of racially unequal distribution of poverty. The Caucasian and African American groups were represented differently because of the racial correlations with their educational and economical norms within their communities. Although minority education and economic statistics have been looking a lot better because of the success of this television series, there are still apparent socioeconomic differences between the two race groups even to this
The media is a powerful tool and has the ability to influence and change one’s overall perspective of the world and the position they play in it. Although Television shows such as Friday Night Lights are seen as entertainment by consumers, its storyline contributes to the social construction of reality about class in the United States.
Brent Staples was one of nine African American children born into the Staples family in Chester, Pennsylvania. He and his family were witnesses to Chester becoming victim to the slums after the city closed some of it’s major industries. As a former reporter for the Chicago Sun-Times, he worked his way up a few positions to the assistant metropolitan editor of The New York Times Book Review. In 1994, he published his memoir, Parallel Time: Growing Up in Black and White. One of his most moving pieces is his essay on the stereotypical views of the average African American Male entitled, “Black Men and Public Space.” It was first published in Harper’s Magazine in 1986. This essay shows not only the average African American male’s thoughts while simply walking down the street at night, but he somewhat explains that he also understands what is going through the mind of the average white by passers as they are forced to cross each other’s paths in the dead of night.
In his essay, “On Being Black and Middle Class” (1988), writer and middle-class black American, Shelby Steele adopts a concerned tone in order to argue that because of the social conflicts that arise pertaining to black heritage and middle class wealth, individuals that fit under both of these statuses are ostracized. Steele proposes that the solution to this ostracization is for people to individualize themselves, and to ‘“move beyond the victim-focused black identity” (611). Steele supports his assertion by using evidence from his own life and incorporating social patterns to his text. To reach his intended audience of middle-class, black people, Steele’s utilizes casual yet, imperative diction.
Each of the show’s male characters played a different role of what black masculinity looked like. “Will” was cast as a relatable young man humorously trying to find his place in the new world that he has been given. “Will” is an easy-going cool guy, who has his way with the ladies. “Will’s” cousin “Carlton,” played by actor Alfonso Ribeiro, is the privileged, money hungry goody-too-shoes who efforts seem to always f...
A three generation African American family of five living in a small, substandard apartment in the city of Chicago faced many obstacles in order to thrive. Blacks often felt that they could “be somebody” when they saw the growing shopping districts, parks and lake side beaches as well as theaters, ballrooms and fancy hotels (Mays). While great strides had been taken in ...
There is an astonishing lack of positive Anglo-American role models in the NBA. An overwhelming majority of celebrity basketball players are African-Americans. Such names as Michael Jordan, Shaquille O'Neal, Magic Johnston, Penny Hardaway, Grant Hill, Scotty Pippin, and Charles Barkley evoke visions of success and greatness in the minds of many young people, but can Anglo-American youngsters really be expected to identify with these African-American cultural icons? Similarly, almost all contemporary movies about basketball center around African-American rather than Anglo-American characters. Shockingly, many basketball themed movies which feature Anglo-Americans portray them in a negative light, perpetuating a derogatory stereotype of Anglo-American basketball players, and further reducing the likelihood of their success. Some films even have titles which mock the challenges faced by Anglo-Americans in the basketball industry; a popular film from the early nineteen nineties was titled White Men Can't Jump.
Both the Younger family and the Johnson family are similar because both share their ambition in wanting to achieve the Black American Dream. However, only the Younger family is able to achieve it because they have goals, working adults, money, and support. They have the freedom to move into their new home in Clybourne Park, despite White supremacy, stereotype, and greed standing in the way. Unfortunately, despite meritocracy, not all Blacks have money and support to transcend themselves into upward mobility. The Johnson family is not able to achieve the Black American Dream because there is no goal set, only one working adult, and no money and support involved in their lives to offer them freedom. It is a lot harder to have upward mobility with no family support especially when society is against the individual. The Johnson family’s unsuccessful attempt to achieve the Black American Dream illustrates that it is not meant for all Blacks living in America. Perhaps it is impossible for all Blacks to excel in America because not all Blacks are privileged to have what other Blacks
On September 20, 1984 a show aired that changed the way we view gender roles on television. Television still perpetuates traditional gender stereotypes and in reflecting them TV reinforces them by presenting them as the norm (Chandler, 1). The Cosby Show, challenged the typical gender stereotyping of television, daring to go against the dominant social values of its time period. In its challenge of the dominant social view, the show redefined the portrayal of male and female roles in television. It redefined the gender role in the work place, in social expectations, and in household responsibilities. The Cosby Show supported Freidan in her view of “castigating the phony happy housewife heroine of the women’s magazines” (Douglas 136).
Race is a huge issue in the film and many stereotypes are made. Jamal Wallace is introduced in the film as a typical black teenage male who goes to a low class school in the Bronx and really excels on the court as a basketball player. He always plays basketball with his friends in a parking lot. Jamal is dared to go into the apartment of a recluse who watches them play through binoculars. Jamal is caught and, running away in fright
Only 4% of Hispanics make up the cast of prime-time television shows, a miniscule amount considering that Hispanic-Americans are the largest minority group in the US. The ways in which minorities are portrayed in the show have their good aspects as well as bad aspects. This is to be expected since showing all good points or all the bad points isn't a fair perspective of the Latino population. As a show that points out a minority, its necessary to look as the good as well as the bad to find if it is actually a optimistic view of the race or a pessimistic one.
Marlon T. Riggs’ video, Color Adjustment, offers the viewer an exciting trip though the history of television, focusing on the representation, or lack thereof, of African-Americans. A perfectly chosen combination of television producers, actors, sociologists, and cultural critics join forces to offer insight and professional opinion about the status of African-Americans in television since the inception of television itself. As Color Adjustment traces the history of television shows from Amos n’ Andy and Julia to "ghetto sitcoms" and The Cosby Show, the cast of television professionals and cultural critics discuss the impacts those representations have on both the African-American community and our society as a whole. Color Adjustment continually asks the question: "Are these images positive?" This video raises the viewer’s awareness about issues of positive images for African-Americans on television.
Are black people that different than white people? This is both a question and concern society focuses much attention on today, is there cultural assimilation in the United States or does the country still remain segregated? Realistically, America has a long way to come before saying it fully integrates both races equally. Donnell Alexander, author of “Cool Like Me” approaches the topic of the prejudices whites have of blacks, arguing that there exists no cultural integration and the United States is still separated. With many lucid examples using expressive tones and personal examples, he compares the coolness of himself to the coolness of other blacks and other cultures in order to get the reader to identify “cool” and relate it as a black quality and observe it in American culture as a style and a way of thinking.
The world of television can either completely hit or miss the mark when it comes to providing its audience a diverse cast/actors. "Girls" is a new HBO show about young, prosperous, and white New Yorkers in their twenties struggling to find their footing in the post-collegiate world. It is a poor example of representation of race, but the show in itself cannot be held responsible for the whole problem of racial diversity of media and popular culture. There has been a lot of controversy about the show's diversity since the first episode, seeing how it is set in the melting pot of NYC and Brooklyn, yet it is prominently white. The shocking part is that despite its meting pot nature, it is very easy to live a segregated social life in New York City, especially if you are a rich white person. The fact that the show is so white should not come off as unusual, yet it does because this generation is more willing to see that change happen in pop culture. Not everyone sees it that way and pop culture still does not represent races equally or at times even accurately. For example, when show do add in minorities they often make them extremely stereotypical to their race. The recurrence in the lack of realistic representation in the show highlights the “whiteness” of stereotypical roles that overshadows real life representation.
In this narrative essay, Brent Staples provides a personal account of his experiences as a black man in modern society. “Black Men and Public Space” acts as a journey for the readers to follow as Staples discovers the many societal biases against him, simply because of his skin color. The essay begins when Staples was twenty-two years old, walking the streets of Chicago late in the evening, and a woman responds to his presence with fear. Being a larger black man, he learned that he would be stereotyped by others around him as a “mugger, rapist, or worse” (135).
It is often the case that media and more specifically, film, perpetuates the stereotypes of black men. These stereotypes include not showing emotion, being physically aggressive, embrace violence, supposed criminality, associated with drug use, lack a father figure, sexually exploit women, and others. In the film, Boyz n the Hood, Tre’s father, Furious Styles, encourages Tre to demonstrate loyalty to other people in relationships, resist aggressive behavior, and foster and exhibit sexual responsibility. Thus, throughout the film, Tre challenges the society’s stereotyped norms of black masculinity and what it means to be a black man.